If I could work with Joan Van Ark every day for the rest of my life I would.

The decision as to why a show makes it has to do with politics and money.

In January '77 I went out to LA and have been here 26 years.

On daytime they continue to revisit a lot of the same stuff while nighttime does move on and show development.

My wife is Danish and we go to Denmark a couple of times a year.

The thing with being on a series that runs that long is that the writers run out of things to do.

If I could work with Joan Van Ark every day for the rest of my life I would.

But no, I'm still living in LA and haven't dropped off the face of the earth.

Thirty years ago dinner theatre used to be much more of a going concern than it is now.

Television is so dictated by time constraints that you have to make quick decisions and go with them.

It was unpredictable, good storytelling that brought you back each week.

I can't really recall the first time I was noticed by a producer but the first time I was on television was doing Daytime for Another World, which I started in December '75 and went until December '76.

Theater to me is acting but it's more real on film.

What happens if you're the guy who's been on the show ten years and is highly paid but they have nothing for you to do is that they bring in other people, and you become a supporting character to those people.

Knots Landing is the best thing that ever happened to me.

Everything I have in life comes from Knots Landing.

I have German Shepherds that I train and have brought back to Germany. I love going there.

I went to the Westminster College for Men in Missouri, which is what it was called back then, and transferred to the University of Denver where I ultimately got my degree.

And I had a lot to play, which is what you want as an actor.

One of the things I was so glad that happened to me on Knots was that I learned to relax.

I have no interest in writing, directing or producing.

I act for the reality, for the moment, and most of all I do it for the process.

I really wasn't on the Dallas set much. I did three or four episodes so I didn't see too much.

I did work out every day. I needed it to have the endurance to do what needed to be done and not get hurt. I have such a new respect for action stars now.

I mean the only thing that is hopefully good about us is after the arguments we can actually still face each other the next day or the day after and talk about something else and sort of get over it.

My favorite singer to this day is Nat King Cole. I've tried to emulate his phrasing. It is so absolutely beautiful to listen to his lovely voice.

I want to have babies one day but not right now. When I do it I want to do it really well. I want it to be my best project in life.

I think I've become a much better singer and a much better player. Years and years of playing a couple of hours every day will do that.

I am tomorrow, or some future day, what I establish today. I am today what I established yesterday or some previous day.

I just wrote one song at a time. Kinda like an alcoholic. One day at a time.

Working mothers do an hour more per day than working fathers do and working mothers do on average an hour more per day with the kids than working fathers do.

When it is time to get to work, I go away completely and don't do anything except the work. And that can be 16 hours a day.

George Pal had total control, and he was there on the set every day. You never met a more charming man in your entire lifetime - what a lovely gentleman.

I'll tell you what I did need to learn was tolerance, and I think I've been actually given a daily opportunity to practice that, and it's - it's - and I know that that sounds almost like a backhanded slap, and it is in a way because I haven't been successful at it every day.

Since the beginning, I always loved the game. When you grow up in Montreal, one day you want to be a professional hockey player. When I was six or seven, I knew that was what I wanted.

Depending on what day of the week it is and what time of the month it is, I'm a good friend or not a good friend. I'm more or less a good mom or not a good mom, more or less a good mate or not a good mate. That's just life, whether or not you're public.

Even if you walk exactly the same route each time - as with a sonnet - the events along the route cannot be imagined to be the same from day to day, as the poet's health, sight, his anticipations, moods, fears, thoughts cannot be the same.

A play is much easier to maintain your personal life with because if you're rehearsing, you're working like from 11 to 6 or 11 to 5 and you get to have your whole morning and your whole evening. When you're doing the play, you have all day.

I'd like to one day play Amanda, the mother, in The Glass Menagerie.

Even a stopped clock is right twice a day.

I'm working harder than ever now, and I'm putting on my pants the same as I always have. I just get up every day and try to do a little better than the day before, and that is to run a great restaurant with great food, great wine, and great service. That's my philosophy.

Failure happens all the time. It happens every day in practice. What makes you better is how you react to it.

The day cold and fair with a high easterly wind: we were visited by two Indians who gave us an account of the country and people near the Rocky mountains where they had been.

Color is my day-long obsession, joy and torment.

The Pawnee chief had left the village the day after the doctor arrived, with 50 or 60 horses and many people, and had taken his course to the north of our route.

To me, every hour of the day and night is an unspeakably perfect miracle.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

The things in my songs are the edited highlights of my life. I don't go seeking out strange sexual experiences every day of the week.

People think how a sugar basin has no physiognomy, no soul. But it changes every day.