It was unpredictable, good storytelling that brought you back each week.

The decision as to why a show makes it has to do with politics and money.

In January '77 I went out to LA and have been here 26 years.

On daytime they continue to revisit a lot of the same stuff while nighttime does move on and show development.

My wife is Danish and we go to Denmark a couple of times a year.

The thing with being on a series that runs that long is that the writers run out of things to do.

If I could work with Joan Van Ark every day for the rest of my life I would.

But no, I'm still living in LA and haven't dropped off the face of the earth.

Thirty years ago dinner theatre used to be much more of a going concern than it is now.

Television is so dictated by time constraints that you have to make quick decisions and go with them.

It was unpredictable, good storytelling that brought you back each week.

I can't really recall the first time I was noticed by a producer but the first time I was on television was doing Daytime for Another World, which I started in December '75 and went until December '76.

Theater to me is acting but it's more real on film.

What happens if you're the guy who's been on the show ten years and is highly paid but they have nothing for you to do is that they bring in other people, and you become a supporting character to those people.

Knots Landing is the best thing that ever happened to me.

Everything I have in life comes from Knots Landing.

I have German Shepherds that I train and have brought back to Germany. I love going there.

I went to the Westminster College for Men in Missouri, which is what it was called back then, and transferred to the University of Denver where I ultimately got my degree.

And I had a lot to play, which is what you want as an actor.

One of the things I was so glad that happened to me on Knots was that I learned to relax.

I have no interest in writing, directing or producing.

I act for the reality, for the moment, and most of all I do it for the process.

I really wasn't on the Dallas set much. I did three or four episodes so I didn't see too much.

Some of the stuff about Yogi energy is really fascinating.

If you're famous, you suck, just for being famous. People in England totally get that; Americans don't.

All the seven deadly sins are man's true nature. To be greedy. To be hateful. To have lust. Of course, you have to control them, but if you're made to feel guilty for being human, then you're going to be trapped in a never-ending sin-and-repent cycle that you can't escape from.

I definitely don't think of myself as an actual male model. I'm far too short and my legs are far too muscular.

It's fun having songs about parties and gigolos, but I really wanted to use my music as a form of art. Art is supposed to spark conversation and make people think, and I wanted to do that with this song.

Relationships based on obligation lack dignity.

Of all the creative work produced by humans anywhere, a tiny fraction has continuing commercial value. For that tiny fraction, the copyright is a crucially important legal device.

What we believe and trust becomes the very ruler for our souls by the influence of powers which work either righteously or evilly.

Intellectual despair results in neither weakness nor dreams, but in violence. It is only a matter of knowing how to give vent to one's rage; whether one only wants to wander like madmen around prisons, or whether one wants to overturn them.

For now more than ever, we must keep in the forefront of our minds the fact that whenever we take away the liberties of those we hate, we are opening the way to loss of liberty for those we love.

I went out with some old friends and we were having fun. A couple of them were very intoxicated. When I went to leave, I refused to let them drive. So when I got pulled over, I was the driver.

If you close your eyes, no lighthouse can help you!

I have declared that I will work free of cost with those composers who are passionate about their work. Sohail Sen is one such lad, whose music in Banjaara has been liked a lot.

No manager in the world gets good results all the time and you know there's people always ready to have a snipe. In fact I'm my own biggest critic, I really am. Because my own standards are so high, I criticise myself behind the scenes more than perhaps I should, according to people who know me well.

A few years ago, when I had no work and started believing that films weren't a viable career, I thought of finding another job. I started training and riding horses and got consumed by that. It was a boon in disguise.

You hear about our conservative background and know that we're Christian guys, but we're not timid at all. I will take anyone on when it comes to outworking them or putting on a better show or standing up for people who are being put down.

Probably right at the end of JAG, I would love to have a child or two. I ultimately want to have two kids.

Medicine, the only profession that labors incessantly to destroy the reason for its existence.

The Macau casinos have a wonderful business, it's taking in money from Chinese businessmen elsewhere who send it through junky companies to casinos to gamble. The growth continues and they have basically western managers and western accounting, so we trust the numbers a little bit more.

In the 1960s, you could eat anything you wanted, and of course, people were smoking cigarettes and all kinds of things, and there was no talk about fat and anything like that, and butter and cream were rife. Those were lovely days for gastronomy, I must say.

There are endless new variations on how to hurt a woman physically, emotionally, financially, and socially.

You come into the world with nothing and the purpose of your life is to make something out of nothing.

When I listen to what I did under the influence - 10 years of work - I don't think it either enhanced or impaired me. It didn't have that much to do with it.

As for earthquakes though they were still formidable they were so interesting that men of science could hardly regret them.