I try to keep my ear to the streets without sacrificing who I am as an artist. If a song needs a drum machine I'll use a drum machine. If it needs a drummer, I'll use a real drummer.

I constantly tour, even when I don't have a record out.

I know I have sex appeal, but I've never felt like an actual sex symbol. Fans sometimes think I am. The majority of them are sweet about it, but occasionally somebody weird becomes totally fixated upon me.

It's just a whole different thing, and it's just that my life has been a blessing, and I thank god every day for the gifts that he has given me and for my daughter and to be able to watch her grow and be a part of her joys and her excitement and what she wants to do in life.

My first album came out in 1979.

They told me that they are starting a classic label, and wanted me to be the first artist. So I signed, and am producing myself, and writing my own music, but I'm their first artist on their classic label. And I have creative control.

You never know where a blessing can come from.

I just think it's a blessing that I was able to have the gift of words and to be able to put them into music. I was given a great gift all the way around. I didn't ever have to really go out and look for songs, you know.

I'm from California, and still live in LA.

I have a different mentality when it comes to catering to a man, I just won't allow it. Don't get me wrong, I'll do for you but I'm not taking care of no man and catering to him for life; he better be bringing something to the table. I learned that from my mother and my grandmother.

There were times I used to go to parties when I was, you know, like 15-, 16-years-old, and I'd always bring my guitar, and all my friends would be like, sing one of the Smokey songs. And everything I sang was his music, and I could sound just like him.

I play guitar, piano, bass and percussion.

All in all, it's been a wonderful, wonderful ride. I don't plan on stopping anytime soon.

I think that's the problem in a lot of music. We've got these record labels.

Overall my race hasn't been a problem. I'm a Black artist with White skin. At the end of the day you have to sing what's in your own soul.

I try to keep my ear to the streets without sacrificing who I am as an artist. If a song needs a drum machine I'll use a drum machine. If it needs a drummer, I'll use a real drummer.

This is a gift. This is a gift from God. It's really like the old Biblical passage that talks about your body being a temple. That's not to say that I've never done anything but I've never abused myself. Never gone over the top for a long period of time.

I write in all keys. I've always written in all keys. I've probably written a lot of songs in A.

I have enough love to last me a lifetime! Thank God I'll never lose my imagination and my passion. That's really what it is. I'm still passionate about what I do.

I still have a passion for the music, which is such a beautiful thing. I still wake up in the middle of the night out of a dream and have a melody in my head, and run to my piano.

I would walk down the hall with my guitar and play for anyone that would listen. As a young kid I was really driven and I was going to make it happen no matter what.

OK, so truth hurts - but what else does truth do?

I always try to be a trend setter. That's what I always tell young people when I'm giving them advice. To go with their heart and don't follow the trends.

I have a deep affinity for New Orleans - its like a second home to me - they treat me like I'm their own.

I just really always try to do what's in my heart and I'm still passionate about the music; I still love what I am doing.

Being a cover artist is not like being a real artist. That's just copying what someone else did.

The artist need not know very much; best of all let him work instinctively and paint as naturally as he breathes or walks.

What an artist learns matters little. What he himself discovers has a real worth for him, and gives him the necessary incitement to work.

Beauty, like truth, is relative to the time when one lives and to the individual who can grasp it. The expression of beauty is in direct ratio to the power of conception the artist has acquired.

I'm inspired by nature. Other artist's work is important for developing my perception.

There is only one position for an artist anywhere; and that is upright.

The difference between a bad artist and a good one is: the bad artist seems to copy a great deal; the good one really does.

To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.

What do you say when someone has truly inspired you? How do you express to an artist how deeply their work has affected you?

An original artist is unable to copy. So he has only to copy in order to be original.

When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.

You have to find what makes you stable in the storm. Then, no matter what's happening round you, no matter what the hype or the publicity, you can still manage to make leaps in your work as an artist.

The key to the mystery of a great artist is that for reasons unknown, he will give away his energies and his life just to make sure that one note follows another... and leaves us with the feeling that something is right in the world.

I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade.

Art is a private thing, the artist makes it for himself; a comprehensible work is the product of a journalist. We need works that are strong, straight, precise, and forever beyond understanding.

The most colorful section of a bookstore is the display of SF books, with art by people like Wayne Barlow, who is a terrific artist.

Arguably, no artist grows up: If he sheds the perceptions of childhood, he ceases being an artist.

Let not a man do what his sense of right bids him not to do, nor desire what it forbids him to desire. This is sufficient. The skillful artist will not alter his measures for the sake of a stupid workman.

I so much appreciate it when anybody tries to make something and tries to be an artist - I'm happy to see the work.

The artist is seen like a producer of commodities, like a factory that turns our refrigerators.

I've also been willing to share any help that I could give to any other artist.

An artist, under pain of oblivion, must have confidence in himself, and listen only to his real master: Nature.

What is it they want from the man that they didn't get from the work? What do they expect? What is there left when he's done with his work, what's any artist but the dregs of his work, the human shambles that follows it around?

No artist work is so high, so noble, so grand, so enduring, so important for all time, as the making of character is a child.