I think that's the problem in a lot of music. We've got these record labels.

I constantly tour, even when I don't have a record out.

I know I have sex appeal, but I've never felt like an actual sex symbol. Fans sometimes think I am. The majority of them are sweet about it, but occasionally somebody weird becomes totally fixated upon me.

It's just a whole different thing, and it's just that my life has been a blessing, and I thank god every day for the gifts that he has given me and for my daughter and to be able to watch her grow and be a part of her joys and her excitement and what she wants to do in life.

My first album came out in 1979.

They told me that they are starting a classic label, and wanted me to be the first artist. So I signed, and am producing myself, and writing my own music, but I'm their first artist on their classic label. And I have creative control.

You never know where a blessing can come from.

I just think it's a blessing that I was able to have the gift of words and to be able to put them into music. I was given a great gift all the way around. I didn't ever have to really go out and look for songs, you know.

I'm from California, and still live in LA.

I have a different mentality when it comes to catering to a man, I just won't allow it. Don't get me wrong, I'll do for you but I'm not taking care of no man and catering to him for life; he better be bringing something to the table. I learned that from my mother and my grandmother.

There were times I used to go to parties when I was, you know, like 15-, 16-years-old, and I'd always bring my guitar, and all my friends would be like, sing one of the Smokey songs. And everything I sang was his music, and I could sound just like him.

I play guitar, piano, bass and percussion.

All in all, it's been a wonderful, wonderful ride. I don't plan on stopping anytime soon.

I think that's the problem in a lot of music. We've got these record labels.

Overall my race hasn't been a problem. I'm a Black artist with White skin. At the end of the day you have to sing what's in your own soul.

I try to keep my ear to the streets without sacrificing who I am as an artist. If a song needs a drum machine I'll use a drum machine. If it needs a drummer, I'll use a real drummer.

This is a gift. This is a gift from God. It's really like the old Biblical passage that talks about your body being a temple. That's not to say that I've never done anything but I've never abused myself. Never gone over the top for a long period of time.

I write in all keys. I've always written in all keys. I've probably written a lot of songs in A.

I have enough love to last me a lifetime! Thank God I'll never lose my imagination and my passion. That's really what it is. I'm still passionate about what I do.

I still have a passion for the music, which is such a beautiful thing. I still wake up in the middle of the night out of a dream and have a melody in my head, and run to my piano.

I would walk down the hall with my guitar and play for anyone that would listen. As a young kid I was really driven and I was going to make it happen no matter what.

OK, so truth hurts - but what else does truth do?

I always try to be a trend setter. That's what I always tell young people when I'm giving them advice. To go with their heart and don't follow the trends.

I have a deep affinity for New Orleans - its like a second home to me - they treat me like I'm their own.

I just really always try to do what's in my heart and I'm still passionate about the music; I still love what I am doing.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

My big love was the Beatles. I was more into music.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

Uhm, I'm the one wanting the lessons! I don't want to say too much about it because I'd rather have you see the movie, but he's trying to find his music.

The value of music is to be able to play one note at the right time in the right way.

Younger players in this music often turn out to be middle aged; it is not a young music.

There's an inherent thing in me where, if things are going too smooth, I'll sabotage the hell out of them, just to make the music more of a sanctuary.