To some extent I could identify with that because I kind of just made my money and got out.

As an actor I kind of do. I started out doing voice overs in the mid 80s when I was in grad school.

I'm not so proud to think that anything is unworthy, and I don't think I was that way 10 years ago.

Children from like 8 and even up to the college age - Spider-Man appeals to a fairly broad demographic but, like I said, a mean age probably of 12 is a good mark - they process information so quickly and it's not because of attention deficit or short attention span.

But at the same time, if the right thing came along, I would do it in a second.

But I think once the word gets out that the movie is funny - funny is transcendent - it will traverse all demographic barriers if people embrace it as a funny movie.

When I moved to L.A. in 1989, the very first thing I did was this horrific pilot called To Protect And Surf.

But I'm a citizen of Texas and try to spend most of my time there.

I enjoy doing press for something that I like, and I think the movie is very fun and charming and clever.

Cary and I are working together on another movie, Charlotte's Web.

Last summer when we were preparing for the movie, I actually kind of wanted to stay fairly uninformed about it. As we went through the process that we do in the movie, I wanted to be a little wide-eyed.

I invested, and I protected myself, so I enjoy that freedom.

I believe in singularity in relationships because you've got to have trust on both sides.

Their lives have been largely defined by failure and you would think the prospect of marriage, which is supposed to be bountiful and hopeful, it's just really another kind of tangential thing in his life.

And there have certainly been movies I wanted to be in and milestones I wanted to surpass that did not happen.

I would say 95% of the time, because you just can't remember your lines if you're drinking alcohol. I would say about 95% of the time it was grape juice or this fake wine, which was horrible.

I made a comfortable living for several years. I invested, and I protected myself, so I enjoy that freedom.

But all actors go through the process, it's hit and miss, you have achievement and failure.

He was using me. When he cast me in Sideways I was nothing but a vessel.

But to this day I am convinced that the real reason we met was because Alexander is from Nebraska, and he was completely fascinated that I was about to go off and make a movie with Brando - perhaps the most famous Nebraskan of all.

I kind of have a rededication in my life now to acting because I'm very fond of being in this movie.

But I certainly know a lot of people that existed at that level and are always kind of pining for more, always thinking that the next big break, the next opportunity, the big role are just around the corner of the next audition.

I love knowing that I'm not better than any other person on the planet.

I certainly was an actor and then I drifted more towards writing and directing.

Between Clive Owen winning at the Golden Globes and the British Academy announcing its nominations, of which Sideways received only one, I'm feeling pretty humbled these days.

To some extent I could identify with that because I kind of just made my money and got out.

I love going to the feed store and drinking coffee and talking about how much rain we need.

It's one of those scenarios where no, I never imagined that I'd be directed in a love scene - not even a love scene because it's kind of a hard-core sex scene because it's kind of just purely played for this carnal venting.

I like to keep my private stuff pretty vague.

I did a series called Ned and Stacey for two years for Fox back in the 90s. I was writer on it as well as a producer, and it was very important to me that there were no contemporary references.

The title of the movie is open to interpretation.

But all actors go through the process, it's hit and miss, you have achievement and failure.

Sight is about what lies right in front of us. Vision is what lies ahead.

I also do not like the idea of soft money, these issue ads - people don't know where the money is coming from, millions and millions of dollars outside of the control of a candidate - there's no accountability.

Stories come from other shows at other studios where only 2,000 rounds were actually used and the money for the other 3,000 went right into the studio pockets. Corners were cut and that production suffered. Knock wood, that hasn't happened to us.

Never play anything that don't sound right. You might not make any money, but at least you won't get hostile with yourself.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

When I sent those scripts, that was the lowest point of my life. We'd just had our second son, and when I went to collect them from hospital, I went to the bank to try and get some money to buy some diapers, the screen showed I've got $26 left.

One does not need buildings, money, power, or status to practice the Art of Peace. Heaven is right where you are standing, and that is the place to train.

I would rather take the role and work and make my own money and self respect than to have sex with someone who has a lot of money.

People may take a job for more money, but they often leave it for more recognition.

I make no claim to being a business genius. You can make so much money in this business that it loses its value.

It costs a great deal of money to do a musical, and the more money involved, the more big business influences the artform.

The world over, give a guy money and it goes to drinking, gambling, and women. When you give a woman money, it goes to feeding, clothing, helping people.

Your team has to understand that coming into the ABA, you have to have your investments right and sponsorships and people ready to give you money so they can back you up.

I wanted to be an actress. In college I was a serious feminist and very political. I was determined to get one thing out of my career and that was respect. I didn't want money. I didn't care about fame.

A drunkard would not give money to sober people. He said they would only eat it, and buy clothes and send their children to school with it.

If you're a producer, you always spend too much money because you want that shot - and you're willing to spend a bundle to get it.

We are demonstrating for services for all the people and not just services for money. It's very important that this message goes to the European Parliament today.