We did one pilot for FOX which was about this couple that moves to a town, and we play everyone in the entire town. So it was like a Peter Sellers film.

I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.

Super Troopers is hilarious. Everybody always thought we somehow - we did Reno way, way before any of us had seen Super Troopers. It sat on the shelf for a couple years.

Old School has humongous laughs all the way through it.

Yes, I am complimented on my work in Kids in the Hall once or twice a week. It's a nice feeling.

That's the other thing about working on movies, the commitment is years. That's one thing that's so frustrating about the process is that it goes on and on and on for years.

All studio movies are the middle of the Bell curve. The only way to do something is to do it yourself. And the only way to do that is to not take any money from anyone or take as little money as possible from anyone and that's it.

The more people's money you take to do something, the more inputs you get.

There was so long from when we did the pilot and then when the show was eventually picked up by Comedy Central - and, in fact, we had to shoot the pilot twice.

Our reward for Starsky and Hutch was getting to write The Six Million Dollar Man for Todd.

I was on the speech team, we called it forensics.

It's such a great thing to work with people and not have a plan.

You hate to see yourself do one draft of a script and then have somebody else come back in and change what you've done.

The first record I bought with my own money was Rio.

The only guaranteed way to make something not very funny is to make it vague.

We did one pilot for FOX which was about this couple that moves to a town, and we play everyone in the entire town. So it was like a Peter Sellers film.

When you do a movie in the studio system, there's a committee. A committee of six or seven people you answer to. There's two or three producers, a studio executive and one or two people above that studio executive.

Kerri and I met at theatre camp when were 16 years old, which is pretty lame. The rest of us met when we founded the State at New York University in 1988. Most of our adult lives have been spent bickering with these people.

Don't write something that is your passion project because all it will do is get the passion stomped out of you.

I guess I considered myself just sort of a sketch comedian, you know? Actual screenwriting hadn't really occurred to me as a viable job - I didn't really know anything about it.

If you're a studio writer, the funny better be on the page.

Nobody in Hollywood ever sets out to make a bad movie ever but about 99% of the time, that's what happens.

Writing studio movies is the best job in the world... it's awesome.

My best film composing experience was with Elia Kazan.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

To make a documentary is one thing, to make a feature film is quite another.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

Robert Altman's Nashville is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.

I have a movie coming out called Spun, which will be at the Toronto Film Fest.

Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth.

And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away. And then it gradually, maybe, works its way back, somewhere toward that spot you were at before.

A good film script should be able to do completely without dialogue.

My advice to young film-makers is this: don't follow trends, start them!

The whole aspect of cinema and film festivals should be a moment to come together and celebrate art and humanity. It would be a shame if there was such a divide.

It's really rare for film directors to be that interested in things other than themselves.

When I said I was going to audition for a film, I got a hearty laugh from all my family.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.

We're making a commercial Hindi film catering to all types of audiences.

They all matter to me, whether I'm working on a Sam Jackson film for a week or I'm the star of my own TV series - I take it all very seriously, and I have a healthy respect for the work in general, despite the role.