I really want to do a book on the history of the no-wave music scene in New York, how it extended out and formed lots of other things. It was such a great visual culture.

Each member does whatever they want with the song and it totally changes it from whatever idea I hear around it. It turns it into a Sonic Youth song and completely away from it being a solo song.

It's hard for bands to stick it out because people grow up, and it never really pays off. If you're looking for some sort of payoff, it's not gonna happen.

Lyric writing is an interesting process in Sonic Youth. There's three people writing now, and we've all had a lot of interest and involvement with expression through words.

I grew up in the early '70s in New England.

It's American Alternative radio stations that bug me. We're considered Alternative, but don't expect us to be played next to Blink 182 and Offspring. We're hardly of that generation.

I was surrounded by nature and trying to come to terms with this blissful nature versus the inhumane mentality of war. People were being deluded by someone using the word peace.

We're like old people now playing music. I'm so glad we stuck it out because it's a lot better. I used to feel kind of anxious. Now our apprenticeship is over.

I certainly don't sit around in the morning making pancakes listening to Whitehouse or anything.

I never do releases to try and make or break some contemporary band.

Anyone who grows up with parents who are very influential, there are cases where people run away from that if they have parents who are really lame.

Buddhism has become a socially recognized religious philosophy for Americans, whereas it used to be considered an exotic religion.

We're all very sensitive that Jim has the shortest history with the band. He wants to be somewhat of a free agent. I'm just going to let time dictate how Jim's future evolves.

Rock'n'roll saved my soul.

I have to reign myself in a lot.

I never go back and listen to the recorded document. The thrill comes when the balance can be attained. Everyone in the room can have a shared, communal rock experience.

Kids think of us as being totally over the hill.

Most people can't tell now who wrote what. I like that blurring of identities within the band. because it becomes a unified thing that can't be related to other forms of historical poetry.

I really want to do a book on the history of the no-wave music scene in New York, how it extended out and formed lots of other things. It was such a great visual culture.

Traditional songwriting, to us, is where the experimental nature comes in. We're all involved with so much outside activity with really hardcore, experimental music-making.

I don't really care about, Oh I really have to sell these things.

We never notate our music, so you can try to replicate it, but you don't really have it.

A lot of the lyrical ideas do have a lot of meaning in a way, although it is somewhat abstracted.

The band has a liberal philosophy - that's sort of a given.

I wanted to hear the songs in the way that I had written them, which was very basic. All I wanted was drums and another guitar, and I was just going to sing.

No one really gets rich doing this. A couple people do, Black Sabbath does. We don't sell any records anymore.

We're playing all these weird festivals, usually outdoors.

Whenever I can afford to do something, I do it.

Every now and again, the alternative culture is cherished by the mainstream for what it is, rather than how it should be, like the mainstream popular music.

Buddhism has become a socially recognized religious philosophy for Americans whereas it used to be considered an exotic religion.

Noise has taken the place of punk rock. People who play noise have no real aspirations to being part of the mainstream culture. Punk has been co-opted, and this subterranean noise music and the avant-garde folk scene have replaced it

I believe that in a great city, or even in a small city or a village, a great theater is the outward and visible sign of an inward and probable culture.

We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.

I don't have space to enter into the examples or the history of this, so I'm left with having to make the bold statement that culture is extinct.

We need to have a culture that says 'the less energy you can use to be comfortable, the better off you are and the better you should feel about yourself'.

Concerning culture as a process, one would say that it means learning a great many things and then forgetting them; and the forgetting is as necessary as the learning.

No doubt Western civilization has in the past been full of wars and revolutions, and the national elements in our culture, even when they were ignored, always provided an unconscious driving force of passion and aggressive self-assertion.

The things that I draw on, and the world that I feel part of, aren't particularly youth culture.

I recommend the same therapies for all humans with HIV. There is no reason to believe that physiologic responses to therapy will vary across lines of class, culture, race or nationality.

Towns are suffering from all these things, we should unite until we are all satisfied, man cannot be killing each other as if we were animals, as if we had no culture; that is a lack of culture.

You're a Catholic in Italy when you're born, it's unthinkable to stop being Catholic. You just take the rules a lot more seriously, because it pervades your culture.

Sex and drugs were simply not discussed in our culture at that time.

You have to open your mind. I like the ability to express myself in a deep way. It's the closest music to our humanity - it's like a folk music that rises up out of a culture.

Lives have been altered in fundamental ways, and later, after they acquire a more complete understanding of what goals are actually attainable, many are left facing a lot of pain and frustration. And yet, there's no culture of complaint.

I've always been interested in the relationship between total external surround, culture, the political matrix, technology, etc., and the internal human consciousness.

Writing is about culture and should be about everything. That's what makes it what it is.

And there are so many people in the third world suffering so horribly right now, and we are so focused on ourselves and our culture that a lot of things are showing up in our culture that are making it impossible for us to focus on others. We're so self-focused.

One very important aspect of our contemporary musical culture - some might say the supremely important aspect - is its extension in the historical and geographical senses to a degree unknown in the past.

Mr. Speaker, genocide is the most potent of all crimes against humanity because it is an effort to systematically wipe out a people and a culture as well as individual lives.