We never notate our music, so you can try to replicate it, but you don't really have it.

Each member does whatever they want with the song and it totally changes it from whatever idea I hear around it. It turns it into a Sonic Youth song and completely away from it being a solo song.

It's hard for bands to stick it out because people grow up, and it never really pays off. If you're looking for some sort of payoff, it's not gonna happen.

Lyric writing is an interesting process in Sonic Youth. There's three people writing now, and we've all had a lot of interest and involvement with expression through words.

I grew up in the early '70s in New England.

It's American Alternative radio stations that bug me. We're considered Alternative, but don't expect us to be played next to Blink 182 and Offspring. We're hardly of that generation.

I was surrounded by nature and trying to come to terms with this blissful nature versus the inhumane mentality of war. People were being deluded by someone using the word peace.

We're like old people now playing music. I'm so glad we stuck it out because it's a lot better. I used to feel kind of anxious. Now our apprenticeship is over.

I certainly don't sit around in the morning making pancakes listening to Whitehouse or anything.

I never do releases to try and make or break some contemporary band.

Anyone who grows up with parents who are very influential, there are cases where people run away from that if they have parents who are really lame.

Buddhism has become a socially recognized religious philosophy for Americans, whereas it used to be considered an exotic religion.

We're all very sensitive that Jim has the shortest history with the band. He wants to be somewhat of a free agent. I'm just going to let time dictate how Jim's future evolves.

Rock'n'roll saved my soul.

I have to reign myself in a lot.

I never go back and listen to the recorded document. The thrill comes when the balance can be attained. Everyone in the room can have a shared, communal rock experience.

Kids think of us as being totally over the hill.

Most people can't tell now who wrote what. I like that blurring of identities within the band. because it becomes a unified thing that can't be related to other forms of historical poetry.

I really want to do a book on the history of the no-wave music scene in New York, how it extended out and formed lots of other things. It was such a great visual culture.

Traditional songwriting, to us, is where the experimental nature comes in. We're all involved with so much outside activity with really hardcore, experimental music-making.

I don't really care about, Oh I really have to sell these things.

We never notate our music, so you can try to replicate it, but you don't really have it.

A lot of the lyrical ideas do have a lot of meaning in a way, although it is somewhat abstracted.

The band has a liberal philosophy - that's sort of a given.

I wanted to hear the songs in the way that I had written them, which was very basic. All I wanted was drums and another guitar, and I was just going to sing.

No one really gets rich doing this. A couple people do, Black Sabbath does. We don't sell any records anymore.

We're playing all these weird festivals, usually outdoors.

Whenever I can afford to do something, I do it.

Every now and again, the alternative culture is cherished by the mainstream for what it is, rather than how it should be, like the mainstream popular music.

Buddhism has become a socially recognized religious philosophy for Americans whereas it used to be considered an exotic religion.

Noise has taken the place of punk rock. People who play noise have no real aspirations to being part of the mainstream culture. Punk has been co-opted, and this subterranean noise music and the avant-garde folk scene have replaced it

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.