Even the Beatles found it hard to escape their image; they were trapped by it.

When we were making Speaking in Tongues and Remain in Light, we were jamming. From that we were taking the best bits and then recording and improvising on top of those.

You learn just as much from your failures. Sometimes you love your failures even more.

Talking Heads, for me and Chris, was a very personal thing that we shared with a lot of people. In a way, I'm glad it's over, because it allows us to move beyond the restrictions that followed.

Art is not predictable. Art is not golf, as great as that may be. There are 360 degrees of choice to make.

We always thought the Tom Tom Club could change to anything, but it acquired this image, which was cartoon animation and this real light-hearted dance music.

We had our unhappy moments but they got channelled into the kind of sadness that was necessary for singing a song about going nowhere. So it worked out very well I think.

I like the idea of Wild Infancy, of people who have a deprived background, of starting out wild.

David is purely a conceptual artist. He didn't play any instruments or paint or anything. We were painters.

I wasn't originally a bass player. I just found out I was needed, because everyone wants to play guitar.

Make it, not make it? What's the difference? Music is a language, it's a dance of life, and it can be a part of your life without being something that earns.

It's a cruel, heartless world out there in commercial rock 'n' roll, and when you take as much time off as we did, eight years, booking agents don't know if you'll draw.

When Talking Heads started, we called ourselves Thinking Man's Dance Music.

We don't really have more than acouple of solos. It's just the way our music is put together.

I don't want to wreck my voice. I love to concentrate on playing the bass and keeping it very rock-solid. If I were singing, I would have blown out my voice.

We groove off of everything, any sort of live show. The inner dialogue you're having with yourself, between you and the music, is for me the search for God.

I would really love to work with Paul McCartney. Isn't that arrogant?

Stick to your instincts.

I have respect for those who make money at art and do it well and smartly, because that commercial aspect keeps the world going and running, in a sense.

Even the Beatles found it hard to escape their image; they were trapped by it.

We're not getting paid. We have these great musicians with us and it gives us a real charge. And the audience gives us a charge, because they keep it interesting all the time.

We don't always know what we're doing. We often just get excited, put something down, and say, 'Oh, neat'.

Many Japanese painters and calligraphers would change their names intentionally to keep their relationship to the art always fresh. This way, others' expectations can be avoided.

I think the idea of having the show divided into two parts was that Tom Tom Club opened for Talking Heads in Europe, and it was the best we'd ever had as an opening act.

If you have this passion for music, you don't stop doing it - it chooses you and doesn't release you.

It's hard to be perfect, It really is. I keep learning things after I've already bungled it.

Sometimes you don't want to be a slapstick clown in order to convey a funny perception of the world.

Richard Lloyd of Television is one of my favorite guitarists. His mentor was Jimi Hendrix when he was just 14. Jimi was always pounding everything he knew into that kid.

It's just such a pleasure to bring a talent you respect to the world.

I play bass. I don't have to go out there and screech.

Sometimes, you have to go through a phase whether you like it or not.

Generosity is the key to all relationships. To friendships and bands. Thats the golden rule.

I've etched out who I am through myriad haircut attempts, outfit attempts, beauty attempts, diet attempts. It's been an evolution.

Never trust anyone but yourself, because in the end that's all you're going to have: yourself.

I grew up near the sea in British Columbia and San Francisco, and lived in Malibu and Fiji for years. I get uncomfortable being too far inland.

Nobody should come to the movies unless he believes in heroes.

We decry violence all the time in this country, but look at our history. We were born in a violent revolution, and we've been in wars ever since. We're not a pacific people.

There is no conflict in looking good. You buy things you need, and then you do something good for society.

The charm of horror only tempts the strong.

Never argue with your wife about hostility when she's a certified Freudian.

At night, I read. I read for two hours. I just finished a marvelous book by Louise Erdrich, 'The Round House.' But mostly I read 20th-century history and biography. I lived then. I was either a child or at school or at work.

In bitter almond oil, like in a great number of other substances that previously had been counted among the 'aromatic compounds' on behalf of their strong smell, a derivative of benzene is present. The special properties of benzene and its derivatives are caused by the typical arrangement of their carbon atoms.

A red rose is not selfish because it wants to be a red rose. It would be horribly selfish if it wanted all the other flowers in the garden to be both red and roses.

It is better to conquer yourself than to win a thousand battles. Then the victory is yours. It cannot be taken from you not by angels or by demons heaven or hell.

I have no idea what the audience makes of me.

I am not trying my best because it is the Olympics. I try my best always.

Finish last in your league and they call you idiot. Finish last in medical school and they call you doctor.

For each other, at each other: Sisters can be either or both. The same could be said of people in any close relationship. Yet there is something special about sisters - specially gratifying and specially fraught.

I am a huge admirer of Elizabeth I, and this intriguing biography gives a wonderful picture of the era.