I like the idea of Wild Infancy, of people who have a deprived background, of starting out wild.

When we were making Speaking in Tongues and Remain in Light, we were jamming. From that we were taking the best bits and then recording and improvising on top of those.

You learn just as much from your failures. Sometimes you love your failures even more.

Talking Heads, for me and Chris, was a very personal thing that we shared with a lot of people. In a way, I'm glad it's over, because it allows us to move beyond the restrictions that followed.

Art is not predictable. Art is not golf, as great as that may be. There are 360 degrees of choice to make.

We always thought the Tom Tom Club could change to anything, but it acquired this image, which was cartoon animation and this real light-hearted dance music.

We had our unhappy moments but they got channelled into the kind of sadness that was necessary for singing a song about going nowhere. So it worked out very well I think.

I like the idea of Wild Infancy, of people who have a deprived background, of starting out wild.

David is purely a conceptual artist. He didn't play any instruments or paint or anything. We were painters.

I wasn't originally a bass player. I just found out I was needed, because everyone wants to play guitar.

Make it, not make it? What's the difference? Music is a language, it's a dance of life, and it can be a part of your life without being something that earns.

It's a cruel, heartless world out there in commercial rock 'n' roll, and when you take as much time off as we did, eight years, booking agents don't know if you'll draw.

When Talking Heads started, we called ourselves Thinking Man's Dance Music.

We don't really have more than acouple of solos. It's just the way our music is put together.

I don't want to wreck my voice. I love to concentrate on playing the bass and keeping it very rock-solid. If I were singing, I would have blown out my voice.

We groove off of everything, any sort of live show. The inner dialogue you're having with yourself, between you and the music, is for me the search for God.

I would really love to work with Paul McCartney. Isn't that arrogant?

Stick to your instincts.

I have respect for those who make money at art and do it well and smartly, because that commercial aspect keeps the world going and running, in a sense.

Even the Beatles found it hard to escape their image; they were trapped by it.

We're not getting paid. We have these great musicians with us and it gives us a real charge. And the audience gives us a charge, because they keep it interesting all the time.

We don't always know what we're doing. We often just get excited, put something down, and say, 'Oh, neat'.

Many Japanese painters and calligraphers would change their names intentionally to keep their relationship to the art always fresh. This way, others' expectations can be avoided.

I think the idea of having the show divided into two parts was that Tom Tom Club opened for Talking Heads in Europe, and it was the best we'd ever had as an opening act.

If you have this passion for music, you don't stop doing it - it chooses you and doesn't release you.

It's hard to be perfect, It really is. I keep learning things after I've already bungled it.

Sometimes you don't want to be a slapstick clown in order to convey a funny perception of the world.

Richard Lloyd of Television is one of my favorite guitarists. His mentor was Jimi Hendrix when he was just 14. Jimi was always pounding everything he knew into that kid.

It's just such a pleasure to bring a talent you respect to the world.

I play bass. I don't have to go out there and screech.

Sometimes, you have to go through a phase whether you like it or not.

Generosity is the key to all relationships. To friendships and bands. Thats the golden rule.

I became hooked on the idea of being able to shoot an image and process it myself, and end up with a product.

After I'd produced about two dozen pen and ink drawings, one evening I decided that they needed poems to accompany them. I still have no idea where that notion came from, but it took me about two hours to produce verses for these creatures.

Yeah, that's what kind of, we get the idea a little bit yeah, because other people from different countries also try as hard as they can to get a medal or a gold medal in the Olympic Games. And you know, if they can work hard, we can work hard as well.

What's fascinating is that when you write a script, it's almost a stream of consciousness. You have an idea that it means something, but you're not always sure what. Then when you get on the set, the actors teach you.

I also do not like the idea of soft money, these issue ads - people don't know where the money is coming from, millions and millions of dollars outside of the control of a candidate - there's no accountability.

From the beginning, the series has been story driven - I began with a story idea - but research feeds it.

Then I decided I couldn't just crawl in the corner and die, so I started putting pen to paper and wrote some songs. I had no idea what for or who I was going to work with. I tried to find my way and direction.

The idea is, if I can't heal from my art, then how can you heal?

There is sometimes a peculiar confusion in the West that equates progress to whatever is recent or whatever is new, and it is time we understood that progress has nothing to do with the chronology of an idea.

The idea of licking stamps seemed great fun for me.

Learn about the world, the way it works, any kind of science and anthropology, it's really an interesting place we live in. Evolution is a really fantastic idea, even more than the idea of God I think.

It's slightly complicated for people to grasp the idea of a head of state in human form.

As far as I know, only a small minority of mathematicians, even of those with Platonist views, accept the idea that there may be mathematical facts which are true but unknowable.

So my idea of neurotic is spending too much time trying to correct a wrong. When I feel that I'm doing that, then I snap out of it.

I'm into the idea of responsibility and edification and these things have found me and I have found them. I wanted to be in the movie and I made it known to Mike.

Religion has caused more harm than any other idea since the beginning of time. There's nothing good I can say about it. People use it as a crutch.

Many of the Europeans who want Israel to go away don't even know why they do. Nearly a third of those interviewed concede they have no idea what the Israeli-Palestinian conflict is all about. It's enough to know that Israelis are Jews.