I admit there's an element of brutality in all my work - it's part of the truth about human existence I always want to explore - but the last thing I'm trying to do is put on some kind of freak show, inviting people to get off on other people's pain and humiliation.

I don't like telling people where I stand on this, although I'm surprised anybody wonders. I suppose if I say I'm pro-choice, if I make that clear, it let's the audience off the hook, then they can sort of relax. Okay, it's alright he's pro-choice then I can enjoy this.

A palindrome is a word or pattern that instead of developing in different directions it folds in on itself so that the beginning and end mirror each other, that they are the same.

Storytelling is the only studio movie where the censorship is perfectly clear, the only studio movie with a big red box covering up a shot. I take pride in that - and, of course, in having avoided the fate of Eyes Wide Shut.

I mean, I don't want to sound - of course it's very nice, people come up and say appreciative things about my work. But the loss, in terms of privacy and anonymity, is no small thing to me.

The funny thing is, strangers still seem to feel comfortable coming up to me and saying things, but now usually it's because they recognize me, and they say nice things.

And that's just what I'm saying. I would never want to be like certain people, who change the way they dress, go out in disguise, wear a big floppy hat and dark shades. I would hate that.

With Storytelling, at least, it's explicit: this is what the censors say American citizens, no matter what age, are not permitted to see, even though it can be seen by other people all over the world. I suppose you could call it a political statement.

Narcissism and self-deception are survival mechanisms without which many of us might just jump off a bridge.

So far, at least, I haven't found a way to tell my kind of stories without making them both sad and funny.

Well, so far, at least, my own ideas always take priority over those of other writers. As long as the well doesn't run dry, I imagine this will be the case.

Casting is everything. If you get the right people they make you look good.

Usually the audience has no idea that the censored version of whatever movie they're watching isn't the original.

The ability to take pleasure in one's life is a skill and is a kind of intelligence. So intelligence is a hard thing to evaluate and it manifests itself in so many different ways. I do think the ability to know how to live a life and not be miserable is a sign of that.

When part of what you're trying to get at is the truth hidden under a taboo, or when you want to nail a hypocrisy, laughter is a very useful tool. I want to show the painful side of existence, but there is no question I also want to make people laugh.

I admit there's an element of brutality in all my work - it's part of the truth about human existence I always want to explore - but the last thing I'm trying to do is put on some kind of freak show, inviting people to get off on other people's pain and humiliation.

Like everything, what compels one to put pen to paper is a great question.

Part of it has to do with this business of being approached in public. I have a distinctive look - it's partly the glasses I wear - and people seem to remember me once they've seen me.

I mean, there are many other directors who are probably both more skilled and excited to adapt novels or work within certain genre conventions. I'd like to do that kind of work someday, but for better or worse I'm too drawn by my own material.

When I'm asked who my audience is, I say someone with an open mind, which is not a vacant one and sometimes a liberal mind is not the same thing as an open one.

It is true that the movie is perhaps my most politically-charged. The story is thrust into motion by the idea of what do you do when your 13 year old daughter comes home pregnant. And not only is she pregnant, but she wants to keep the baby.

All I mean is, I'm not the kind of audience comedy directors want at a test screening because I seldom laugh, and if I do, it's not very loud. That doesn't mean I don't like the movie.

But anonymity is very important to me, and I don't want to be recognized in public more than I already am.

One thing I want to say: I don't like victim stories and I don't write them.

In particular, people have trouble understanding where I stand in relation to my characters, and very often this gets reduced to me making vicious fun of them.

As Mark Weiner puts it, whether you gain 50 pounds or lose 50 pounds, whether you have a sex change operation for that matter, that it doesn't matter, that there is some part of ourselves that we cannot escape.

When I want to show the kind of meanness people are capable of, to make it believable I find I have to tone it down. It's in real life that people are over the top.

Some directors hardly talk to the actors at all.

Optimism is not inherently a superior way of viewing the world. Certainly doctors will say it might be better for one's physical health to be an optimist. But, morally speaking it may not be appropriate in certain circumstances.

But you're right, I did think about acting more and then decided against it.

People can't help how they look.

Artwork can be a portal, a kind of rethinking and reseeing of the world as we live it.

Narcissism and self deception are survival mechanisms without which many of us might just jump off a bridge.

It is living and ceasing to live that are imaginary solutions. Existence is elsewhere.

But the way people commonly use the word nowadays it means something all of whose parts are mutually interdependent - not only for their mutual action, but for their meaning and for their existence.

The problem with allowing God a role in the history of life is not that science would cease, but rather that scientists would have to acknowledge the existence of something important which is outside the boundaries of natural science.

And, moreover, it is art in its most general and comprehensive form that is here discussed, for the dialogue embraces everything connected with it, from its greatest object, the state, to its least, the embellishment of sensuous existence.

Your paradigm is so intrinsic to your mental process that you are hardly aware of its existence, until you try to communicate with someone with a different paradigm.

I'm not sure how aware of the rest of the world I am. I live a rather sheltered existence.

The more unintelligent a man is, the less mysterious existence seems to him.

She made the decision that her existence had lost its meaning. And you cannot judge that.

Progress is measured by richness and intensity of experience - by a wider and deeper apprehension of the significance and scope of human existence.

Creation destroys as it goes, throws down one tree for the rise of another. But ideal mankind would abolish death, multiply itself million upon million, rear up city upon city, save every parasite alive, until the accumulation of mere existence is swollen to a horror.

Dualists hold that body and soul are separate entities and that the soul will continue beyond the existence of the physical body.

Fix reason firmly in her seat, and call to her tribunal every fact, every opinion. Question with boldness even the existence of a God; because, if there be one, he must more approve of the homage of reason, than that of blindfolded fear.

The police are the public and the public are the police; the police being only members of the public who are paid to give full time attention to duties which are incumbent on every citizen in the interests of community welfare and existence.

In this possibly terminal phase of human existence, democracy and freedom are more than just ideals to be valued - they may be essential to survival.

In the usual progress of things, the necessities of a nation in every stage of its existence will be found at least equal to its resources.

Universities are the cathedrals of the modern age. They shouldn't have to justify their existence by utilitarian criteria.