When I became more involved in music, I had to give up some of my writing in the literary sense. However, on occasion, I would write something for my own pleasure or I would write notes and introductory remarks in the songbooks I put together.

I'm afraid I talk a lot, too much, perhaps. I should have been a lawyer or a college professor or a windy politician, though I'm glad I am not any of these.

A characteristic of older folksongs, in most cases, is that we don't know their composers or authors. Older folksongs were written often with no commercial purpose in mind. They were passed down by word of mouth, from generation to generation.

When I was in Philadelphia during the Depression in 1930 or '31, I got a very sad job as a night watchman in a garage. The cars in the garage had been abandoned by their owners, since they had lost their jobs and couldn't keep up the payments.

I have a great interest in a number of things, perhaps too many. I admire people who seem to concentrate on only one fixed discipline to the exclusion of almost everything else.

As I grew up, I was interested in other areas, too, especially literature. It became a major love of mine. Later, it became a difficult choice for me as to whether to major in music or literature. It wasn't until my 30s that I began a profession in music.

My Dad died during the flu epidemic in 1918 when I was 4 years old. He left a lot of classical recordings behind that I began listening to at an early age, so he must have been a music lover.

I obtained a job at the Library of Congress. I loved books, so I felt at home. I was going to end up, I thought, majoring in English and teach at the college level.

With sincere modesty, if there is such a thing, I have never thought of legacy at all. I am always grateful if people like what I have done. A legacy is something no one can forsee.

When people ask me what I do, strangers on a plane, perhaps, I tell them that I think. Thinking is excellent exercise, as much as swimming or jogging.

I wrote the Brotherhood song for no money out of my deep feelings about humanity, and because I was flattered that whatever talents I had, had been recognized.

I was asked by a group to write a song on the theme of brotherhood. This was before women's liberation, when brotherhood meant men and women both, so I wrote the song. Since I had always been very fond of the Passion Chorale, I wrote words to that great piece.

Participation, I think, or one of the best methods of educating.

Just this morning, out of a large memory for songs, and having been obsessed by them since childhood, suddenly, at the age of 84, I thought of a song I hadn't thought of in over 50 years. It came into my head unbidden.

They say poets write mostly for themselves; if anyone else likes it, well and good, if not, it doesn't matter; certainly, not to me.

Music was around in my family in two ways. My mother would occasionally sing to me, but I was mostly stimulated by the classical music my father had left behind. I had an ear for music, I suppose, so that's what began my interest in music.

I met my wife in Washington, D.C. I was a senior in college. WW II was about to descend upon us. Jobs were starting to open up after a prolonged depression.

When I listen to music today, it is about 99 percent classical. I rarely even listen to folk music, the music of my own specialty, because folk music is to me more limited than classical music.

I started my career at the top and have been working my way downwards ever since.

I ended up performing on a full time basis and I never got to Julliard at all.

Most performers don't admit this, because it sounds negative and performers are not supposed to be negative, but when I was on the road, I was lonely.

When I became more involved in music, I had to give up some of my writing in the literary sense. However, on occasion, I would write something for my own pleasure or I would write notes and introductory remarks in the songbooks I put together.

I published, privately, a collection of my serious poetry I had written over the years. I only published 50 copies, which I gave to friends, in a special deluxe edition. It was ridiculously expensive but I'm glad that I did it.

Things are forgotten and then perhaps picked up again, if we're lucky, it lasts... if not, then it's in the lap of the gods. The important thing was to do some work that I liked and hopefully that some others might also like, whether for a minute, a week, a month, a year.

I taught myself to drive. I hope that the child in me never dies.

When I am seriously composing, sometimes a phrase will come into my head, a catch phrase. When I was writing pop songs for a few years, as a career, separate from my folksinging career, I used to write songs for pop singers.

Technically, I've been retired for some time now. All I ever do is occasionally write songs for friends, such as one, for a friend who had just turned 80. I wrote a song for him called, The First 80 Years are The Hardest.

For hundreds of years people have talked about artists having inspiration, but often, some persons would say, write us a symphony or write us a song, on commission. The artists would come up with a masterpiece without waiting to have their muse inspire them.

All literary men are Red Sox fans - to be a Yankee fan in a literate society is to endanger your life.

Countries under foreign command quickly forget their history, their past, their tradition, their national symbols, their way of living, often their own literary language.

I believe my publisher has shown a great deal of faith in me over a lot of years but I'm not prepared to be so arrogant to say that the long-term literary value of my work would compensate them for a financial failure.

Certainly the most diverse, if minor, pastime of literary life is the game of Find the Author.

Sex in a woman's world has the same currency a penny has in a man's. Every penny saved is a penny earned in one world and in the next every sexual adventure is a literary experience.

The novel is not so much a literary genre, but a literary space, like a sea that is filled by many rivers.

Black writers, of whatever quality, who step outside the pale of what black writers are supposed to write about, or who black writers are supposed to be, are condemned to silences in black literary circles that are as total and as destructive as any imposed by racism.

Satire lies about literary men while they live and eulogy lies about them when they die.

Nothing leads so straight to futility as literary ambitions without systematic knowledge.

Wisdom finds its literary expression in wisdom literature.

There is an incompatibility between literary creation and political activity.

Plato wove historical fact into literary myth.

It must inquire not merely about the circumstances of the time in general, but in particular about the writer's position with regard to these things, the interests and motives, the leading ideas of his literary activity.

I don't mean that literary fiction is better than genre fiction, On the contrary; novels can perform two functions and most perform only one.

The face of nature and civilization in this our country is to a certain point a very sufficient literary field. But it will yield its secrets only to a really grasping imagination. To write well and worthily of American things one need even more than elsewhere to be a master.

When I put together a graphic novel, I don't think about literary prose. I think about storytelling.

Any poet, if he is to survive beyond his 25th year, must alter; he must seek new literary influences; he will have different emotions to express.

The period that I could consider the most important in my literary work came about beginning with the Revolution, and in a certain way, developed as a consequence of the Revolution. But it was also a result of the counterrevolutionary coup of November 1975.

Politics in a literary work, is like a gun shot in the middle of a concert, something vulgar, and however, something which is impossible to ignore.

The great break of my literary career was going to law school.

Ever since my youth it has disturbed me that of the literary works that survived their own epoch, so many dealt with historical rather than contemporary subjects.