I was still thought of as a kid actor even though I was in my mid twenties.

Yes, there was nothing else to do to get you high. I mean, there was, but white kids didn't hear about it.

Once in a while there was some TV offer and I'd take it.

I had always turned it down-to me, smoking pot was absolutely the worst thing in the world. I thought of it as an addiction, and all my friends who smoked it, I felt they really needed help.

Marijuana. Boy, I thought that was just terrible. How could this great man do this to his life?

I wanted to have a normal childhood. Normal relationships.

I was totally devastated for four years in the mid '60s when l tried to buck the tide.

Then l learned to play guitar and l started writing songs and my mother formed for me a publishing business, so we started publishing and managing artists.

Well, I went to school with Jan and Dean, Ryan O'Neal, some of the Beach Boys we all use to party together.

It was the worst period of my life. I had all this gigantic acceptance as a kid, and all of a sudden there was this monumental rejection.

My mom was a Democrat and I was scared to death that she was gonna blow it. First I was going to hell with Monroe, and now to Republican hell with Nixon.

So, in the last year, the whole cast sued for release from our contracts.

Yeah, dog was this man's best friend, for sure.

There's a big difference between somebody who does acid on weekends and somebody who takes downers every day.

Acid wasn't getting a whole lot of bad press at the time, and as I saw the whole bad-press thing happen, I became aware that the government had done a whole lie on all the other benign drugs as well. It became clear to me that the government wanted no real drug education.

I was still thought of as a kid actor even though I was in my mid twenties.

A lot of my friends were fooling around with drugs then.

I wanted to go to regular high school - it looked like a lot of fun.

The kids put you on a pedestal. I didn't like it.

My favorite actor is Wallace Beery.

I've been a very lucky actor.

I don't think I could be happy as an actor if there was a tyrant on the set.

When I was starting to get noticed as an actor in the 1970s for something other than the third cowboy on the right who ended up dying in every movie or episode, Burt Reynolds was the biggest star in the world.

Most parts that can be played by one actor can equally well be played by another, but not this.

I think, frankly, that I'm a better director than I was an actor.

I knew an actor's career goes up and down and back up again. Your standing in this business can't be your whole identity; otherwise, you're doomed.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.

I don't think there has been any increase in sophistication in the audience. When people are aware of a concept that's easy to understand, and there's an actor who will attract them to the theater and it's a movie that's funny three-quarters of the time, it will be successful.

I never dreamed about being an actor, because that was out of reach. Coming from a small town that was big in farming, and also big in clothing factories, you don't dream about being a professional football player or an actor.

My goal was always to be recognized as a good actor but no one was interested in that, simply because society just wants to warm towards your appearance. This is the great blemish of society.

If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable.

To be honest with you, when I got into this I never thought about reviews. I never thought about what people would say about me. I was just a young guy who was excited to become a comedian and an actor and I just wanted to get to do what I got to do.

It was very natural for me to want to disappear into dark theater, I am really very shy. That is something that people never seem to fully grasp because, when you are an actor, you are meant to be an exhibitionist.

I think that I've still not been successful at playing the role of the retired actor, and I'd like to work on that.

And once you cease to be a real person, you stop being a good actor.

When I decided I wanted to be an actor, I said I wanted to work with quality actors and directors.

There are roles I want that my agency might not want me to do because of the subject matter or whatever. Or there are roles that people won't bring to me because they don't think I'll do it. And that is a big strain because an actor wants to act.

Reality is, I'm an actor and an entertainer, and I really wouldn't know what to do with another profession.

I still feel like I'm trying to make it. It's hard to shed the struggling actor thing.

Only a great actor finds the difficulties of the actor's art infinite.

Follow the wisdom of the great actor, James Cagney, you hit your mark, you look the other guy in the eye, and you tell the truth.

I was always a character actor. I just looked like Little Red Riding Hood.

In other words, I wouldn't like to be an actor if I could only be real. I like to get wild, behaviorally wild, and it's crazy to think of any form where it's just one way.

An actor entering through the door, you've got nothing. But if he enters through the window, you've got a situation.

Oh, well, in Los Angeles everybody is an actor, or a producer, or a writer, or a director, or an agent, or... So everybody understands the hours.

I didn't want to be an actor.

I'm always looking, as an actor, for activities. I think it's far more interesting to watch what people do than what they say. You always want to watch behavior, because the dialogue as written by our illustrious leaders is great. Eminently playable.

That's always something that's really important for an actor - to find an opportunity to do a scene where there is a moment like that, where you manage to connect with everyone.

In the editing room, 20 percent of the time you're using stuff from before the actor knew the camera was rolling or you're taking a line from somewhere else and putting it in his mouth.