Songwriting is the other weight on the opposite side of the scale from touring. They balance me out creatively.

I've always stuck with Gibsons. I've had Guilds and Fenders, too, but I always wind up going back to Gibsons.

As a solo artist, I just felt cemented in front of the mike stand. There was very little time to play with the audience and be a band member.

I don't like looking back.

When you sign with a label, they do insist upon certain rights, and if you have a competent attorney, your rights will be protected.

There were some older guitarists on my side of town, and I got to know many of them.

I feel like I have the greatest life an artist could dream of.

If music became extinct now, I don't know what I'd be good for.

I soon gave up instruction for self-teaching.

I like being on the road, living in hotels. While I've got a real nice house, I go crazy when I'm there.

When it stops being fun, stop.

If I have an idea, I write it down, although I usually carry a little dictation machine with me because I'm too lazy to write.

I wish I had a nickel for every song that I've left in the bathroom, written down on a matchbox, or just totally forgotten about.

I'm not the kind of guy who deserves to play a vintage guitar because I'm too rough on instruments.

I wrote songs all my life, where anyone wanted to hear them or not.

I was born in Alabama and my first live music experiences were in church. Every Sunday we watched regional gospel groups on television singing their hearts out.

Songwriting is the other weight on the opposite side of the scale from touring. They balance me out creatively.

Success is fickle, but creativity is a gift.

It is all about being open and paying attention to the music in your head. I think most people have original music playing in their heads from time to time.

Once you start thinking about it in a mercenary frame of mind, then you're finished. You're a joke, because there are too many mercenaries out there already.

You can have fun, but you also have to put on your thinking cap every day.

Make sure you know what you are signing when you sign a recording contract.

Les Pauls work out real well for me because I'll beat the hell out of them and they'll still work. The only trouble with them is finding good ones.

When I was about 3, my grandfather used to give me and my sister a nickel to sit out on the front porch with him and sing songs.

It was more fun trying to figure out I Want To Hold Your Hand than to take lessons. By this time I knew basic chords.

When a song gets its legs and begins to come to me, this is the euphoric hook that keeps me wanting to continue.

On acoustic guitar I tend to stay in the key of D for some reason. On electric guitar I keep basic: C, G, D, and A. The key of D minor is also real good for me.

I don't write on tour. There is so much to do day in and day out when you are on the road.

I have always been a sucker for the big, upbeat chorus.

When I became 16 I started thinking seriously about singing.

I love the idea of stepping out of the band situation into a solo world with no boundaries, no expectations, where nothing is out of bounds.

I'd better be on the road, or I'll be going nuts. I'm not the kind of guy who sits around with a pipe and slippers watching soap operas.

We're kind of defined by our mistakes.

Around '75 when the recession hit, club owners started going to disco because it was cheaper for them to just buy a sound system than it was to hire a band.

Timing is everything.

We were playing popular music, but we were doing our own arrangements because we were too lazy to sit down and figure out the originals.

By the time I did that third solo album, I'd finally learned how to do it, but I'd also learned that I liked being in a band.

Almost every wise saying has an opposite one, no less wise, to balance it.

I believe as human beings we are out of balance, out of synch with the earth.

But all the money in the world cannot make you happy either, so there has to be a balance.

In almost every country there are elements of opinion which would welcome such a conclusion because they wish to return to the politics of the balance of power, unrestricted and unregulated armaments, international anarchy, and preparation for war.

But if you can create an honorable livelihood, where you take your skills and use them and you earn a living from it, it gives you a sense of freedom and allows you to balance your life the way you want.

And Big Night, I think by the end the brothers find that balance, when they touch each other on the shoulder over breakfast and it's understood that what should never have driven them apart almost drove them apart. I think that's a true moment.

Remember Graham Green's dictum that childhood is the bank balance of the writer? I think that all writers feel alienated. Most of us go back to an alienated childhood in some way or another. I know that I do.

In 1844, there was a balance of perhaps of a couple of thousand dollars on the cr side.

You need a balance in life between dealing with what's going on inside and not being so absorbed in yourself that it takes over.

We believe, in fact, that the one act of respect has little force unless matched by the other - in balance with it... The acting out of that dual respect I would name as precisely the source of our power.

You can't have too much of everything, you must have a balance, that's very important.

I've watched those shows my whole life - being on one is like a dream. It's hard to balance that dream with the fact that this is the Edie I've known my whole life.