When I became 16 I started thinking seriously about singing.

I've always stuck with Gibsons. I've had Guilds and Fenders, too, but I always wind up going back to Gibsons.

As a solo artist, I just felt cemented in front of the mike stand. There was very little time to play with the audience and be a band member.

I don't like looking back.

When you sign with a label, they do insist upon certain rights, and if you have a competent attorney, your rights will be protected.

There were some older guitarists on my side of town, and I got to know many of them.

I feel like I have the greatest life an artist could dream of.

If music became extinct now, I don't know what I'd be good for.

I soon gave up instruction for self-teaching.

I like being on the road, living in hotels. While I've got a real nice house, I go crazy when I'm there.

When it stops being fun, stop.

If I have an idea, I write it down, although I usually carry a little dictation machine with me because I'm too lazy to write.

I wish I had a nickel for every song that I've left in the bathroom, written down on a matchbox, or just totally forgotten about.

I'm not the kind of guy who deserves to play a vintage guitar because I'm too rough on instruments.

I wrote songs all my life, where anyone wanted to hear them or not.

I was born in Alabama and my first live music experiences were in church. Every Sunday we watched regional gospel groups on television singing their hearts out.

Songwriting is the other weight on the opposite side of the scale from touring. They balance me out creatively.

Success is fickle, but creativity is a gift.

It is all about being open and paying attention to the music in your head. I think most people have original music playing in their heads from time to time.

Once you start thinking about it in a mercenary frame of mind, then you're finished. You're a joke, because there are too many mercenaries out there already.

You can have fun, but you also have to put on your thinking cap every day.

Make sure you know what you are signing when you sign a recording contract.

Les Pauls work out real well for me because I'll beat the hell out of them and they'll still work. The only trouble with them is finding good ones.

When I was about 3, my grandfather used to give me and my sister a nickel to sit out on the front porch with him and sing songs.

It was more fun trying to figure out I Want To Hold Your Hand than to take lessons. By this time I knew basic chords.

When a song gets its legs and begins to come to me, this is the euphoric hook that keeps me wanting to continue.

On acoustic guitar I tend to stay in the key of D for some reason. On electric guitar I keep basic: C, G, D, and A. The key of D minor is also real good for me.

I don't write on tour. There is so much to do day in and day out when you are on the road.

I have always been a sucker for the big, upbeat chorus.

When I became 16 I started thinking seriously about singing.

I love the idea of stepping out of the band situation into a solo world with no boundaries, no expectations, where nothing is out of bounds.

I'd better be on the road, or I'll be going nuts. I'm not the kind of guy who sits around with a pipe and slippers watching soap operas.

We're kind of defined by our mistakes.

Around '75 when the recession hit, club owners started going to disco because it was cheaper for them to just buy a sound system than it was to hire a band.

Timing is everything.

We were playing popular music, but we were doing our own arrangements because we were too lazy to sit down and figure out the originals.

By the time I did that third solo album, I'd finally learned how to do it, but I'd also learned that I liked being in a band.

When Frank the Pug is singing I Will Survive, the only reason it's funny is that Will is in that shot trying not to get angry. A shot of a dog singing I Will Survive on its own will not get a laugh.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

You're gonna have to learn to get out there in front of those cameras and hold your head up. Take charge when you're singing.

I remember him watching me through the crack of a door singing with a hairbrush. I was in front of his mirror. I think he wanted me to sing. He would get me on the table and make me sing sometimes or play the piano. He was very encouraging on that front.

But enough joking. I am singing. This is all my life.

All my songs were solo voices. Just me singing. In fact, that was the gimmick - no gimmick. Just singing straight with not too much background.

Again, I say I will be glad to tell what songs I have ever sung, because singing is my business.

It was he who impressed, time and again, the necessity of singing as nature intended, and - I remember - he constantly warned, don't let the public know that you work. So I went slowly. I never forced the voice.

In so many interviews, they bring up the sexual aspect of the record. I've had some journalists say it sounds like I'm lying down in bed singing with a microphone. It gets so old!

I love songwriting. It's second to my love for singing in how I express myself.

I hated singing. I wanted to be an actress. But I don't think I'd have made it any other way.

A lot of people are singing about how screwed up the world is, and I don't think that everybody wants to hear about that all the time.