In a way, I have to have a dictatorship. I can't be told that I'm wrong. That conflicts with what I was saying earlier about listening. It isn't to do with receiving criticism and responding to other views, it's who has that last decision.

I would be terribly disappointed if anything would get in the way of my being cast in something, or if performances were canceled. It was a fix that I obviously needed.

I tend to arrive in the rehearsal process with very strongly developed ideas about what I want to do. But I don't like those ideas to be things that are not subject to change, or subject to development, or subject to challenge.

The first big break was winning a scholarship to go to Cambridge University. I was very lucky, because my parents couldn't have afforded a university education for me. Without a scholarship I couldn't possibly have gone.

In my early years, my father was away as a soldier in the war. When he came back, work was very difficult to come by. Even though he was a highly skilled man, a maker of furniture, the payment for that work was very poor.

The thing that I had saved up for myself and wanted most to bring off was a fully fledged professional production of Hamlet at the Royal Shakespeare Theater in Stratford.

You are faced with the choice: either my integrity remains intact and this is the work that ends up on the screen, or I have to leave, and I have to be known to have left.

When I was at Stratford, the very first thing that I was commissioned to work on was trying to make a musical out of the documentary material about the General Strike, which was the next big historical event in England, after the First World War.

I've never had any feeling of disconnection between the classical theater, or the contemporary theater, or musical theater, or the thing that we call opera.

I've experienced a private doubt, something that I've kept deeply inside, and then eventually delivered a piece of work that people responded to with huge enthusiasm.

I had a feeling about Shakespeare's soliloquies, that there should be a real exchange between the actor and the audience.

In a way, I have to have a dictatorship. I can't be told that I'm wrong. That conflicts with what I was saying earlier about listening. It isn't to do with receiving criticism and responding to other views, it's who has that last decision.

When I was 13 years old, a professional theater company in my town needed a kid actor. I auditioned, and I got the part, so for just a few weeks I became a member of the company and I met some professional actors.

If you can't fully believe in your ideas, it very quickly communicates to a group of actors who need something to hold onto. They need to believe that whatever criticism, whatever comment is received, is meant.

If you're a director, your entire livelihood and your entire creativity is based on your self-confidence. Sometimes that's dangerously close to arrogance.

I always believe it's better to have 30 imaginations working on a project, rather than one imagination telling the other 29 what to do.

One fine day I discovered that more complex plays really have to be directed.

So, through all that early professional career I would occasionally do a musical, a pantomime or a play with songs. The next stop would be a Shakespeare, or an Ibsen, or a play by a brand new writer who had never done anything in the theater before.

If you feel very deeply about something, it's not possible to sacrifice your integrity about that.

The film director, in many instances, has to swallow somebody else's decision about the final form of something. It's so hard as to be intolerable.

Peter Hall was just organizing the Royal Shakespeare Company. It was going to be an ensemble, it was going to be in repertory, it was going to have a home in London as well as in the Midlands, and all of those things were happening at that time.

I've just taken the decision that I'm going to now go full time back into the theater.

In my teens, I developed a passionate idolatry for a teacher of English literature. I wanted to do something that he would approve of more, so I thought I should be some sort of a scholar.

A lot of performing instincts are involved in the business of direction, but so is analysis and having a sense of literature.

What you're doing is putting into professional play the way that you relate to other people, the way that you analyze and relate to a written text, the way that you would persuade anybody to do anything. It has to do with listening, with humility and a sense of yourself.

In the commercial theater, I've been pretty fortunate. The producers that I've worked with have allowed me to define the artistic integrity, the artistic limits of the work.

I so wanted to perform, and I grasped every opportunity.

Criticism of government finds sanctuary in several portions of the 1st Amendment. It is part of the right of free speech. It embraces freedom of the press.

To what derision should I be exposed from a thousand quarters!- An unlearned female entering the lists of criticism against the mighty Johnson!

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

Though bitter, good medicine cures illness. Though it may hurt, loyal criticism will have beneficial effects.

No American soldier should be allowed to set foot on Iranian soil, regardless of the criticism we have of the Iranian government.

The English can be a very critical, unforgiving people, but criticism can be good. And this is a country that loves comedy.

Their is no defense against criticism except obscurity.

The dread of criticism is the death of genius.

This issue, if not addressed, leaves any President, including George Bush, open to the criticism that they are essentially ignoring the destruction of the nation and I believe that with all my heart.

A woman's flattery may inflate a man's head a little; but her criticism goes straight to his heart, and contracts it so that it can never again hold quite as much love for her.

I love criticism just so long as it's unqualified praise.

The strength of criticism lies in the weakness of the thing criticized.

Honest criticism is hard to take, particularly from a relative, a friend, an acquaintance or a stranger.

Of course the French are making very credible movies and it is still one of the greatest nations in terms of world cinema but the real problem is the decay in film criticism.

To avoid criticism, do nothing, say nothing, and be nothing.

Few people have the wisdom to prefer the criticism that would do them good, to the praise that deceives them.

Dodi got a lot of criticism when he began dating Princess Diana. No one seemed to think he was good enough for her.

Painting what I experience, translating what I feel, is like a great liberation. But it is also work, self-examination, consciousness, criticism, struggle.

Poetry; a criticism of life under the conditions fixed for such a criticism by the laws of poetic truth and poetic beauty.

The other part of our proposal that gets the 'dittoheads' upset is our suggestion that the commercial radio station owners either play by the rules or pay. In other words, if they don't want to be subject to local criticism of how they are meeting their license obligations, they should pay to support public broadcasters who will operate on behalf of the local community.

In marriage there are no manners to keep up, and beneath the wildest accusations no real criticism. Each is familiar with that ancient child in the other who may erupt again. We are not ridiculous to ourselves. We are ageless. That is the luxury of the wedding ring.

I think the hardest part about being a teenager is dealing with other teenagers - the criticism and the ridicule, the gossip and rumors.