But when you hear the complete album, it gets dark, really straight-up rock, with some really intimate moments with just me and the piano. It's not completely me because there are parts of me that aren't on that song, that are on the album.

I am not this big celebrity, but it gets really crazy. You have to go through the nuts of blowing up, in a sense, and then figuring out how to live your life with that.

When it comes to music, we live in a very different world than everyone did in the 1960s and 1970s.

My songs are a direct route into my brain and my heart.

I have gone from being a 21-year-old with wide eyes to a 24-year-old woman. With success comes a lot of responsibility and power.

And it's sad because it's like a surprise to people - almost an anomaly - when artists are actually refined and trained on an instrument. That's the last thing people think about.

A lot of people give in to those pressures and let others influence the process on their second albums because they want to achieve the success they had with their first again, but they don't know how to do it.

I tour with a piano, actually. Luckily I am able to hire people that deal with it completely and magically a piano appears on stage and then magically disappears when I leave.

I learned a lot from that first record and I learned a lot from my experiences touring, but really the biggest education I got over the past two years was learning the importance of arrangements.

I had no album title, and the album is like a journey in that it's a complete body of work. It's not just a couple of catchy songs and filler, so I felt that I needed to capture the essence of the album.

I don't use sex to sell records, obviously, but I'd be lying if I said that I don't feel like I have to make an effort to look good when I go out onstage, to wear something pretty.

Well, I would say that music just happens with me, I'm not in the driver's seat when I am at the piano, the piano is.

But when you hear the complete album, it gets dark, really straight-up rock, with some really intimate moments with just me and the piano. It's not completely me because there are parts of me that aren't on that song, that are on the album.

Food can become such a point of anxiety - not because it's food, but just because you have anxiety. That's how eating disorders develop.

If Mozart were around now he would write a killer rock song.

Toting around a full orchestra on tour is very ambitious. I would consider doing a show now and then, like do a show at Radio City or Carnegie Hall with a full orchestra.

The women who don't feel that people think they're sexy are the ones who seem to titillate in that way, because they don't feel like they're getting that kind of approval.

I did not stop dancing; I did take two years off to get myself together.

My mom would give me a piece to play, but I wouldn't do any theory because when it came time to do it I would sneak back upstairs and watch TV. So, I had these kind of nonchalant lessons for years, then it just started soaking in.

Now, performing is second nature and I love every second of it. It is a very emotional thing when I can't play a song; maybe I'm hitting on something that I don't want to deal with. All of it is so personal. It is like therapy.

Plus, there were so many pianos in my house, so I couldn't really avoid it.

I am always drawn to men that are funny. I do not know why. But I am always drawn to people that are struggling with parts of themselves... But it's like in the end, there has to be confidence.

But my mom was a pianist, and she taught piano out of her house. I was just so excited, being a little kid and having all these other kids come to my house twice a week. I thought it was a big party.

I work hard and I will always work hard. But I feel very lucky with the way that it has all come together.

Writing this record let me recapture who I am. It is summed up in the title Be Not Nobody. You need to feel comfortable in your skin and do whatever you need to do for yourself, to heal or to grow.

Every single note on this album is there for a reason.

But now - look, I have to take care of myself. I work out every day. I'm a dancer. I've always been an athlete, and I'm one of those people who start to go crazy if they don't run or do something.

I don't put boundaries on myself when I sit at the piano.

But the approach to recording this album was kind of an organized, chaotic approach where I wanted to maintain and preserve that wild abandon to creating.

The music industry is so easy compared to the ballet world.

And beauty stands before you and love comes back around again. Its a carousel my friend.

Sometimes I find that in my happy moments I could not believe that I had ever been miserable.

I just had one of those "what the hell are we doing" moments.

I am sensible of the velocity of the moments, and entering that part of my head alert to the motion of the world I am aware that life was never perfect, never absolute. This bestows contentment, even a fearlessness.

Poets are like baseball pitchers. Both have their moments. The intervals are the tough things.

Kinsey would identify himself with Galileo in moments of feelings of persecution.

Like all tools, modern technology has produced some wonderful moments in music and also some horrors.

Part of life is to live it, and enjoy it, and seize the moments that you find particularly pleasing.

You know, sometimes I get moments of inspiration when I'm writing something and then the task seems so daunting that it just kind of scares me away.

The real test of friendship is: can you literally do nothing with the other person? Can you enjoy those moments of life that are utterly simple?

We're very open and outspoken about our faith and our beliefs. We also talk about our doubts, our moments of insecurities. We talk about it all day, how we're inspired by God. We recognize little miracles every day, and that's how we're raising our daughter.

I figure you're only here for a matter of moments. Ever since I was a kid watching movies I've always wanted to make people laugh or have some sort of emotional reaction.

My obsession with time informs my poetry so completely it is hard for me to summarize it. We want time to pass, for new things to happen to us, we want to hold on to certain moments, we don't want our lives to end.

Great moments are born from great oppurtunities.

For art comes to you proposing frankly to give nothing but the highest quality to your moments as they pass, and simply for those moments' sake.

I experience a period of frightening clarity in those moments when nature is so beautiful. I am no longer sure of myself, and the paintings appear as in a dream.

I've been very lucky in my long life. On three continents, in diverse cultures, through happy moments, not-so-happy moments, and moments as marvelous as this one, I've had the privilege of working with the cinema's greatest masters.

Wagner has lovely moments but awful quarters of an hour.

It is in moments of illness that we are compelled to recognize that we live not alone but chained to a creature of a different kingdom, whole worlds apart, who has no knowledge of us and by whom it is impossible to make ourselves understood: our body.