The music industry is so easy compared to the ballet world.

I am not this big celebrity, but it gets really crazy. You have to go through the nuts of blowing up, in a sense, and then figuring out how to live your life with that.

When it comes to music, we live in a very different world than everyone did in the 1960s and 1970s.

My songs are a direct route into my brain and my heart.

I have gone from being a 21-year-old with wide eyes to a 24-year-old woman. With success comes a lot of responsibility and power.

And it's sad because it's like a surprise to people - almost an anomaly - when artists are actually refined and trained on an instrument. That's the last thing people think about.

A lot of people give in to those pressures and let others influence the process on their second albums because they want to achieve the success they had with their first again, but they don't know how to do it.

I tour with a piano, actually. Luckily I am able to hire people that deal with it completely and magically a piano appears on stage and then magically disappears when I leave.

I learned a lot from that first record and I learned a lot from my experiences touring, but really the biggest education I got over the past two years was learning the importance of arrangements.

I had no album title, and the album is like a journey in that it's a complete body of work. It's not just a couple of catchy songs and filler, so I felt that I needed to capture the essence of the album.

I don't use sex to sell records, obviously, but I'd be lying if I said that I don't feel like I have to make an effort to look good when I go out onstage, to wear something pretty.

Well, I would say that music just happens with me, I'm not in the driver's seat when I am at the piano, the piano is.

But when you hear the complete album, it gets dark, really straight-up rock, with some really intimate moments with just me and the piano. It's not completely me because there are parts of me that aren't on that song, that are on the album.

Food can become such a point of anxiety - not because it's food, but just because you have anxiety. That's how eating disorders develop.

If Mozart were around now he would write a killer rock song.

Toting around a full orchestra on tour is very ambitious. I would consider doing a show now and then, like do a show at Radio City or Carnegie Hall with a full orchestra.

The women who don't feel that people think they're sexy are the ones who seem to titillate in that way, because they don't feel like they're getting that kind of approval.

I did not stop dancing; I did take two years off to get myself together.

My mom would give me a piece to play, but I wouldn't do any theory because when it came time to do it I would sneak back upstairs and watch TV. So, I had these kind of nonchalant lessons for years, then it just started soaking in.

Now, performing is second nature and I love every second of it. It is a very emotional thing when I can't play a song; maybe I'm hitting on something that I don't want to deal with. All of it is so personal. It is like therapy.

Plus, there were so many pianos in my house, so I couldn't really avoid it.

I am always drawn to men that are funny. I do not know why. But I am always drawn to people that are struggling with parts of themselves... But it's like in the end, there has to be confidence.

But my mom was a pianist, and she taught piano out of her house. I was just so excited, being a little kid and having all these other kids come to my house twice a week. I thought it was a big party.

I work hard and I will always work hard. But I feel very lucky with the way that it has all come together.

Writing this record let me recapture who I am. It is summed up in the title Be Not Nobody. You need to feel comfortable in your skin and do whatever you need to do for yourself, to heal or to grow.

Every single note on this album is there for a reason.

But now - look, I have to take care of myself. I work out every day. I'm a dancer. I've always been an athlete, and I'm one of those people who start to go crazy if they don't run or do something.

I don't put boundaries on myself when I sit at the piano.

But the approach to recording this album was kind of an organized, chaotic approach where I wanted to maintain and preserve that wild abandon to creating.

The music industry is so easy compared to the ballet world.

And beauty stands before you and love comes back around again. Its a carousel my friend.

Dance is very, very old. With Louis XIV at Versailles is where ballet started.

I wanted to be a ballet teacher.

Classical ballet will never die.

I've got no plans to be a ballet dancer at the moment.

When life takes me on a new journey, I simply remember the smile my first ballet recital put on my face and I move forward.

Ballet is sort of a mystery to me. And I don't want to unravel that mystery.

The moment the curtain rose on that first ballet, I knew something wonderful and new had come into my life. I can still see the first scene. The ballet was Divertimento No. 15.

My grandmother had a Miss Margaret's School of Dance to teach tap and ballet to kids, but I never studied it. I was raised a Mormon and they're dancing fools. It's the only vice they have - dancing.

The real beauty of it - key to my life was playing key chords on a banjo. For somebody else it may be a golf club that mom and dad put in their hands or a baseball or ballet lessons. Real gift to give to me and put it in writing.

My background is somewhat unusual, as I trained to be a ballet dancer. I worked in the theatre for eight or nine years as a contemporary dancer. But as an actor one does read Shakespeare and does try to learn the classics.

However, the moral center of New York City, I believe, is the New York City Ballet.

I have ballet class every other day for two hours. And for "Six Feet Under", last week there was a sequence where I had to do a whole choreographed dance number, so I had four hours of dance practice every day.

I do take class because I still dance, and yes, I do slip into class with the Royal Ballet from time to time.

And it is always Easter Sunday at the New York City Ballet. It is always coming back to life. Not even coming back to life - it lives in the constant present.

It's no good running a pig farm badly for 30 years while saying, 'Really, I was meant to be a ballet dancer.' By then, pigs will be your style.

For 24 hours a day, for 10 years, all I thought about was being in a band. That's all I did. I had no other social life. I don't want my life to be like that now. I've spent the past 10 years having a real life as well. But Spandau Ballet is such a difficult shadow to outrun.

When other little girls wanted to be ballet dancers I kind of wanted to be a vampire.

The New York City Ballet is always about the realm of possibilities, the realm of what the human body can do, what the human spirit can do. And it's about listening, it's about listening to remarkable music and how we respond to that.