Even if you only want to write science fiction, you should also read mysteries, poetry, mainstream literature, history, biography, philosophy, and science.

The big battle at the end of DW isn't drawn from history, but it's influenced by history, certainly.

I've learned that I get blocked when my subconscious mind is telling me that I've taken the work in a wrong direction, and that once I start listening to what my subconscious is trying to tell me, I can work out the problem and get moving again.

For every SF reader of that period, Robert A. Heinlein was also a touchstone.

How long it takes to write a book depends on its length.

It's a tough job to tell a story when the audience already knows the ending, and the ending is bleak.

I was pretty much grown-up by the time I attended school in Britain - or as grown-up as I'll ever get.

Being a writer was never a choice, it was an irresistible compulsion.

The Internet offers an interesting combination of advertising and community by participating in the community you can become an advertisement for yourself.

Working within the limitations of the shared world generally made the writing easier, because I didn't have to invent any of the characters or background, which is usually the hardest part.

When state and religion are one, religion becomes a means for the powerful to remain in power.

It's hard to generalize, because they're all different. When I started, I decided to take as much advantage as I could of the freedom offered by the SF field.

The mass-market paperback, for one, is too expensive.

I went to college, though I didn't take many writing courses.

I've experienced writer's block, but never for more than a few days.

I found college useful for a lot of other reasons. It exposed me to a great many influences I wouldn't otherwise have encountered, and gave me a lot of time with some very intelligent people whose thoughts are still with me.

Everything that you read is an influence on everything you write, and you want to draw as many elements into your work as you can.

Now I have to motivate myself much more than I had previously.

That's why editors and publishers will never be obsolete: a reader wants someone with taste and authority to point them in the direction of the good stuff, and to keep the awful stuff away from their door.

I wanted to be an author for as long as I can remember.

Even if you only want to write science fiction, you should also read mysteries, poetry, mainstream literature, history, biography, philosophy, and science.

If you can find collaborators whose strengths compliment your own, the result can be more than the sum of its authors.

I'm not afraid of werewolves or vampires or haunted hotels, I'm afraid of what real human beings to do other real human beings.

Try to meet as many authors, agents, and editors as you can.

An SF author who reads only SF will have little new to contribute, but someone with a broader experience will bring more to the table.

I want a platform that, like a book or a magazine, I can carry into the bath or leave at the beach.

I now have to find a reason to write, every single day.

I'm in favor of any technology that makes my work available to the reading public at a reasonable price.

The Rift, which was well over a thousand pages of manuscript, took two years.

I can't speak for the other authors, but what I hoped to achieve was to illuminate certain corners of the Lucas universe that hadn't yet been explored.

Genre labels are useful only insofar as they help you find an audience.

Science fiction readers probably have the gene for novelty, and seem to enjoy a cascade of invention as much as a writer enjoys providing one.

Some of my ideas were shot down by Lucasfilm because they stepped on territory that has been reserved for the movies. I didn't have a problem with that.

Geography is about maps, but biography is about chaps.

Biographies are but the clothes and buttons of the man. The biography of the man himself cannot be written.

In writing biography, fact and fiction shouldn't be mixed. And if they are, the fictional points should be printed in red ink, the facts printed in black ink.

We have escapist fiction, so why not escapist biography?

No great man lives in vain. The history of the world is but the biography of great men.

Biography lends to death a new terror.

But for a few phrases from his letters and an odd line or two of his verse, the poet walks gagged through his own biography.

I'm an avid biography reader.

Biography - a system in which the contradictions of a human life are unified.

I have had the unfortunate experience of having someone write an unauthorised biography of me. Half of it is lies and the other half is badly written. My feeling is that if I'm going to write my life story, I ought to have my life first.

I became quite taken over by Johnson's personality at some points while writing the biography, and since I went straight on to The Closed Circle afterwards, I did sometimes feel I could hear him whispering in my ear while I was working on it.

I never wanted to do biography just to tell the life of a famous man. I always wanted to use the life of a man to examine political power, because democracy shapes our lives.

I suppose I'm proudest of my novels for what's imagined in them. I think the world of my imagination is a richer and more interesting place than my personal biography.

I had no expectation that the Prince would offer me the unprecedented and unfettered access to the original and entirely untapped sources on which this biography is based.

This is the best biography by me I have ever read.

I read everything: fiction, history, science, mathematics, biography, travel.