I've experienced writer's block, but never for more than a few days.

The big battle at the end of DW isn't drawn from history, but it's influenced by history, certainly.

I've learned that I get blocked when my subconscious mind is telling me that I've taken the work in a wrong direction, and that once I start listening to what my subconscious is trying to tell me, I can work out the problem and get moving again.

For every SF reader of that period, Robert A. Heinlein was also a touchstone.

How long it takes to write a book depends on its length.

It's a tough job to tell a story when the audience already knows the ending, and the ending is bleak.

I was pretty much grown-up by the time I attended school in Britain - or as grown-up as I'll ever get.

Being a writer was never a choice, it was an irresistible compulsion.

The Internet offers an interesting combination of advertising and community by participating in the community you can become an advertisement for yourself.

Working within the limitations of the shared world generally made the writing easier, because I didn't have to invent any of the characters or background, which is usually the hardest part.

When state and religion are one, religion becomes a means for the powerful to remain in power.

It's hard to generalize, because they're all different. When I started, I decided to take as much advantage as I could of the freedom offered by the SF field.

The mass-market paperback, for one, is too expensive.

I went to college, though I didn't take many writing courses.

I've experienced writer's block, but never for more than a few days.

I found college useful for a lot of other reasons. It exposed me to a great many influences I wouldn't otherwise have encountered, and gave me a lot of time with some very intelligent people whose thoughts are still with me.

Everything that you read is an influence on everything you write, and you want to draw as many elements into your work as you can.

Now I have to motivate myself much more than I had previously.

That's why editors and publishers will never be obsolete: a reader wants someone with taste and authority to point them in the direction of the good stuff, and to keep the awful stuff away from their door.

I wanted to be an author for as long as I can remember.

Even if you only want to write science fiction, you should also read mysteries, poetry, mainstream literature, history, biography, philosophy, and science.

If you can find collaborators whose strengths compliment your own, the result can be more than the sum of its authors.

I'm not afraid of werewolves or vampires or haunted hotels, I'm afraid of what real human beings to do other real human beings.

Try to meet as many authors, agents, and editors as you can.

An SF author who reads only SF will have little new to contribute, but someone with a broader experience will bring more to the table.

I want a platform that, like a book or a magazine, I can carry into the bath or leave at the beach.

I now have to find a reason to write, every single day.

I'm in favor of any technology that makes my work available to the reading public at a reasonable price.

The Rift, which was well over a thousand pages of manuscript, took two years.

I can't speak for the other authors, but what I hoped to achieve was to illuminate certain corners of the Lucas universe that hadn't yet been explored.

Genre labels are useful only insofar as they help you find an audience.

Science fiction readers probably have the gene for novelty, and seem to enjoy a cascade of invention as much as a writer enjoys providing one.

Some of my ideas were shot down by Lucasfilm because they stepped on territory that has been reserved for the movies. I didn't have a problem with that.

Arnold Bennett was a writer I admired. He was actually taking notes at his father's deathbed.

The good parts of a book may be only something a writer is lucky enough to overhear or it may be the wreck of his whole damn life and one is as good as the other.

For a country to have a great writer is like having another government. That's why no regime has ever loved great writers, only minor ones.

I'm a writer who likes to be influenced.

In relation to a writer, most readers believe in the Double Standard: they may be unfaithful to him as often as they like, but he must never, never be unfaithful to them.

A true critic ought to dwell upon excellencies rather than imperfections, to discover the concealed beauties of a writer, and communicate to the world such things as are worth their observation.

A writer may tell me that he thinks man will ultimately become an ostrich. I cannot properly contradict him.

The most important training, though, is to experience life as a writer, questioning everything, inventing multiple explanations for everything. If you do that, all the other things will come; if you don't, there's no hope for you.

It is not often that someone comes along who is a true friend and a good writer.

Every sentence has a truth waiting at the end of it and the writer learns how to know it when he finally gets there.

It's essential not to have an ideology, not to be a member of a political party. While the writer can have certain political views, he has to be careful not to have his hands tied.

I was never really a writer, I was always more of a performer.

Without books I would not have become a vivacious reader, and if you are not a reader you are not a writer.

Well see, I'm a good enough writer that not everybody in my books talks exactly like I do.

So while it is true that I find really dark stuff funny sometimes, it's also true that as a writer of books I want to have the whole range of human emotions.

Here I am, where I ought to be. A writer must have a place where he or she feels this, a place to love and be irritated with.