The great artist is the man who most obviously succeeds in turning his pains to advantage, in letting suffering deepens his understanding and sensibility, in growing through his pains.

In all three cases, and for most human beings, the problem of suffering poses no difficult problem at all: one has a world picture in which suffering has its place, a world picture that takes suffering into account.

Life ceases to be so oppressive: we are free to give our own lives meaning and purpose, free to redeem our suffering by making something of it.

Faith means intense, usually confident, belief that is not based on evidence sufficient to command assent from every reasonable person.

The only theism worthy of our respect believes in God not because of the way the world is made but in spite of that. The only theism that is no less profound than the Buddha's atheism is that represented in the Bible by Job and Jeremiah.

Here an attempt is made to explain suffering: the outcaste of traditional Hinduism is held to deserve his fetched fate; it is a punishment for the wrongs he did in a previous life.

The first function of a book review should be, I believe, to give some idea of the contents and character of the book.

Job's forthright indictment of the injustice of this world is surely right. The ways of the world are weird and much more unpredictable than either scientists or theologians generally make things look.

Thirdly, even if we assume that the world is governed by purpose, we need only add that this purpose - or, if there are several, at least one of them - is not especially intent on preventing suffering, whether it is indifferent to suffering or actually rejoices in it.

Those who believe in God because their experience of life and the facts of nature prove his existence must have led sheltered lives and closed their hearts to the voice of their brothers' blood.

It was also Hegel who established the view that the different philosophic systems that we find in history are to be comprehended in terms of development and that they are generally one-sided because they owe their origins to a reaction against what has gone before.

The problem of suffering is: why is there the suffering we know?

It is widely assumed, contrary to fact, that theism necessarily involves the two assumptions which cannot be squared with the existence of so much suffering, and that therefore, per impossibile, they simply have to be squared with the existence of all this suffering, somehow.

The deepest difference between religions is not that between polytheism and monotheism.

When Hegel later became a man of influence' he insisted that the Jews should be granted equal rights because civic rights belong to man because he is a man and not on account of his ethnic origins or his religion.

To try to fashion something from suffering, to relish our triumphs, and to endure defeats without resentment: all that is compatible with the faith of a heretic.

The doctrine of original sin claims that all men sinned in Adam; but whether they did or whether it is merely a fact that all men sin does not basically affect the problem of suffering.

The great artist is the man who most obviously succeeds in turning his pains to advantage, in letting suffering deepens his understanding and sensibility, in growing through his pains.

It does not follow that the meaning must be given from above; that life and suffering must come neatly labeled; that nothing is worth while if the world is not governed by a purpose.

Here an attempt is made to explain suffering the outcaste of traditional Hinduism is held to deserve his fetched fate it is a punishment for the wrongs he did in a previous life.

Being a cover artist is not like being a real artist. That's just copying what someone else did.

The artist need not know very much; best of all let him work instinctively and paint as naturally as he breathes or walks.

What an artist learns matters little. What he himself discovers has a real worth for him, and gives him the necessary incitement to work.

Beauty, like truth, is relative to the time when one lives and to the individual who can grasp it. The expression of beauty is in direct ratio to the power of conception the artist has acquired.

I'm inspired by nature. Other artist's work is important for developing my perception.

There is only one position for an artist anywhere; and that is upright.

The difference between a bad artist and a good one is: the bad artist seems to copy a great deal; the good one really does.

To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.

What do you say when someone has truly inspired you? How do you express to an artist how deeply their work has affected you?

An original artist is unable to copy. So he has only to copy in order to be original.

When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.

You have to find what makes you stable in the storm. Then, no matter what's happening round you, no matter what the hype or the publicity, you can still manage to make leaps in your work as an artist.

The key to the mystery of a great artist is that for reasons unknown, he will give away his energies and his life just to make sure that one note follows another... and leaves us with the feeling that something is right in the world.

I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade.

Art is a private thing, the artist makes it for himself; a comprehensible work is the product of a journalist. We need works that are strong, straight, precise, and forever beyond understanding.

The most colorful section of a bookstore is the display of SF books, with art by people like Wayne Barlow, who is a terrific artist.

Arguably, no artist grows up: If he sheds the perceptions of childhood, he ceases being an artist.

Let not a man do what his sense of right bids him not to do, nor desire what it forbids him to desire. This is sufficient. The skillful artist will not alter his measures for the sake of a stupid workman.

I so much appreciate it when anybody tries to make something and tries to be an artist - I'm happy to see the work.

The artist is seen like a producer of commodities, like a factory that turns our refrigerators.

I've also been willing to share any help that I could give to any other artist.

An artist, under pain of oblivion, must have confidence in himself, and listen only to his real master: Nature.

What is it they want from the man that they didn't get from the work? What do they expect? What is there left when he's done with his work, what's any artist but the dregs of his work, the human shambles that follows it around?

No artist work is so high, so noble, so grand, so enduring, so important for all time, as the making of character is a child.

I left Jamaica for a while, because as an artist I need to experience different things, see the world, have different energies. Living in one place is not good for me.

A young and vital child knows no limit to his own will, and it is the only reality to him. It is not that he wants at the outset to fight other wills, but that they simply do not exist for him. Like the artist, he goes forth to the work of creation, gloriously alone.

Though the artist must remain master of his craft, the surface, at times raised to the highest pitch of loveliness, should transmit to the beholder the sensation which possessed the artist.

My parents always saw me as an artist, and that greatly influenced me.

I'm the artist formally known as Beck. I have a genius wig. When I put that wig on, then the true genius emerges. I don't have enough hair to be a genius. I think you have to have hair going everywhere.