Facts sometimes have a strange and bizarre power that makes their inherent truth seem unbelievable.

Technology has a great advantage in that we are capable of creating dinosaurs and show them on the screen even though they are extinct 65 million years. All of a sudden, we have a fantastic tool that is as good as dreams are.

I don't spend sleepless nights over getting very bad reviews.

Let's put it this way: art house theaters are vanishing. They have almost disappeared completely, and that means there's a shift in what audiences want to see. And they have to be aware of that and be realistic. It's as simple as that.

I know whenever it comes to be really dysfunctional and vile and base and hostile on screen, I'm good at that!

I cannot work fast enough. I cannot cope fast enough, really. And just releasing a film is hard.

Facts sometimes have a strange and bizarre power that makes their inherent truth seem unbelievable.

You should look straight at a film; that's the only way to see one. Film is not the art of scholars but of illiterates.

There are certainly laws and elements that make a film more accessible to mainstream audiences. If you've got Tom Cruise as a strongman, I'm sure it would have larger audiences, but it wouldn't have the same substance.

Ambition is to be the fastest runner on this planet, to be the first on the South Pole, which is a grotesque perversion of ambition. It's an ego trip, and I'm not on an ego trip. I don't have ambitions - I have a vision.

Civilization is like a thin layer of ice upon a deep ocean of chaos and darkness.

Every man should pull a boat over a mountain once in his life.

I could not become an American citizen. I would not like to become a citizen of a country that has capital punishment.

I despise formal restaurants. I find all of that formality to be very base and vile. I would much rather eat potato chips on the sidewalk.

I find it interesting that there are impostors out on the Internet pretending to be Werner Herzog.

I have nothing against 3D films but I do not need to see them.

I like and I love everything that has to do with cinema: writing, directing, editing, creating music, and even acting.

I never have searched for a subject. They always just come along. They never come by way of decision-making. They just haunt me. I can't get rid of them. I did not invite them.

I think the worst that can happen in filmmaking is if you're working with a storyboard. That kills all intuition, all fantasy, all creativity.

I think there are specific times where film noir is a natural concomitant of the mood. When there's insecurity, collapse of financial systems - that's where film noir always hits fertile ground.

I think there should be holy war against yoga classes.

I travel without barely any luggage. Just a second set of underwear and binoculars and a map and a toothbrush.

I'm not an interviewer. I have conversations.

I'm not into digital marketing, downloading, or streaming - I've always been a man of the theaters.

I'm simply not afraid. It's not in my dictionary of behaviour.

If an actor knows how to milk a cow, I always know it will not be difficult to be in business with him.

If you do not have an absolutely clear vision of something, where you can follow the light to the end of the tunnel, then it doesn't matter whether you're bold or cowardly, or whether you're stupid or intelligent. Doesn't get you anywhere.

Life on our planet has been a constant series of cataclysmic events, and we are more suitable for extinction than a trilobite or a reptile. So we will vanish. There's no doubt in my heart.

Perhaps I seek certain utopian things, space for human honour and respect, landscapes not yet offended, planets that do not exist yet, dreamed landscapes.

Sometimes bad luck hits you like in an ancient Greek tragedy, and it's not your own making. When you have a plane crash, it's not your fault.

You must live life in its very elementary forms. The Mexicans have a very nice word for it: pura vida. It doesn't mean just purity of life, but the raw, stark-naked quality of life. And that's what makes young people more into a filmmaker than academia.

You should bear in mind that almost all my documentaries are feature films in disguise.

There is a fascination about crime which is understandable but hardly anyone talks about the families of victims of violent crime and the devastation that is beyond the victim alone.

What would an ocean be without a monster lurking in the dark? It would be like sleep without dreams.

There are specific times where film noir is a natural concomitant of the mood. When there’s insecurity, collapse of financial systems – that’s where film noir always hits fertile ground.

If you make a film normally it's all right, the distributors are helpful and cooperative. But if you make a film that's a little stange, a little bizarre, then all the time it's a struggle with them.

No matter how calmly you try to referee, parenting will eventually produce bizarre behavior, and I'm not talking about the kids. Their behavior is always normal.

I was never a villain on the stage. I always played strong, sympathetic types. My first stage role with a speaking part, believe it or not, was as a priest. It wasn't until I began acting in films that the producers and directors saw me primarily as a bizarre villain.

I write about real people in disguise. If anything, my characters are toned down-the truth is much more bizarre.

This is not to be cocky, but, I go over real well at Comic-Con. I've done quite a few Comic-Cons, and I enjoy the hell out of them. They are so much fun, and so bizarre. I've done the FX Show in Florida, Wizard-World in Chicago, Comic-Con in San Diego, Wonder-Con in San Francisco, the Comic-Con in New York, and I've done them numerous times.

That's what I like about film-it can be bizarre, classic, normal, romantic. Cinema is to me the most versatile thing.

I moved further and further away from mass entertainment. The sexual element became increasingly sinister and bizarre. Don't blame me! The bastards drove me to it! They all backed off after that!

I wrote the script of Patton. I had this very bizarre opening where he stands up in front of an American flag and gives this speech. Ultimately, I was fired. When the script was done, they hired another writer and that script was forgotten.

What was bizarre, when I was younger, I never watched TV. I would rather watch a movie 100 times than to watch a TV show, just to find another nuance. I can't tell you how many times I've watched 'On the Waterfront', just to find a flaw so that I can learn and try to improve my thing.

Most well-known serial killers have victims numbering in the dozens, have sent taunting letters to the police or have done bizarre things to the bodies.

Of course life is bizarre, the more bizarre it gets, the more interesting it is. The only way to approach it is to make yourself some popcorn and enjoy the show.

We're all so mauled by information, but it's recycled information. We need to shut it out. So, you've got to get bizarre. This is an artist's purpose - to break away from the recycled. Performance art can do that.

We've got a bunch of new writers now who tell me they grew up watching The Simpsons. It's bizarre, and they're writing some very funny stuff.

There is a theory which states that if ever anyone discovers exactly what the Universe is for and why it is here, it will instantly disappear and be replaced by something even more bizarre and inexplicable.There is another theory which states that this has already happened.