Let's put it this way: art house theaters are vanishing. They have almost disappeared completely, and that means there's a shift in what audiences want to see. And they have to be aware of that and be realistic. It's as simple as that.

Technology has a great advantage in that we are capable of creating dinosaurs and show them on the screen even though they are extinct 65 million years. All of a sudden, we have a fantastic tool that is as good as dreams are.

I don't spend sleepless nights over getting very bad reviews.

Let's put it this way: art house theaters are vanishing. They have almost disappeared completely, and that means there's a shift in what audiences want to see. And they have to be aware of that and be realistic. It's as simple as that.

I know whenever it comes to be really dysfunctional and vile and base and hostile on screen, I'm good at that!

I cannot work fast enough. I cannot cope fast enough, really. And just releasing a film is hard.

Facts sometimes have a strange and bizarre power that makes their inherent truth seem unbelievable.

You should look straight at a film; that's the only way to see one. Film is not the art of scholars but of illiterates.

There are certainly laws and elements that make a film more accessible to mainstream audiences. If you've got Tom Cruise as a strongman, I'm sure it would have larger audiences, but it wouldn't have the same substance.

Ambition is to be the fastest runner on this planet, to be the first on the South Pole, which is a grotesque perversion of ambition. It's an ego trip, and I'm not on an ego trip. I don't have ambitions - I have a vision.

Civilization is like a thin layer of ice upon a deep ocean of chaos and darkness.

Every man should pull a boat over a mountain once in his life.

I could not become an American citizen. I would not like to become a citizen of a country that has capital punishment.

I despise formal restaurants. I find all of that formality to be very base and vile. I would much rather eat potato chips on the sidewalk.

I find it interesting that there are impostors out on the Internet pretending to be Werner Herzog.

I have nothing against 3D films but I do not need to see them.

I like and I love everything that has to do with cinema: writing, directing, editing, creating music, and even acting.

I never have searched for a subject. They always just come along. They never come by way of decision-making. They just haunt me. I can't get rid of them. I did not invite them.

I think the worst that can happen in filmmaking is if you're working with a storyboard. That kills all intuition, all fantasy, all creativity.

I think there are specific times where film noir is a natural concomitant of the mood. When there's insecurity, collapse of financial systems - that's where film noir always hits fertile ground.

I think there should be holy war against yoga classes.

I travel without barely any luggage. Just a second set of underwear and binoculars and a map and a toothbrush.

I'm not an interviewer. I have conversations.

I'm not into digital marketing, downloading, or streaming - I've always been a man of the theaters.

I'm simply not afraid. It's not in my dictionary of behaviour.

If an actor knows how to milk a cow, I always know it will not be difficult to be in business with him.

If you do not have an absolutely clear vision of something, where you can follow the light to the end of the tunnel, then it doesn't matter whether you're bold or cowardly, or whether you're stupid or intelligent. Doesn't get you anywhere.

Life on our planet has been a constant series of cataclysmic events, and we are more suitable for extinction than a trilobite or a reptile. So we will vanish. There's no doubt in my heart.

Perhaps I seek certain utopian things, space for human honour and respect, landscapes not yet offended, planets that do not exist yet, dreamed landscapes.

Sometimes bad luck hits you like in an ancient Greek tragedy, and it's not your own making. When you have a plane crash, it's not your fault.

You must live life in its very elementary forms. The Mexicans have a very nice word for it: pura vida. It doesn't mean just purity of life, but the raw, stark-naked quality of life. And that's what makes young people more into a filmmaker than academia.

You should bear in mind that almost all my documentaries are feature films in disguise.

There is a fascination about crime which is understandable but hardly anyone talks about the families of victims of violent crime and the devastation that is beyond the victim alone.

What would an ocean be without a monster lurking in the dark? It would be like sleep without dreams.

There are specific times where film noir is a natural concomitant of the mood. When there’s insecurity, collapse of financial systems – that’s where film noir always hits fertile ground.

Art teaches nothing, except the significance of life.

The principal rule of art is to please and to move. All the other rules were created to achieve this first one.

I grew up with art from the innocent age of ten - with art, but with no sense of identity.

One does not devote one's life in art to shock an audience.

The other great development has been in photography, but that too was influenced by Conceptual art.

My art became very public.

Riding a race bike is an art - a thing that you do because you feel something inside.

The idea is, if I can't heal from my art, then how can you heal?

But in the finished art of the song the use of words has no connection with the use of words in poetry.

One does not need buildings, money, power, or status to practice the Art of Peace. Heaven is right where you are standing, and that is the place to train.

I don't believe in art. I believe in artists.

Art cannot be modern. Art is primordially eternal.

Without art, the crudeness of reality would make the world unbearable.

We have often been attracted to the story of the other, the outcast. And he and I just loved working together, so it just kept happening, and our relationship is completely bound up with our work. We enjoy each other's art.