When I watch a film I get swept away. I don't really watch the camera.

We thought sex was free. Sex is not free. There's a price to be paid emotionally, physically, even legally. Sex isn't a casual thing. It's a huge thing.

I think I've been in situations where they looked at me and just see some rich white guy - they don't see me at all.

I got an agent. He said, what do you wanna do, and I said, I want an Oscar nomination. That's your job, that's what I'm paying you for. And I got it.

I'll tell you this about the Oscars - they're real.

There are some older women out there who are just knockouts, real beauties, and they're not getting the roles they should.

The bar raises as you go.

I'm really proud of the writing on Door to Door, and I think that's the Emmy that meant the most - the writing.

That red carpet has to be felt to be believed.

Oh yeah, that's the Holy Grail, Pirates of the Caribbean. Johnny Depp, he's the real deal, isn't he? He doesn't get the girl, and he doesn't care.

I'm a firm believer that character is highly overrated. Character is a trick that we do with the audience's collusion.

I was a dog in a past life. Really. I'll be walking down the street and dogs will do a sort of double take. Like, Hey, I know him.

When I watch a film I get swept away. I don't really watch the camera.

We must admit that it is quite common that people do have affairs with their leading ladies and men.

Directors work 10 times harder than anyone else. Get paid a quarter.

We all want to be 20 again and have that first sense of love.

I'm not against watching myself, but I miss a lot of it. I've got two little kids who we don't let watch TV.

Nobody became an actor because he had a good childhood.

Everyone hooks up with George Clooney. He's a genuinely cool guy. He's using his powers for good.

When I was in New York, I was making a living. We had a summer house and a car that I could put in a garage. That's something for a stage actor.

The only people who do plays in LA are people who can't get jobs in TV shows.

I'm sure I have a process, but it mostly takes place in my dreams.

A favorite cast? Lisa Kudrow, Anthony Hopkins, Gene Hackman, Morgan Freeman, and my wife.

Yeah, I made it. It sneaks up on you. You're some schmuck and you wake up one day and you go, Good God, I'm the cheese.

It started with the Godfather, this operatic violence. I don't know.

When Fargo came out, I hired a publicist for the first time in my life. I thought, if ever I was going to make it, that was then.

Ninety percent of the preparation we do as actors is just jive. It doesn't do anything.

I do them all for the money, I really do.

I have a tendency to say yes to a script or no to a script. Not yes based on a rewrite.

The Spirit Awards are great too, they'll say anything because they're not televised. Another great drinking night.

I think theater is powerful. The best experiences I had in the theater are more powerful than the best experiences I had in movies.

Stephen King writes a lot of things that are really charming and quirky, and that are more ironic than horror.

If I like the story and it's well written, and it's a character I want to play and they'll pay me, then I decide to do it.

Shameless is a rough show, and it's not for everyone, but it's also beautiful.

It's hard to be depressed around a ukulele. You just pick it up and you're halfway home.

My best film composing experience was with Elia Kazan.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

To make a documentary is one thing, to make a feature film is quite another.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

Robert Altman's Nashville is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.