In a kind of a way there's a bit of that happening now so we have to be careful to preserve our culture.

We cheer everyone who goes off to Hollywood and tells American stories but telling Australian stories is the greatest thing you can do.

There are a thousand weird untold stories in the Australian film industry, this has been one of them.

Can you imagine what it would be like if all the Aussie film talent was able to make Australian stories?

The obsession required to see a feature through from concept to release is not a rational thing to do with your brief time on this planet. Nor is it something to which an intelligent person should aspire.

So we have to be careful because if you don't protect your culture you won't have it for very long.

Australians don't have a preconceived notion of what things have to be... we can go on a fantastic journey.

My background was art school, documentary director and surfer with a keen interest in thrilling acts of life threatening stupidity.

I kind of worry about that a little bit - we lost our film culture for 30 years because the Americans came in and bought up all the cinema chains and wouldn't show any Australian films.

Three years after starting, by physically doing everything from raising the finance to special effects, we'd finally cobbled together our low budget film.

You go overseas and people are oppressed and scared and worried but we're not like that... we're more like my films and how people come out at the end of seeing them - they feel good.

While the eyes of the world will be on us let's show everyone that we have a great sense of humour.

It was always easy for me. I was born very rich and lucky.

Find your own specific voice in filmmaking and go for it. Either people will get it or they won't and that's what it's all about.

It's because we are so flooded with American culture that we're startled when we see ourselves up there on the screen.

Hollywood is horrible... it's beyond satire.

We've got so many stories to tell, you know, we could take on the world.

Movies are usually difficult, often insane, constantly challenging and always strangely amusing to make.

It's an infinite creative universe to explore so why chase conservative options?

All the jokes in my films, the comedy, they're not me, I just try to hold a big mirror up to us.

I just wanted to do this all Australian film and we didn't want to give creative control to overseas 'cause whoever comes on my sets, whether you're sweeping the floor or an actor, it doesn't matter who comes up with the ideas, it's a collaboration.

I support all Australian films.

Now both my films have been number one at the Australian box office and it took about two years just to get the finance for this film, so if it's hard for me then God help everyone else.

In a kind of a way there's a bit of that happening now so we have to be careful to preserve our culture.

I don't know what it means to be out there against the Olympics.

In 1905 Albert discovered Relativity, in 1906 he invented Rock and Roll.

Movies are a complicated collision of literature, theatre, music and all the visual arts.

Then if your movie clicks with real audiences, you'll be sucked into some sort of Hollywood orbit. It's a devil of a place where the only religion that really counts is box office.

Making your first feature film is actually impossible.

We live in a time where government is not a leadership thing, it's more a business that's out there and running riot, so I guess the people have to go out there and say stuff.

The journey of your first movie is not just beyond belief it can be truly beyond satire.

Getting your screenplay right is the most important thing you'll ever do on your film.

If government and media and all of us in the Australian tribe got together, and the rock industry, we'd just be the greatest cultural force the world has ever seen - we're such an amazing race.

The American formula things are out there but they don't have any stories to tell - we have all the stories to tell - but they're all formula.

I believe that in a great city, or even in a small city or a village, a great theater is the outward and visible sign of an inward and probable culture.

We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.

I don't have space to enter into the examples or the history of this, so I'm left with having to make the bold statement that culture is extinct.

We need to have a culture that says 'the less energy you can use to be comfortable, the better off you are and the better you should feel about yourself'.

Concerning culture as a process, one would say that it means learning a great many things and then forgetting them; and the forgetting is as necessary as the learning.

No doubt Western civilization has in the past been full of wars and revolutions, and the national elements in our culture, even when they were ignored, always provided an unconscious driving force of passion and aggressive self-assertion.

The things that I draw on, and the world that I feel part of, aren't particularly youth culture.

I recommend the same therapies for all humans with HIV. There is no reason to believe that physiologic responses to therapy will vary across lines of class, culture, race or nationality.

Towns are suffering from all these things, we should unite until we are all satisfied, man cannot be killing each other as if we were animals, as if we had no culture; that is a lack of culture.

You're a Catholic in Italy when you're born, it's unthinkable to stop being Catholic. You just take the rules a lot more seriously, because it pervades your culture.

Sex and drugs were simply not discussed in our culture at that time.

You have to open your mind. I like the ability to express myself in a deep way. It's the closest music to our humanity - it's like a folk music that rises up out of a culture.

Lives have been altered in fundamental ways, and later, after they acquire a more complete understanding of what goals are actually attainable, many are left facing a lot of pain and frustration. And yet, there's no culture of complaint.

I've always been interested in the relationship between total external surround, culture, the political matrix, technology, etc., and the internal human consciousness.

Writing is about culture and should be about everything. That's what makes it what it is.