Movies are usually difficult, often insane, constantly challenging and always strangely amusing to make.

We cheer everyone who goes off to Hollywood and tells American stories but telling Australian stories is the greatest thing you can do.

There are a thousand weird untold stories in the Australian film industry, this has been one of them.

Can you imagine what it would be like if all the Aussie film talent was able to make Australian stories?

The obsession required to see a feature through from concept to release is not a rational thing to do with your brief time on this planet. Nor is it something to which an intelligent person should aspire.

So we have to be careful because if you don't protect your culture you won't have it for very long.

Australians don't have a preconceived notion of what things have to be... we can go on a fantastic journey.

My background was art school, documentary director and surfer with a keen interest in thrilling acts of life threatening stupidity.

I kind of worry about that a little bit - we lost our film culture for 30 years because the Americans came in and bought up all the cinema chains and wouldn't show any Australian films.

Three years after starting, by physically doing everything from raising the finance to special effects, we'd finally cobbled together our low budget film.

You go overseas and people are oppressed and scared and worried but we're not like that... we're more like my films and how people come out at the end of seeing them - they feel good.

While the eyes of the world will be on us let's show everyone that we have a great sense of humour.

It was always easy for me. I was born very rich and lucky.

Find your own specific voice in filmmaking and go for it. Either people will get it or they won't and that's what it's all about.

It's because we are so flooded with American culture that we're startled when we see ourselves up there on the screen.

Hollywood is horrible... it's beyond satire.

We've got so many stories to tell, you know, we could take on the world.

Movies are usually difficult, often insane, constantly challenging and always strangely amusing to make.

It's an infinite creative universe to explore so why chase conservative options?

All the jokes in my films, the comedy, they're not me, I just try to hold a big mirror up to us.

I just wanted to do this all Australian film and we didn't want to give creative control to overseas 'cause whoever comes on my sets, whether you're sweeping the floor or an actor, it doesn't matter who comes up with the ideas, it's a collaboration.

I support all Australian films.

Now both my films have been number one at the Australian box office and it took about two years just to get the finance for this film, so if it's hard for me then God help everyone else.

In a kind of a way there's a bit of that happening now so we have to be careful to preserve our culture.

I don't know what it means to be out there against the Olympics.

In 1905 Albert discovered Relativity, in 1906 he invented Rock and Roll.

Movies are a complicated collision of literature, theatre, music and all the visual arts.

Then if your movie clicks with real audiences, you'll be sucked into some sort of Hollywood orbit. It's a devil of a place where the only religion that really counts is box office.

Making your first feature film is actually impossible.

We live in a time where government is not a leadership thing, it's more a business that's out there and running riot, so I guess the people have to go out there and say stuff.

The journey of your first movie is not just beyond belief it can be truly beyond satire.

Getting your screenplay right is the most important thing you'll ever do on your film.

If government and media and all of us in the Australian tribe got together, and the rock industry, we'd just be the greatest cultural force the world has ever seen - we're such an amazing race.

The American formula things are out there but they don't have any stories to tell - we have all the stories to tell - but they're all formula.

We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.

The thing is there have been American movies that are similar to Solaris, like Alien had a lot of things that are similar, although it's also got the horror element.

My mom took me to see Carnal Knowledge and The Wild Bunch and all these kind of movies when I was a kid.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.

In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

I enjoy about 1 out of 100 movies, it's about the same proportion to books published that I care to read.

Sure, 'Twilight' is really huge right now and everybody's freaking out over it, but it will go away soon and I will be back to doing what I'm used to doing: weird little movies that nobody sees.

There are many kinds of movies in Hong Kong. Some are commercial and others are more artistic.

Making movies is eating candy. It's a very expensive candy, so you value when you can do it. So when you can do it twice at once, it's like, you know, a kid in a candy store!

It just proves good movies don't need 100 million dollars to be good.

In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them, but you can't really hate them.

I grew up wanting to make movies, and along the way I suddenly found that I had a career doing comedy.

When I go to movies I generally want to be taken to another world.

There were not fifteen people in the story department and twenty-five producers and stuff. And Roger had produced 1,000 movies and directed a couple of hundred, and their comments were always very, very specific.