I am tired. My arm aches. My head boils. My feet are cold. But I am not aware of any weakness.

I hate birthdays.

I see so much more than I used to see. The effect has been to depress and sadden and hurt me terribly.

Every once in a while I feel the tremendous force of the novel. But it does not stay with me.

I need this wild life, this freedom.

I am full of fire and passion. I am not ready yet for great concentration and passion.

I will see this game of life out to its bitter end.

I love my work but do not know how I write it.

The difficulty, the ordeal, is to start.

I can write best in the silence and solitude of the night, when everyone has retired.

Men may rise on stepping stones of their dead selves to higher things.

I am tired. My arm aches. My head boils. My feet are cold. But I am not aware of any weakness.

I wrote for nearly six hours. When I stopped, the dark mood, as if by magic, had folded its cloak and gone away.

The Indian story has never been written. Maybe I am the man to do it.

I arise full of eagerness and energy, knowing well what achievement lies ahead of me.

What is writing but an expression of my own life?

I confess that reading proofs is a pleasure. It stimulates and inspires me.

What makes life worth living? Better surely, to yield to the stain of suicide blood in me and seek forgetfulness in the embrace of cold dark death.

No one connected intimately with a writer has any appreciation of his temperament, except to think him overdoing everything.

There are hours when I must force the novel out of my mind and be interested in the children.

I did not have one bad spell during writing - an unprecedented record.

Today I began the novel that I determined to be great.

I must go deeper and even stronger into my treasure mine and stint nothing of time, toil, or torture.

It was a decent New Year's, but it took a million officers to make it so.

Writing was like digging coal. I sweat blood. The spell is on me.

Love grows more tremendously full, swift, poignant, as the years multiply.

Love of man for woman - love of woman for man. That's the nature, the meaning, the best of life itself.

Work is my salvation. It changes my moods.

This motion-picture muddle had distracted me from my writing.

These critics who crucify me do not guess the littlest part of my sincerity. They must be burned in a blaze. I cannot learn from them.

Love grows more tremendously full, swift, poignant as the years multiply.

Then the wind blew cool through the pinyons on the rim. There was a sweet tang of cedar and sage on the air and that indefinable fragrance peculiar to the canyon country of Arizona.

If I fished only to capture fish my fishing trips would have ended long ago.

Love grows more tremendously full swift poignant as the years multiply.

They who love dancing too much seem to have more brains in their feet than in their head.

Basically, right before college I got into the Guinness book for my feet and started to do local commercials and little radio spots, just little things and found I really liked it.

My feet are like gnarled old tree branches.

The men are walking. They are fifty feet apart, for dispersal. Their walk is slow, for they are dead weary, as you can tell even when looking at them from behind. Every line and sag of their bodies speaks their inhuman exhaustion.

My feet are dogs.

Heaven is under our feet as well as over our heads.

A beautiful line of verse has twelve feet, and two wings.

My feet never touched the ground. Lots of good groups with crazy and unique images. It was wild. I spent all of my time doing gigs, TV appearances, interviews, or recording. I could write a book - and probably will.

My sister and I are opposites in many ways. She is six feet tall, while I'm five feet four.

In the 1950s in Columbia, South Carolina, it was considered OK for kids to play with weird things. We could go to the hardware store and buy 100 feet of dynamite fuse.

St Michaels Mount is a favourite place of mine; people will walk across to the Mount all day and assume they will be able to walk home. The spectacle of hundreds of people realising that the path they walked over on is disappearing under several feet of water is very amusing.

I had to weave and play around with a honey bear, you know, and I could wrestle with him a little bit, but there's no way you can even wrestle a honey bear, let alone a grizzly bear that's standing ten feet to eleven feet tall! Can you imagine? But it was fascinating to work that close to that kind of animal.

I wouldn't want the pressure of a Six Feet Under or the pressure of improvising like Curb Your Enthusiasm.

Although there exist many thousand subjects for elegant conversation, there are persons who cannot meet a cripple without talking about feet.

I think the secret of my light, quick, foot strike is related to the fact that I have fragile feet.