Detroit Industry, Diego Rivera, fresco, 1932-33, Mexican Muralism

London Bridge, André Derain, oil on canvas, 1906, Fauvism.

Woman with a hat, Henri Matisse, oil on canvas, 1905, Fauvism

Improvisation 28, Vassily Kandinsky, 1912, Expressionism

Large Blue Horses, Franz Marc, 1911, Expressionism

"Street, Dresden", Ernst Kirchner, 1908, Expressionism

Les Demoiselles d'Avignon, Pablo Picasso, 1907, Cubism

Guernica, Pablo Picasso, 1937, Cubism

Unique forms of continuity in space, Umberto Boccioni, 1913, Futurism

Fountain, Marcel Duchamp, 1917, Dada

Nude descending a staircase, Marcel Duchamp, 1912, the Armory Show (cubist and/or futurist)

The Steerage, Alfred Stieglitz, photograph, 1907, Photo-Secession

Light Iris, Georgia O'Keeffe, 1924, Precisionism

Melancholy and Mystery of a Street, Giorgio DeChirico, 1914, Metaphysical Painting

The Persistence of Memory, Salvador Dali, 1931, Surrealism

Dutch Interior I, Joan Miró, 1928, Surrealism

Object, Meret Oppenheim, fur covered cup, 1936, Surrealism

The Two Fridas, Frida Kahlo, 1939, Surrealism

Suprematist Composition: Airplane Flying, Kazimir Malevich, 1915, Suprematism

Monument to the Third International, Vladimir Tatlin, wood/iron/glass model, 1919-1920, Constructivism

Composition in Black and White and Red, Piet Mondrian, 1936, DeStijl

Schröder House, Gerrit Rietveld, 1924, Utrecht Netherlands, DeStijl

The Bauhaus, Walter Gropius, 1925-1926, the Bauhaus

Villa Savoye, Le Corbusier, 1929, International Style

The Robie House, Frank Lloyd Wright, 1907-1909, Prairie Style

Kaufmann House "Falling Water", Frank Lloyd Wright, 1936-1939, Wright's later work

The Chrysler Buildings, William Van Alen, 1928-1930, Art Deco

Bird in Space, Constantin Brancusi, 1928, Organic Art

Reclining Figure, Henry Moore, 1947, Organic Art

Migrant Mother, Dorothea Lange, 1935, Depression Era Art

Nighthawks, Edward Hopper, 1942, Depression Era Art

Migration of the Negro #58, Jacob Lawrence, tempera on masonite, 1940-41, Depression Era Art

American Gothic, Grant Wood, oil on beaverboard, 1930, Depression Era Art

Naming rights are a seductive philanthropic inducement, yet more anonymous operational support may better advance the charitable purpose.

Build something 100 people love, not something 1 million people kind of like.

I know competition is there, and it can come my way by new, fresh faces that are around or are coming up. It pushes me to work hard. I know if I don't work hard, I will be left behind. So, I continue to work hard.

Knowledge of the eternal is all-embracing. To be all-embracing leads to righteousness, which is majestic.

Our cheer goes back to them, the valiant dead! Laurels and roses on their graves to-day, lilies and laurels over them we lay, and violets o'er each unforgotten head.

The most used piece of kit in my kitchen is my saucepan. I use it every morning to cook my porridge in. The least used piece of equipment? I'd say a food mixer. I've never used it, I don't really know what they're for.

I wasn't the kind of kid like Spielberg or Lucas who knew to go to film school. I didn't know at 12 what I was going to do; it took me until I was about 23. I studied journalism in college, but after school, I got a job in public television and I never worked as a journalist for one moment.

None of the characters I've played are really like me. That would be boring. That wouldn't be acting.

I cannot imagine what it must feel like to be treated differently because of the color of my skin.

I've known Emeril for more than 20 years from when I featured him on 'Lifestyles of the Rich & Famous' from his days at Commander's Palace in New Orleans and from when I helped start the Food Network where he subsequently hosted an amazing 2,000-plus shows.

I think that baseball games are like soap operas. If you watch five in a row, you know enough to get hooked.

Sanctions are a sign of irritation; they are not the instrument of serious policies.

I'm a huge Cormac McCarthy fan and have read every book of his.

I kind of live like a writer. I get up and I write. I've done that my whole life.

Speaking as a biologist, I think women are less aggressive than men, and they play a larger role in the early education of the young and helping them overcome their genetic heirloom.

People generally pay attention to what they already know about and what they care about.