Suprematist Composition: Airplane Flying, Kazimir Malevich, 1915, Suprematism

London Bridge, André Derain, oil on canvas, 1906, Fauvism.

Woman with a hat, Henri Matisse, oil on canvas, 1905, Fauvism

Improvisation 28, Vassily Kandinsky, 1912, Expressionism

Large Blue Horses, Franz Marc, 1911, Expressionism

"Street, Dresden", Ernst Kirchner, 1908, Expressionism

Les Demoiselles d'Avignon, Pablo Picasso, 1907, Cubism

Guernica, Pablo Picasso, 1937, Cubism

Unique forms of continuity in space, Umberto Boccioni, 1913, Futurism

Fountain, Marcel Duchamp, 1917, Dada

Nude descending a staircase, Marcel Duchamp, 1912, the Armory Show (cubist and/or futurist)

The Steerage, Alfred Stieglitz, photograph, 1907, Photo-Secession

Light Iris, Georgia O'Keeffe, 1924, Precisionism

Melancholy and Mystery of a Street, Giorgio DeChirico, 1914, Metaphysical Painting

The Persistence of Memory, Salvador Dali, 1931, Surrealism

Dutch Interior I, Joan Miró, 1928, Surrealism

Object, Meret Oppenheim, fur covered cup, 1936, Surrealism

The Two Fridas, Frida Kahlo, 1939, Surrealism

Monument to the Third International, Vladimir Tatlin, wood/iron/glass model, 1919-1920, Constructivism

Composition in Black and White and Red, Piet Mondrian, 1936, DeStijl

Schröder House, Gerrit Rietveld, 1924, Utrecht Netherlands, DeStijl

The Bauhaus, Walter Gropius, 1925-1926, the Bauhaus

Villa Savoye, Le Corbusier, 1929, International Style

The Robie House, Frank Lloyd Wright, 1907-1909, Prairie Style

Kaufmann House "Falling Water", Frank Lloyd Wright, 1936-1939, Wright's later work

The Chrysler Buildings, William Van Alen, 1928-1930, Art Deco

Bird in Space, Constantin Brancusi, 1928, Organic Art

Reclining Figure, Henry Moore, 1947, Organic Art

Migrant Mother, Dorothea Lange, 1935, Depression Era Art

Nighthawks, Edward Hopper, 1942, Depression Era Art

Migration of the Negro #58, Jacob Lawrence, tempera on masonite, 1940-41, Depression Era Art

American Gothic, Grant Wood, oil on beaverboard, 1930, Depression Era Art

Detroit Industry, Diego Rivera, fresco, 1932-33, Mexican Muralism

Certainly, by providing individuals coming out of institutions with ways to become productive citizens, we reduce recidivism. What that means is we reduce crime. There are fewer victims when individuals have options - when they have job skills, when they have life skills, we break the cycle of children following their parents into institutions.

Poor Andy Nave was killed. He refused to surrender and was shot by Dick Fields. I felt sorry as he used to be quite friendly towards me before the war, but it could not be helped.

There's a longstanding tradition that journalists don't cheer in the press box. They have opinions, like anyone else, but they are expected to keep those opinions out of their work.

I know I can succeed at Manchester United, and I want to show everyone that I deserve to be a key player in this team and this league.

The Haitian people are gentle and lovable except for their enormous and unconscious cruelty.

When I came to America from Sweden, Mother and I, we went to Chicago where our relatives lived.

My older brother's really good at making fun of me for just being a workaholic and never taking time for myself. Even when we go on vacation, I'm always working.

I didn't learn a lot from books. I learned a lot from movies.

The trick of 'Up' was to balance the sad stuff with the silly stuff.

Think in the morning. Act in the noon. Eat in the evening. Sleep in the night.

My dad's a history buff, and I spent a lot of time on Hadrian's Wall. I became fascinated by the idea of what was so terrifying up there that the Romans built a 60-mile long, 30-ft-high stone wall to keep it out.

Our program necessarily includes the propaganda of atheism.

Evenings are the beautifully sweet spot between the harsh light of the day and the dead darkness of night.

My family came from Spain in 1725, and if people want to consider me Hispanic, they can, but I didn't advertise that way, and I'm an American first.

One minute you're a developing athlete trying to get to the top, then the next minute you do well and win a medal somewhere, and then it's all foisted on you. You never know when it's going to happen. You don't think about the media side of things when you're a young athlete trying to do well.

I always wanted it, the fame. When it come, I didn't want to let it go.