We could have gone with much bigger labels and more money, but we wanted to go with a company that is LA based, all in the same building, and really understands what the artists want.

I'm not into solos, I'm into lyrics.

I think putting labels on people is just an easy way of marketing something you don't understand.

I use Gibson guitars; I prefer the Les Paul custom.

I'm a bass player from way back and Paul is a guitar player and we've been in many bands.

I think people like Steve Vai are so boring.

All the art for Tool is done by the me and the band.

The Melvins are grunge.

If you become addicted and a junkie, well, that's your fault.

I'm not a good guitar player.

We have meetings with our record label to tell them how to market us.

My approach is to be part of a band that makes music, not hit songs.

We're more into expressing ourselves than making radio hits.

I mean, Tool has a style, but we try to make all our songs sound different from each other.

I seriously do not think Nirvana is grunge.

That's the thing I like about my sound. It's real raw and very unsafe compared to a solid state kind of sound.

But if you want to be in a band and write music, then you should just be in a band and write music.

I personally don't like to use as many effects because when you play live, something always goes wrong.

With four perfectionists in the band, we have a hard time reaching perfection.

I have a record company starting. It's called Flesh Records and I'm putting together music for porno movies.

I haven't listened to much music lately; I've been out of it.

If I play anything that sounds like a solo, it's gonna sound like a lyric.

I'm not a geek about equipment, I just know what I like.

I'm my own worst critic and I think everyone in the band is a perfectionist.

I've never worried about how long the song is.

As far as the grunge thing, there are three bands from Seattle that I would call true grunge.

Doing the stereotypical solo bores me.

I listen to Helmet - and I love Helmet, they're a great band - but every song sounds the same.

We could have gone with much bigger labels and more money, but we wanted to go with a company that is LA based, all in the same building, and really understands what the artists want.

When we played with the Rollins Band, we'd keep songs going until we felt like ending it.

I've always dabbled on guitar, but never took lessons.

That's what I love about our music - it'll never be a hit because you can't dance to it.

I played violin and got into that Suzuki program in the second grade.

We wanted to take as much time and effort making the video as we did the song.

Many of the songs on Undertow were written at the time Opiate came out.

Different people get different things out of the images. It doesn't matter what it's about, all that matters is how it makes you feel.

As far as the grunge thing there are three bands from Seattle that I would call true grunge.

It is always easier to label than understand.

But I found a lot of artists at the Cedar Bar were difficult for me to talk to.

Journeys, like artists, are born and not made. A thousand differing circumstances contribute to them, few of them willed or determined by the will-whatever we may think.

I got to sit down with people who I admired, and have conversations with some of the greatest thinkers and artists and performers. It's a huge privilege for me to be a journalist.

I don't believe in art. I believe in artists.

David Cronenberg knows what we actors do as artists.

The truth is, we haven't really figured out yet how artists are going to thrive in modern mass societies. We're all experiments.

Many of the artists who have represented Negro life have seen only the comic, ludicrous side of it, and have lacked sympathy with and appreciation for the warm big heart that dwells within such a rough exterior.

A great thing happening now in art is that artists are using the figure, the body, clothing, life.

The number of contemporary artists who appeal to me is infinitesimal.

I have to plead basic ignorance of most new jazz artists here.

Music is art, art is life, and we are who we are, and all of these aforementioned women, unless they should choose not to, will be performing well into the next many decades because they are great artists.