That's what my music... I'm working on a solo record right now, it's gonna be more hip-hop than anything, like electronic hip-hop, futuristic hip-hop. I'm probably gonna be rapping on it.

But it was great, we sit in the same dressing room where, like, Johnny Cash sat and Willie Nelson and all those guys. That was in itself something amazing - I was on the same space these guys stood on, ya know?

We played in Texas about a year ago, at Emo's, the famous country and western club in Austin. And I figured, well, if I'm finally gonna die onstage, that's where it's going to be!

That's something - you laugh about Eminem... It's funny, man, because I didn't like him when he first came out, ya know. It seemed like a big joke. But I think the guy's for real, and I like his lyrics!

Every now and then you think about your life, what you would like to be, you start at Number 1 and you go down to 100. And down at the bottom, 100, was - Stage. Go figure. That would be the last thing. It terrified me, man. But I had to do it.

Usually I'm the one who does the covers. And I just said, man, it would be nice to see what somebody else could do, outside of this thing. A fresher look. And I never, in a million years, would have come up with this. Believe me!

Lately I've been listening to some classical music again, some jazz.

And I learned a lot from working with this kid, and I think he's gonna be a big star. Remember the name, Tim Dark, because he has something about his voice that's different from all the other rappers, even though his style is similar.

We're just getting better at our trade, man. We know what we're doing, and the reason why is that we've spent 30 years doing it. There's nothing that can replace that.

I did a couple songs with this hip-hop guy named Tim Dark. He was working in the same studio I've been working in, he heard my music and he said, aw man, I've got to do something with you.

John Coltrane - I've been listening to the 'Trane again. It blows you away, because I know more now and I hear more now and I had a life that I've lived!

I'm showing some of my sculptures in Holland in the spring, so we'll see.

Marty and I are playing with the same intensity. That's the beautiful thing, man, we're actually better now than ever, probably more intense now than ever, tighter now than ever.

People said that way back in the early days I was probably one of the first rappers; the reason is that I couldn't sing, so I had to talk! Lou Reed was probably the one who started it all.

I always said I was never gonna be an entertainer, Suicide was never supposed to be entertainment.

Experience really does make you better, man.

But, Eminem... No, I've loved rap for a long time, especially when it got out of its first period and became this gangsta rap, ya know this heavy rap thing? That's when I started to fall in love with it. I loved the lyrics. I loved the beat.

It's easy for me to say that now, now I'm a father, I've got a four-and-a-half year old boy, I'm a different person. Well, I'm still the same person, but I'm different.

That's why so much of the music today sounds so much alike, because there's no in-between. So it's kind of nice to still turn some buttons every now and then.

That's what so sad about a lot of modern music, in my opinion, so many young bands never stay around long enough to fulfill their ultimate promise. They only get halfway there or a quarter of the way there.

That's what my music... I'm working on a solo record right now, it's gonna be more hip-hop than anything, like electronic hip-hop, futuristic hip-hop. I'm probably gonna be rapping on it.

I like performers who I know are for real. You can tell, man, there's an intensity about their stuff. You can tell right away they're real people, ya know?

I probably won't be able to hear it until five years from now anyway. That's when I always hear my own music. It takes five years to sit down with it after not hearing it for a couple of years.

But of course it's always gonna be Suicide, our fingerprints, ya know? You can't ever get rid of that.

It was when I saw Iggy Pop, that's what did it for me. That changed my life pretty much.

You're gonna laugh when I tell you this, man, but I'm starting to enjoy Eminem.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

My big love was the Beatles. I was more into music.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

Uhm, I'm the one wanting the lessons! I don't want to say too much about it because I'd rather have you see the movie, but he's trying to find his music.

The value of music is to be able to play one note at the right time in the right way.

Younger players in this music often turn out to be middle aged; it is not a young music.