I love Jules Feiffer. I didn't discover him until I was a little older.

And partly, the worst thing you could do in my family was need something from someone. So physical strength represented an avenue of self-sufficiency to me.

For some reason writing and drawing are very separate processes for me.

Partly I resented being perceived as weak because I was a girl.

I'm pretty illiterate when it comes to comics history.

I don't know, maybe it's because I was raised Catholic. Confession has always held a great appeal for me.

One of them is already having some menopausal symptoms. I'm working on that. I'm giving them all little lines under the eyes, trying to sort of make them age gracefully.

When I was growing up in the 1960s, there was starting to be more books geared towards young adults.

People really want to think that these things really happened. I don't know why that important, but I know that when I finish reading a novel or something, I want to know how much of that really happened to this author.

My mother is, my father certainly was. They were kind of the local intelligentsia in the town where I grew up.

Sometimes I wish the writing and drawing were more integrated.

But I read comic books. I read things like Richie Rich and Little Lulu.

Autobiographical comics, I love them. I love them.

Writing this book feels like a completely different activity from writing my comic strip because it's about real life. I feel like I'm using a part of my brain that's been dormant until now.

That's all true, but there was something else going on for me as a kid, something about my gender identity that I haven't figured out yet. And that's one of the things I'm hoping to dissect and investigate in this memoir project.

Well, I'm always working on my comic strip and trying to, you know, keep cranking that out.

I never really read superhero stuff as a kid.

But mostly, it's a book about my relationship with my father.

I hope that I can get people to read it without having to change it. Especially now that the strip has more different kinds of characters. It's really not all lesbians any more.

It's definitely part of it, that the men were having fun and doing the interesting things but also, I don't know, I'm just thinking more about gender and how maybe in some way I am more of a boy than a girl.

It's a hard thing to age a character because you can't really suddenly give someone gray hair.

I get a lot of mail from men who really identify with Stuart, you know, Sparrow's boyfriend. I love that. Even though I used to say I wanted men to read the strip even though there weren't any men in it, so they'd be forced to identify with the women.

When I grew up, I studied karate for years. I got pretty strong, but eventually I had to acknowledge that I really didn't like fighting at all, so I quit.

I started to get bored with that stuff about only drawing men and I've taken it out of the slideshow.

The satiric ethos of Mad was a much bigger childhood influence.

Nancy Drew was always changing her outfits. I despised girls' clothing, I couldn't wait to get home from school and get out of it. The last thing I wanted to read was minute descriptions of Nancy's frocks.

I love Jules Feiffer. I didn't discover him until I was a little older.

I just met someone who read Gone With the Wind 62 times for exactly that same reason. She couldn't bear that it wasn't real. She wanted to live in it.

Even drawing gray hair at all is difficult to render in black and white.

I probably read Harriet the Spy about 70,000 times.

Mostly it was Mad magazine. And I did read a lot of - I had a subscription when I was little, but I also had access to some old collections, the little paperbacks of the really good stuff.

I just have this sort of entrepreneurial spirit and I work really hard at promoting myself.

Yeah, I read Judy Blume. My mother didn't like that, but I read it anyhow.

Watching everyone root through their psyche, it just delights me. Especially R. Crumb's stuff.

We assume that celebrities have it easy and so love to watch them having to endure a bit of hardship.

I love Nautilus and stretching. The results are immediate, and that gives me the motivation to continue.

I am a ordinary teenager. I fall in love like everyone else.

I don't call you handsome, sir, though I love you most dearly: far too dearly to flatter you. Don't flatter me.

The essential elements of giving are power and love - activity and affection - and the consciousness of the race testifies that in the high and appropriate exercise of these is a blessedness greater than any other.

My mother keeps things in perspective for me. She makes me realize that the acting I do and love is no more important than what one of my brothers does-he works in a shoe repair shop. If my career ever tapers off, I'll go to college.

Actors love mental disorders, dialects, and corsets. Give them one of the three and they're happy.

My goal is, of course, for this show to do well, and I would love it if people liked it.

I love living on that stage. Without that, I'd die.

I love my DSL, but I love my WiFi more. And I probably get on the Internet 40 percent to 50 percent more because of the combination of those technologies.

But I love New York. I used to set my alarm clock when I was there, and get up at 4am and get a coffee, just because I could.

I love children and I love men, but I can't commit to either for the rest of my life.

Sitting at home the way I do, I'd just love the hear from people. It'd be a great help in passing the time.

The wise are wise only because they love. The fool are fools only because they think they can understand love.

We can recognize the dawn and the decline of love by the uneasiness we feel when alone together.