Writing this book feels like a completely different activity from writing my comic strip because it's about real life. I feel like I'm using a part of my brain that's been dormant until now.

And partly, the worst thing you could do in my family was need something from someone. So physical strength represented an avenue of self-sufficiency to me.

For some reason writing and drawing are very separate processes for me.

Partly I resented being perceived as weak because I was a girl.

I'm pretty illiterate when it comes to comics history.

I don't know, maybe it's because I was raised Catholic. Confession has always held a great appeal for me.

One of them is already having some menopausal symptoms. I'm working on that. I'm giving them all little lines under the eyes, trying to sort of make them age gracefully.

When I was growing up in the 1960s, there was starting to be more books geared towards young adults.

People really want to think that these things really happened. I don't know why that important, but I know that when I finish reading a novel or something, I want to know how much of that really happened to this author.

My mother is, my father certainly was. They were kind of the local intelligentsia in the town where I grew up.

Sometimes I wish the writing and drawing were more integrated.

But I read comic books. I read things like Richie Rich and Little Lulu.

Autobiographical comics, I love them. I love them.

Writing this book feels like a completely different activity from writing my comic strip because it's about real life. I feel like I'm using a part of my brain that's been dormant until now.

That's all true, but there was something else going on for me as a kid, something about my gender identity that I haven't figured out yet. And that's one of the things I'm hoping to dissect and investigate in this memoir project.

Well, I'm always working on my comic strip and trying to, you know, keep cranking that out.

I never really read superhero stuff as a kid.

But mostly, it's a book about my relationship with my father.

I hope that I can get people to read it without having to change it. Especially now that the strip has more different kinds of characters. It's really not all lesbians any more.

It's definitely part of it, that the men were having fun and doing the interesting things but also, I don't know, I'm just thinking more about gender and how maybe in some way I am more of a boy than a girl.

It's a hard thing to age a character because you can't really suddenly give someone gray hair.

I get a lot of mail from men who really identify with Stuart, you know, Sparrow's boyfriend. I love that. Even though I used to say I wanted men to read the strip even though there weren't any men in it, so they'd be forced to identify with the women.

When I grew up, I studied karate for years. I got pretty strong, but eventually I had to acknowledge that I really didn't like fighting at all, so I quit.

I started to get bored with that stuff about only drawing men and I've taken it out of the slideshow.

The satiric ethos of Mad was a much bigger childhood influence.

Nancy Drew was always changing her outfits. I despised girls' clothing, I couldn't wait to get home from school and get out of it. The last thing I wanted to read was minute descriptions of Nancy's frocks.

I love Jules Feiffer. I didn't discover him until I was a little older.

I just met someone who read Gone With the Wind 62 times for exactly that same reason. She couldn't bear that it wasn't real. She wanted to live in it.

Even drawing gray hair at all is difficult to render in black and white.

I probably read Harriet the Spy about 70,000 times.

Mostly it was Mad magazine. And I did read a lot of - I had a subscription when I was little, but I also had access to some old collections, the little paperbacks of the really good stuff.

I just have this sort of entrepreneurial spirit and I work really hard at promoting myself.

Yeah, I read Judy Blume. My mother didn't like that, but I read it anyhow.

Watching everyone root through their psyche, it just delights me. Especially R. Crumb's stuff.

Roosevelt's magic lay in one facet of his personality: He knew how to take the risk. No other man in public life I knew could so readily take the challenge of the new.

Focusing your life solely on making a buck shows a certain poverty of ambition. It asks too little of yourself. Because it's only when you hitch your wagon to something larger than yourself that you realize your true potential.

Art teaches nothing, except the significance of life.

If it came to saving the life of one priest or sacrificing the life of an entire congregation, the church would save the life of the priest. Which is backwards, of course.

Work is the meat of life, pleasure the dessert.

All literary men are Red Sox fans - to be a Yankee fan in a literate society is to endanger your life.

At the end, the realization is that she had to get to a place in her life where she could drop her guard and make peace with the fact that whether she had a small amount of time, that she had to kind of live it completely through, instead of living by the rules.

You have choices to make about what you do with the rest of your life.

From the standpoint of observation, then, we must regard it as a highly probable hypothesis that the beginnings of the mental life date from as far back as the beginnings of life at large.

I want to have babies one day but not right now. When I do it I want to do it really well. I want it to be my best project in life.

Any judge who allows an adulterer with a live-in girlfriend to terminate the life of his wife should be impeached.

I can assure you, public service is a stimulating, proud and lively enterprise. It is not just a way of life, it is a way to live fully.

The work which is manipulated looks a little boring to me. I think life is pretty strange anyway. It is wooo, wooo, wooo!

With an eye made quiet by the power of harmony, and the deep power of joy, we see into the life of things.

This isn't life in the fast lane, it's life in the oncoming traffic.