I never really read superhero stuff as a kid.

And partly, the worst thing you could do in my family was need something from someone. So physical strength represented an avenue of self-sufficiency to me.

For some reason writing and drawing are very separate processes for me.

Partly I resented being perceived as weak because I was a girl.

I'm pretty illiterate when it comes to comics history.

I don't know, maybe it's because I was raised Catholic. Confession has always held a great appeal for me.

One of them is already having some menopausal symptoms. I'm working on that. I'm giving them all little lines under the eyes, trying to sort of make them age gracefully.

When I was growing up in the 1960s, there was starting to be more books geared towards young adults.

People really want to think that these things really happened. I don't know why that important, but I know that when I finish reading a novel or something, I want to know how much of that really happened to this author.

My mother is, my father certainly was. They were kind of the local intelligentsia in the town where I grew up.

Sometimes I wish the writing and drawing were more integrated.

But I read comic books. I read things like Richie Rich and Little Lulu.

Autobiographical comics, I love them. I love them.

Writing this book feels like a completely different activity from writing my comic strip because it's about real life. I feel like I'm using a part of my brain that's been dormant until now.

That's all true, but there was something else going on for me as a kid, something about my gender identity that I haven't figured out yet. And that's one of the things I'm hoping to dissect and investigate in this memoir project.

Well, I'm always working on my comic strip and trying to, you know, keep cranking that out.

I never really read superhero stuff as a kid.

But mostly, it's a book about my relationship with my father.

I hope that I can get people to read it without having to change it. Especially now that the strip has more different kinds of characters. It's really not all lesbians any more.

It's definitely part of it, that the men were having fun and doing the interesting things but also, I don't know, I'm just thinking more about gender and how maybe in some way I am more of a boy than a girl.

It's a hard thing to age a character because you can't really suddenly give someone gray hair.

I get a lot of mail from men who really identify with Stuart, you know, Sparrow's boyfriend. I love that. Even though I used to say I wanted men to read the strip even though there weren't any men in it, so they'd be forced to identify with the women.

When I grew up, I studied karate for years. I got pretty strong, but eventually I had to acknowledge that I really didn't like fighting at all, so I quit.

I started to get bored with that stuff about only drawing men and I've taken it out of the slideshow.

The satiric ethos of Mad was a much bigger childhood influence.

Nancy Drew was always changing her outfits. I despised girls' clothing, I couldn't wait to get home from school and get out of it. The last thing I wanted to read was minute descriptions of Nancy's frocks.

I love Jules Feiffer. I didn't discover him until I was a little older.

I just met someone who read Gone With the Wind 62 times for exactly that same reason. She couldn't bear that it wasn't real. She wanted to live in it.

Even drawing gray hair at all is difficult to render in black and white.

I probably read Harriet the Spy about 70,000 times.

Mostly it was Mad magazine. And I did read a lot of - I had a subscription when I was little, but I also had access to some old collections, the little paperbacks of the really good stuff.

I just have this sort of entrepreneurial spirit and I work really hard at promoting myself.

Yeah, I read Judy Blume. My mother didn't like that, but I read it anyhow.

Watching everyone root through their psyche, it just delights me. Especially R. Crumb's stuff.

The fact that we see some people doing what appears to be good civic-minded deeds may be because that is their true intention, and it may be that that is their best way to hold onto power in a setting where they have to depend on a lot of people.

I love creating models and coming up with explicit structures I can play with.

I've got great joy from rediscovering Western music. I love Schumann and Chopin, and those amazing symphonies of Bruckner.

Look not at what is contrary to propriety; listen not to what is contrary to propriety; speak not what is contrary to propriety; make no movement which is contrary to propriety.

Intense feeling too often obscures the truth.

I'm really a cool, mellow guy. I'm not as crazy as everybody thinks.

Who is more in touch with the problems of this country? One of those guys who goes off to Oxford or to University of Yale, or someone who has lived in buses, in the Metro, in the street?

If I went on vacation, I'd rather go camping than stay in some four-star hotel... My friends treat me the same at home. They just want to sit down with you and have a beer.

The world used us as an excuse to go mad.

Its actually a smarter crime because imagine if you rob a bank or youre dealing drugs. If you get caught youre going to spend a lot of time in custody. But with hacking its much easier to commit the crime and the risk of punishment is slim to none.

I'm far more relaxed with German. I'm a control freak. I like to know exactly who's saying and doing what.

I think people have a responsibility, if they write a letter, to make sure that they saw it themselves and it's not hearsay.

Materialism is the only form of distraction from true bliss.

Write because you love the work, not because of what might come from it. The journey is the purpose. Very Zen-like, I know, but honest to God it's the truth. And I have never had to deal with writer's block. Knock on wood.

The gratifying part of my journey is no one calls me a star child or a superstar's wife anymore. I think I have grown beyond that and have my own identity.