When you don't have a record label and you have been on your own as we have, you can look at all these other ways you can get in touch with other people and get music out there again.

I don't think you need a record deal to write songs. You don't need any other reason than you want to do it. It's a far cry from why some people do music today. They make it to order, which is pretty horrible.

When you are younger, you are running on that pure naive adrenalin, you don't have any real responsibility aside from making sure you get there and play. And there's usually someone there to help you do that!

Those were the days, you know. It's an English thing; as soon as it's gets to 6 pm, you have to go and have a drink. We used to stick to that religiously.

Music is escapism, it's entertainment.

We felt if we didn't have new material in us and we didn't have a real reason to exist, then we probably wouldn't have done an 80's revival thing. We are very conscious about the fact that's what we are as a bunch of people.

Melodic songs that people can relate to has always been our thing.

The thing about Duran... that gives you the ability to bring all that opportunity back into your life.

If you were looking at where you would like your career to go, then you would have to cherry pick The Stones. People love coming to see them. They are it, they are the most definitive rock n roll band ever.

We wanted to get everyone back focused on the fact we are playing live again. It really does sound great.

From doing Power Station, it was like, it's the same guys, but it doesn't sound like them. When we were in Duran, the labels and management wanted more Duran stuff so they could sell it.

We didn't just want to go out and do that whole greatest hits thing.

The great thing about the Internet is that it allows people to find and consume music.

To passively get up and play a bunch of old songs wouldn't have really motivated us. So we are bringing the new material into the set and it goes down really well.

We had a huge audience, we sold truckloads of albums. If we do something that's cool, people will listen to it. If we don't, we would be selling people short.

I discovered that it was a lonely world being a solo artist. Then I started working with another solo artist, Rod Stewart, and he used to tell me how lonely he was!

When you have such a huge past, a big background as we have, you can play off that - a lot of people do. But we felt we wouldn't have a legitimate future unless we put something new together.

You want to have stability in the commercial aspect of your operation.

Some of those songs, you really have to bite them. You challenge yourself, you challenge the audience, you do something different. People weren't expecting it.

When you don't have a record label and you have been on your own as we have, you can look at all these other ways you can get in touch with other people and get music out there again.

It was mind-blowing. It was a small place with 2,000 standing-up tickets. It's great to have your band back and working and playing again, people have been so generous.

You can't do some of the things you used to do. I suppose you have to go at a gentler pace. I mean, God help us, you can't sit at home being a Vicar or anything.

This is a very screwed-up business. Record labels don't sign a lot of bands these days. We just want to find a home and stay there and make records and do our thing and not have to look over our shoulder.

We were very young in Duran, and to get pushed in a corner can be very difficult to get out of.

We play a long show, and you can't beat yourself up too much over it, as physically you just kill yourself. It was always good fun on the road and it still is.

The five of us don't know how to exist in any other way. We are an ambitious bunch, I guess.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

My big love was the Beatles. I was more into music.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

Uhm, I'm the one wanting the lessons! I don't want to say too much about it because I'd rather have you see the movie, but he's trying to find his music.

The value of music is to be able to play one note at the right time in the right way.

Younger players in this music often turn out to be middle aged; it is not a young music.