If I'm not in shape, it feels like something is wrong. If I haven't been able to get to class for a while or I've been sick, I don't feel complete. It doesn't feel like the electricity is making its connections.

I don't see my dancing or acting as two separate things. I don't define them separately, so I can't say one has helped the other, It's all the same thing. More than anything I love being on stage and performing.

I am just a plain Jew; I mean have no training.

In New York I was always offered the hot, sexy roles. But in L.A. I was offered the plain, dowdy roles. It says a lot about the difference between the coasts.

You have to be aware. Like, I'm not going to do any downhill skiing. It looks like a whole lot of fun, but I'm not going to risk breaking a leg. I want to be dancing the way I'm dancing now for 30 more years.

Stage and film are just two wildly different animals. Why compare the two?

If I'm not in shape, it feels like something is wrong. If I haven't been able to get to class for a while or I've been sick, I don't feel complete. It doesn't feel like the electricity is making its connections.

People are at their happiest if they are true to themselves. I think that applies to their chosen profession, friends and relationships. It goes for your health too. If you are true to yourself, it seems to me everything should work out pretty well.

I've been on stage since I was 7. That's where I'd rather be than anywhere else. Just because you can do a bunch of things doesn't mean you are a bunch of things. I can act. I can sing. But I am a dancer.

I missed New York. Every break I had from the series, I'd fly back to the East Coast just to get back onstage.

Part of the success of the show is that the audience sees themselves in the characters, becomes the characters. The more they inhabit the characters, the more they see.

Anything that I do, I try to make it as good as I possibly can.

Artists need to express.

Certainly the life of a dancer is very difficult. The training is very hard and relentlessly grueling.

Creating a role is an interesting thing - each show or each situation is different.

I am a very complicated person.

I don't see myself as a diva at all.

I'm not a performer who will come on stage and tell you everything about my life. It's just not who I am.

I've been very fortunate in my collaborators throughout my career.

I've never danced professionally as a ballet dancer, but all of my training is ballet, and I am a Fosse dancer.

I've seen some very beautiful drag queens.

It's a blessing as an artist to express myself - whether that be via dance, via song or via speech - in so many different ways.

One of the things that's great about doing a show over and over again... is that you have to find ways to make it spontaneous, as though everything is happening for the first time... to continue to mine the material and find new things.

People make snap judgments about me that are frequently misguided.

Shakespeare feels very natural to me.

When I was born, they put casts on my legs 'cause I had some kind of dysplasia or something. My legs were all messed up.

When you're a dancer who is injured, you are at the bottom of the food chain. We are so replaceable.

I'm getting a wider circle of fans now. More women, more middle class people.

The best thanks we could offer those who went before and raised the Irish working class from their knees was to press forward with determination and enthusiasm towards the ultimate goal of their efforts, a Co-operative Commonwealth for Ireland.

Make no mistake: The organization of the working class must be both economic and political. The capitalist is organized upon both lines. You must attack him on both.

In economic panics throughout history, the wiping out of the savings accounts of lower earners and the middle class has often led to social revolution, sometimes violent upheavals.

It is the tendency of the social burdens to crush out the middle class, and to force society into an organization of only two classes, one at each social extreme.

I once said, "We will bury you," and I got into trouble with it. Of course we will not bury you with a shovel. Your own working class will bury you.

I certainly did feel inferior. Because of class. Because of strength. Because of height. I guess if I'd been able to hit somebody in the nose, I wouldn't have been a comic.

I grew up in Michigan, in a very small town, Centreville. In my graduating class, I had like 92 people.

These interests of the workers, as the exploited and oppressed, class of society, are the same in all countries.

We need to work together, on a bipartisan basis, to create new jobs, increase job training, enact real and substantive middle class tax relief, and reward companies that create jobs at home.

At one point in college I was so shy that I'd drop out of a class if asked to speak in front of other people.

I recommend the same therapies for all humans with HIV. There is no reason to believe that physiologic responses to therapy will vary across lines of class, culture, race or nationality.

After some minor pieces of theoretical study that I worked on, a student in my statistical mechanics class brought to my attention a problem in polyelectrolytes.

There is no class so pitiably wretched as that which possesses money and nothing else.

I was a class clown.

I made a living out of being a class clown.

Show class, have pride, and display character. If you do, winning takes care of itself.

I have thought about the next steps, and you know, they still don't know that I can dance. They don't know it, and it's frustrating me because I feel that it's an edge that I have, and I'm not talking about I took this hip hop class, I'm talking about this is how people actually know me.

I met Kevin when I was 19, at a Second City workshop. We were paired up together in the first class I went to. By the end of the class we formed our improv group, and over the next three years we performed leading up to the formation of The Kids in the Hall.

Making my class laugh and getting in trouble. I was the class clown.

If there's an enduring theme in my work, it's probably the effects of class on American life.

In my last year of school, I was voted Class Optimist and Class Pessimist. Looking back, I realize I was only half right.