I do think that's so much a part of what being a director is - in working with actors - to really try and be sensitive to what each actor needs to get to where he wants to be.

Kinsey would identify himself with Galileo in moments of feelings of persecution.

I think it would be fun to write about movies again.

One of the people that became a major source was Clarence Tripp who worked with Kinsey.

While that wasn't first and foremost in my mind, you can't get into this without being struck, on one side, by how far we've come, and then the other side, by how little things have changed.

Kinsey kick started a lot in shocking people with how much homosexual activity there is.

It is interesting to be here and to see that for certain actors they have to live in a way that you think of nobody living anymore except for in small towns. They have such elaborate double lives.

Kinsey was six foot five, and he had this leader of men quality.

I know a little more about Kinsey than I know about sex because that is his subject not mine.

And Kinsey thought that anybody who defined themselves based on their sexual acts was limiting themselves.

First of all, just knowing people who grew up in the movie business at that time, no one had Mexican maids.

I wanted to make connections between Whale's past and present.

Kinsey was trying to study sex scientifically, get rid of the overlay of culture and religion.

I do think that's so much a part of what being a director is - in working with actors - to really try and be sensitive to what each actor needs to get to where he wants to be.

When it comes to two of the big social earthquakes in the last fifty years - which are the gay movement and the women's movement - I think there is a direct line from Kinsey to those.

I really think the biopic thing so rarely works, because people's lives don't have a dramatic shape that can be satisfying.

Kinsey himself collected absolutely everything.

Because his basic idea that he got from the study of gall wasps is that everyone's sexuality is unique.

In Hollywood through the 50s, there were black, English, and Middle European housekeepers and maids.

We made connections between the monsters created by war and the monsters he created, the typical outcast that Whale was attracted to, and the monster in himself, that's inside all of us.

Problems emerge and some people try to sweep them under the rug.

We knew that there was a certain kind of interest in Whale among a genre crowd.

Our relationships, relationships between adults, how all those pieces fit together - that's the most complicated thing we all face.

It's an odd thing to go to New York to shoot a movie that is set in Indiana.

I think that finding a way into somebody's life that's sort of off from a side angle can tell you more about that person than a greatest hits approach.

Kinsey thought that Freud in his own way was as dangerous as the Catholic Church.

Actually, I loved Chucky. It's one of the strangest movies I've ever seen.

But the imposition of morality onto science, - where it does not belong - has become rampant in recent years.

There's no question that Whale's movies are classics. They were wonderful, and successful.

I'm a horrible public speaker.

A scientist is an unlikely character to put at the center of a movie.

My favorite actor is Wallace Beery.

I've been a very lucky actor.

I don't think I could be happy as an actor if there was a tyrant on the set.

When I was starting to get noticed as an actor in the 1970s for something other than the third cowboy on the right who ended up dying in every movie or episode, Burt Reynolds was the biggest star in the world.

Most parts that can be played by one actor can equally well be played by another, but not this.

I think, frankly, that I'm a better director than I was an actor.

I knew an actor's career goes up and down and back up again. Your standing in this business can't be your whole identity; otherwise, you're doomed.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.

I don't think there has been any increase in sophistication in the audience. When people are aware of a concept that's easy to understand, and there's an actor who will attract them to the theater and it's a movie that's funny three-quarters of the time, it will be successful.

I never dreamed about being an actor, because that was out of reach. Coming from a small town that was big in farming, and also big in clothing factories, you don't dream about being a professional football player or an actor.

My goal was always to be recognized as a good actor but no one was interested in that, simply because society just wants to warm towards your appearance. This is the great blemish of society.

If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable.

To be honest with you, when I got into this I never thought about reviews. I never thought about what people would say about me. I was just a young guy who was excited to become a comedian and an actor and I just wanted to get to do what I got to do.

It was very natural for me to want to disappear into dark theater, I am really very shy. That is something that people never seem to fully grasp because, when you are an actor, you are meant to be an exhibitionist.

I think that I've still not been successful at playing the role of the retired actor, and I'd like to work on that.

And once you cease to be a real person, you stop being a good actor.

When I decided I wanted to be an actor, I said I wanted to work with quality actors and directors.

There are roles I want that my agency might not want me to do because of the subject matter or whatever. Or there are roles that people won't bring to me because they don't think I'll do it. And that is a big strain because an actor wants to act.