Kinsey was trying to study sex scientifically, get rid of the overlay of culture and religion.

Kinsey would identify himself with Galileo in moments of feelings of persecution.

I think it would be fun to write about movies again.

One of the people that became a major source was Clarence Tripp who worked with Kinsey.

While that wasn't first and foremost in my mind, you can't get into this without being struck, on one side, by how far we've come, and then the other side, by how little things have changed.

Kinsey kick started a lot in shocking people with how much homosexual activity there is.

It is interesting to be here and to see that for certain actors they have to live in a way that you think of nobody living anymore except for in small towns. They have such elaborate double lives.

Kinsey was six foot five, and he had this leader of men quality.

I know a little more about Kinsey than I know about sex because that is his subject not mine.

And Kinsey thought that anybody who defined themselves based on their sexual acts was limiting themselves.

First of all, just knowing people who grew up in the movie business at that time, no one had Mexican maids.

I wanted to make connections between Whale's past and present.

Kinsey was trying to study sex scientifically, get rid of the overlay of culture and religion.

I do think that's so much a part of what being a director is - in working with actors - to really try and be sensitive to what each actor needs to get to where he wants to be.

When it comes to two of the big social earthquakes in the last fifty years - which are the gay movement and the women's movement - I think there is a direct line from Kinsey to those.

I really think the biopic thing so rarely works, because people's lives don't have a dramatic shape that can be satisfying.

Kinsey himself collected absolutely everything.

Because his basic idea that he got from the study of gall wasps is that everyone's sexuality is unique.

In Hollywood through the 50s, there were black, English, and Middle European housekeepers and maids.

We made connections between the monsters created by war and the monsters he created, the typical outcast that Whale was attracted to, and the monster in himself, that's inside all of us.

Problems emerge and some people try to sweep them under the rug.

We knew that there was a certain kind of interest in Whale among a genre crowd.

Our relationships, relationships between adults, how all those pieces fit together - that's the most complicated thing we all face.

It's an odd thing to go to New York to shoot a movie that is set in Indiana.

I think that finding a way into somebody's life that's sort of off from a side angle can tell you more about that person than a greatest hits approach.

Kinsey thought that Freud in his own way was as dangerous as the Catholic Church.

Actually, I loved Chucky. It's one of the strangest movies I've ever seen.

But the imposition of morality onto science, - where it does not belong - has become rampant in recent years.

There's no question that Whale's movies are classics. They were wonderful, and successful.

I'm a horrible public speaker.

A scientist is an unlikely character to put at the center of a movie.

I believe that in a great city, or even in a small city or a village, a great theater is the outward and visible sign of an inward and probable culture.

We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.

I don't have space to enter into the examples or the history of this, so I'm left with having to make the bold statement that culture is extinct.

We need to have a culture that says 'the less energy you can use to be comfortable, the better off you are and the better you should feel about yourself'.

Concerning culture as a process, one would say that it means learning a great many things and then forgetting them; and the forgetting is as necessary as the learning.

No doubt Western civilization has in the past been full of wars and revolutions, and the national elements in our culture, even when they were ignored, always provided an unconscious driving force of passion and aggressive self-assertion.

The things that I draw on, and the world that I feel part of, aren't particularly youth culture.

I recommend the same therapies for all humans with HIV. There is no reason to believe that physiologic responses to therapy will vary across lines of class, culture, race or nationality.

Towns are suffering from all these things, we should unite until we are all satisfied, man cannot be killing each other as if we were animals, as if we had no culture; that is a lack of culture.

You're a Catholic in Italy when you're born, it's unthinkable to stop being Catholic. You just take the rules a lot more seriously, because it pervades your culture.

Sex and drugs were simply not discussed in our culture at that time.

You have to open your mind. I like the ability to express myself in a deep way. It's the closest music to our humanity - it's like a folk music that rises up out of a culture.

Lives have been altered in fundamental ways, and later, after they acquire a more complete understanding of what goals are actually attainable, many are left facing a lot of pain and frustration. And yet, there's no culture of complaint.

I've always been interested in the relationship between total external surround, culture, the political matrix, technology, etc., and the internal human consciousness.

Writing is about culture and should be about everything. That's what makes it what it is.

And there are so many people in the third world suffering so horribly right now, and we are so focused on ourselves and our culture that a lot of things are showing up in our culture that are making it impossible for us to focus on others. We're so self-focused.

One very important aspect of our contemporary musical culture - some might say the supremely important aspect - is its extension in the historical and geographical senses to a degree unknown in the past.

Mr. Speaker, genocide is the most potent of all crimes against humanity because it is an effort to systematically wipe out a people and a culture as well as individual lives.