There's no question that Whale's movies are classics. They were wonderful, and successful.

Kinsey would identify himself with Galileo in moments of feelings of persecution.

I think it would be fun to write about movies again.

One of the people that became a major source was Clarence Tripp who worked with Kinsey.

While that wasn't first and foremost in my mind, you can't get into this without being struck, on one side, by how far we've come, and then the other side, by how little things have changed.

Kinsey kick started a lot in shocking people with how much homosexual activity there is.

It is interesting to be here and to see that for certain actors they have to live in a way that you think of nobody living anymore except for in small towns. They have such elaborate double lives.

Kinsey was six foot five, and he had this leader of men quality.

I know a little more about Kinsey than I know about sex because that is his subject not mine.

And Kinsey thought that anybody who defined themselves based on their sexual acts was limiting themselves.

First of all, just knowing people who grew up in the movie business at that time, no one had Mexican maids.

I wanted to make connections between Whale's past and present.

Kinsey was trying to study sex scientifically, get rid of the overlay of culture and religion.

I do think that's so much a part of what being a director is - in working with actors - to really try and be sensitive to what each actor needs to get to where he wants to be.

When it comes to two of the big social earthquakes in the last fifty years - which are the gay movement and the women's movement - I think there is a direct line from Kinsey to those.

I really think the biopic thing so rarely works, because people's lives don't have a dramatic shape that can be satisfying.

Kinsey himself collected absolutely everything.

Because his basic idea that he got from the study of gall wasps is that everyone's sexuality is unique.

In Hollywood through the 50s, there were black, English, and Middle European housekeepers and maids.

We made connections between the monsters created by war and the monsters he created, the typical outcast that Whale was attracted to, and the monster in himself, that's inside all of us.

Problems emerge and some people try to sweep them under the rug.

We knew that there was a certain kind of interest in Whale among a genre crowd.

Our relationships, relationships between adults, how all those pieces fit together - that's the most complicated thing we all face.

It's an odd thing to go to New York to shoot a movie that is set in Indiana.

I think that finding a way into somebody's life that's sort of off from a side angle can tell you more about that person than a greatest hits approach.

Kinsey thought that Freud in his own way was as dangerous as the Catholic Church.

Actually, I loved Chucky. It's one of the strangest movies I've ever seen.

But the imposition of morality onto science, - where it does not belong - has become rampant in recent years.

There's no question that Whale's movies are classics. They were wonderful, and successful.

I'm a horrible public speaker.

A scientist is an unlikely character to put at the center of a movie.

We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.

The thing is there have been American movies that are similar to Solaris, like Alien had a lot of things that are similar, although it's also got the horror element.

My mom took me to see Carnal Knowledge and The Wild Bunch and all these kind of movies when I was a kid.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.

In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

I enjoy about 1 out of 100 movies, it's about the same proportion to books published that I care to read.

Sure, 'Twilight' is really huge right now and everybody's freaking out over it, but it will go away soon and I will be back to doing what I'm used to doing: weird little movies that nobody sees.

There are many kinds of movies in Hong Kong. Some are commercial and others are more artistic.

Making movies is eating candy. It's a very expensive candy, so you value when you can do it. So when you can do it twice at once, it's like, you know, a kid in a candy store!

It just proves good movies don't need 100 million dollars to be good.

In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them, but you can't really hate them.

I grew up wanting to make movies, and along the way I suddenly found that I had a career doing comedy.

When I go to movies I generally want to be taken to another world.

There were not fifteen people in the story department and twenty-five producers and stuff. And Roger had produced 1,000 movies and directed a couple of hundred, and their comments were always very, very specific.

You can make movies for a select audience, but you have to market it to them.You can make movies for a select audience, but you have to market it to them.

Well, it was actually - I brought the idea of doing a documentary to HBO back in 2000, when there were some press reports sort of were bandied about that there were going to TV movies based on some of the books that were out.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.