I'm a fan of many different styles of classical and symphonic music.

We'll see some simplistic players for a while, who'll then get into more complicated things and evolve with their instruments. This is a cycle that happens over and over again in music.

Very often I suspend my musical sensibilities to enjoy music as a fan.

It was also important for me to have a burning desire to achieve something worthwhile on that instrument, and I devoted many many many hours with little or no compensation to perfecting whatever I could, because I loved it so much.

I listened to many different types of instruments and music, and have always tried to look at the bass as an instrument as opposed to only a bass.

I've been an amature inventor for a long time.

I think the future looks great for music, musicians, bass players, and all we love about music.

It is never easy for anyone to have success in music.

What people think of me and my playing is up to them, not me.

History has repeated itself many times througout the ages.

I believe the best persona to be onstage is the one that comes naturally.

I plan on doing a lot more work on my own, and discovering and doing more.

If I had to do it over, I wouldn't change a thing.

I didn't follow the standard rules of bass playing, and many musicians on many different instruments who became noteworthy for their unique or particular style did a very similar thing.

My home studio is my private instrument for me only. It's not intended to record anyone but me.

I'm a fan of many different styles of classical and symphonic music.

Music is always changing and the changes are unpredictable.

And no again: My studio is not a first or any step toward becoming any type of businessman on my part.

Be honest with yourself and the way you act when you hear music. That way, when people watch, they'll see something from your heart and soul, and as a result will communicate your feeling and thought much better.

I love a lot of reggae, but I've never had the opportunity to play with any reggae guys.

I try to do my absolute best for the people who come see me play.

I gave up a lot of things in exchange for my success.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

My big love was the Beatles. I was more into music.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

Uhm, I'm the one wanting the lessons! I don't want to say too much about it because I'd rather have you see the movie, but he's trying to find his music.

The value of music is to be able to play one note at the right time in the right way.

Younger players in this music often turn out to be middle aged; it is not a young music.

There's an inherent thing in me where, if things are going too smooth, I'll sabotage the hell out of them, just to make the music more of a sanctuary.

To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.

We used to listen to all the marvelous operas on records. Music was a very important part of our lives.

Drums just always sounded like the most fun part of that good music for me.