In writing I found something I could do at least as well as my peers, if not better.

Kids enjoy laughing and are seldom bored when they find something funny. They also ask questions, often to adults, because they understand that the more words they can comprehend about a funny story or a joke, the more they'll enjoy it.

In writing I found something I could do at least as well as my peers, if not better.

It's perfectly okay if you don't understand every single one of them. For one thing, I make a lot of corny jokes, and you have to be 40 years old to get some of them.

You want a story? Read 'Gone With the Wind'. These aren't stories. They're joke books. The whole thing of a beginning, a middle and an end has been done to death.

These are books that want to be read out loud. These are books kids share with each other, and I think that's important.

When a kid can understand that a word can mean two things, there's some real thinking going on. They have a vested interest in finding out what a word means, because it's the punch line to a joke.

I love the semicolon; it's unnecessary, but graceful and sophisticated.

Our cat is kind dove shellfish, and thinks the world is hers, She finds a comfy spot and then we pet turtle sheep purrs.

I like all things grammatical, and I had already written several books about parts of speech, and even the alphabet, so everything that makes up a sentence and even a word was covered except for punctuation.

If I have a talent for making some fourth-grader who hates school and reading to hate it a little less, then I have to do the most with what I've been issued.

Even when I'm writing plays I enjoy having company and mentally I think of that company as the company I'm writing for.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I don't know if there is any one secret to successful writing, but one important step is to move beyond imitation and discover what you can write that no one else can - that is, find out who you are and write that in an appropriate narrative and style.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

As a member of this court I am not justified in writing my private notions of policy into the Constitution, no matter how deeply I may cherish them or how mischievous I may deem their disregard.

I did know that the book would end with a mind-boggling trial, but I didn't know exactly how it would turn out. I like a little suspense when I am writing, too.

For me, writing is a concentrated form of thinking.

Writing allows me the time to travel and see the world, which is what I always wanted to do. I'd really like to have been Sir Richard Francis Burton, but it's the wrong century.

I've written many extra verses to songs that I learned to sing - an extra verse about a friend, or just add some verse - and that led to writing my own songs.

Book writing is a little different because, in my case, my editor is a year younger than me and basically has the same sensibility as me.

Writing is a dog's life, but the only life worth living.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.

I look for ambiguity when I'm writing because life is ambiguous.

Maybe I spent more time dwelling on emotions than some people, and maybe that's why I ended up writing.

Writing songs has a therapeutic effect, and it either kills off love or wins the heart of the lover.

Writing novels is the most exciting.

That has to remain the principal reason for doing it, doesn't it? I know it's possible to write for money, and many very good writers have done so. But for me, it has to remain the principal thing that I actually want to do the writing.

Now I'm kind of established as a director, I much prefer directing to writing.

Writing, overall, has never been what I'd call fun. It's fulfilling. It doesn't come real easy for me.

Every kind of book I've written has been written in a different way. There has not been any set time for writing, any set way, I haven't re-invented the process every time but I almost have.

Everything I've ever done, in the writing world, has been to expand articulation, rather than to close it.

And that's what I've learned too: writing is key.

Send it to someone who can publish it. And if they won't publish it, send it to someone else who can publish it! And keep sending it! Of course, if no one will publish it, at that point you might want to think about doing something other than writing.

But then I go through long periods where I don't listen to things, usually when I'm working. In between the records and in between the writing I suck up books and music and movies and anything I can find.

Life sometimes gets in the way of writing.

We were given clear concrete tools. The course did a great job demystifying the art of fiction writing and fostering confidence. The instructor brought complex concepts down to earth. I will miss coming here every week.

I wasn't interested in writing music that wasn't beautiful for me to listen to.

And yes, there's a simplicity to writing books because you're not a member of a team, so you make all the decisions yourself instead of deferring to a committee.

No race can prosper till it learns that there is as much dignity in tilling a field as in writing a poem.

You know, sometimes I get moments of inspiration when I'm writing something and then the task seems so daunting that it just kind of scares me away.

Writing as a woman presents enormous problems but I have attempted it several times and haven't had many complaints.

Readers are what it's all about, aren't they? If not, why am I writing?

I am a writer. I could not afford to take 15 months off from my writing career to play detective.

Writing is about culture and should be about everything. That's what makes it what it is.

If you make your living writing, and you can't write anything, it's over. It's very frightening.

I know I stand visibly onstage, but my function is still unseen, because I rarely see the immediate results of what I am saying or doing or writing.

It can get a little costly if you try and leave it until then to write songs. But you're writing all the time. You're collecting songs. I've had songs that have been collected over a two-year period for my next record.

I occasionally play works by contemporary composers and for two reasons. First to discourage the composer from writing any more and secondly to remind myself how much I appreciate Beethoven.