There was a lot more music than the size of the place would indicate.

There was a lot more music than the size of the place would indicate.

All I ever thought was, 'I'm going to do this as long as I can, and if I can't get paid at it, I'll be a bum doing it.' And so, here I am.

If I had a rocket launcher, some son of a bitch would die.

The second half of the '60s really was a kind of learning period, in terms of writing, for me.

If I try to understand what it means to be a Christian, I look at the two instructions that were given in the Bible that are paramount, and those are to love God with all your heart and mind, and to love your neighbor as yourself. That's it.

The trouble with normal is it always gets worse.

I'd always loved poetry and I'd always loved writing music and composing music, but I hadn't thought of putting the two together until around that time.

I wanted to play rock and roll when I started playing. Nobody at that time ever thought about songwriting. You sang songs, that's all. You sang other people's songs. That's all there were.

I did a lot of writing for a lot of different kinds of bands that I was in and out of during those five years and that left me with a little body of songs that I liked better when I played alone, so I ended up going out solo and very soon made my first album.

I wear my shadows where they're harder to see, but they follow me everywhere. I guess that should tell me I'm travelling toward light.

'Each One Lost' I wrote the day after I got home. My week in Afghanistan was a very short trip, but it was a powerful experience.

'Gifts' was just a short little one-verse song that I used to close shows in the '60s.

A sane person doesn't think war is a good idea.

A sane person doesn't think war is a good idea. I'm not a pacifist. I feel that there are situations where fighting is inescapable, but we don't go looking for those things.

I can't imagine my life any other way than it's been.

I like to think that if it hadn't gone as well as it has, if I wasn't able to make a living off of playing music, I would still be playing the music. But, of course, I wouldn't likely have had the opportunity to travel, and a lot of the places have inspired songs.

I remember when the idea of living to be 40 seemed absurd.

I woke up one morning with this song in my head, and the opening line of the song is, 'My name was Richard Nixon, only now I'm a girl.'

I'm not a pacifist. I feel that there are situations where fighting is inescapable, but we don't go looking for those things.

If you don't keep learning and growing, you're going to stagnate.

It sounds strange to say it, but you can be in a war zone and have a lot of fun. Even though war is essentially pain on all sides, human beings have the capacity to enjoy themselves. The soldiers are mostly young people, full of enthusiasm and energy, and that's an exciting thing for an old guy like me.

It's a phobia I have. I never assume I'm going to be able to write another album after I finish one.

Since the early '80s, I've found myself in war zones in various parts of the world.

There are some decision-makers in the world whose version of sanity is a little different from what I consider the right one.

We're confronted with great darkness as a species right now as spiritual creatures on this planet. I don't think it's hopeless, and I don't want 'You've Never Seen Everything' to make people feel hopeless. But I think we've got to call a spade a spade.

Though chains be of gold they are chains all the same.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

My big love was the Beatles. I was more into music.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

Uhm, I'm the one wanting the lessons! I don't want to say too much about it because I'd rather have you see the movie, but he's trying to find his music.

The value of music is to be able to play one note at the right time in the right way.