A non-fiction writer pretty much has the shape of the figure in front of him or her and goes about refining it. A work of non-fiction is not as difficult to write as a work of fiction, but it's not as satisfying in the end.

Each work seems to give me the most trouble at the time I'm working on it.

I don't work on my Sabbath. I write five-and-a-half or six days a week.

Two hundred or more years ago most people on the planet were never aware of any reality other than the one into which they were brought up.

And yet there are some magnificent things from Freud, profound insights into the nature of man.

I think most serious writers, certainly in the modern period, use their own lives or the lives of people close to them or lives they have heard about as the raw material for their creativity.

A non-fiction writer pretty much has the shape of the figure in front of him or her and goes about refining it. A work of non-fiction is not as difficult to write as a work of fiction, but it's not as satisfying in the end.

Come, let us have some tea and continue to talk about happy things.

It is inconceivable to me that a million or three million or half a million human beings will think and feel precisely the same way on any single subject.

I'm not altogether certain that a fundamentalism of necessity has to argue that it is the only reading of the human experience in order to stay alive.

It is impossible to fuse totally with a culture for which you feel a measure of antagonism.

All of us grow up in particular realities - a home, family, a clan, a small town, a neighborhood. Depending upon how we're brought up, we are either deeply aware of the particular reading of reality into which we are born, or we are peripherally aware of it.

Yes, there is some thought about making a film of My Name Is Asher Lev.

As a species we are always hungry for new knowledge.

To the extent that I come from a deeply religious tradition and have been contending with those beginnings all of my life - that constitutes the subject of much of my early fiction.

I think that to a very great extent we are partners with the divine in this enterprise called history. That is an ongoing relationship, and there is absolutely no guarantee that things will automatically work out to our best advantage.

But today we become aware of other readings of the human experience very quickly because of the media and the speed with which people travel the planet.

In other words, Judaism is not Calvinism.

I get up around 6:30. I work from about 8:00 to 1:00, take a break for lunch, work again until about 5:00, and then go for a long walk and have dinner. Then, if my wife and I have no previous plans, we decide what to do for the evening.

What I have in advance are people I want to write about and a problem or problems that I see those people encountering and that I want to explore - it all proceeds sentence by sentence, paragraph by paragraph, and scene by scene.

There is in my work a very strong religious foreground and background. In the later work some of that tends to diminish, but it's certainly present in the early work.

And these two elements are at odds with one another because Freud is utterly adversary to almost all the ways of structuring the human experience found in Western religions. No Western religion can countenance Freud's view of man.

I'm constantly revising. Once the book is written and typed, I go through the entire draft again.

If I had a plot that was all set in advance, why would I want go through the agony of writing the novel? A novel is a kind of exploration and discovery, for me at any rate.

A book is sent out into the world, and there is no way of fully anticipating the responses it will elicit. Consider the responses called forth by the Bible, Homer, Shakespeare - let alone contemporary poetry or a modern novel.

Well, in The Chosen, Danny Saunders, from the heart of his religious reading of the world, encounters an element in the very heart of the secular readings of the world - Freudian psychoanalytic theory.

Every man who has shown the world the way to beauty, to true culture, has been a rebel, a 'universal' without patriotism, without home, who has found his people everywhere.

I think the hardest part of writing is revising. And by that I mean the following: A novelist has to create the piece of marble and then chip away to find the figure in it.

Well, one hopes that if you're really related to the core of your particular culture, you have profound commitments to it, and that you are aware of how much you can strain it before you do violence to its essential nature.

A blink of an eye in itself is nothing. But the eye that blinks that is something.

Truth has to be given in riddles. People can't take truth if it comes charging at them like a bull. The bull is always killed. You have to give people the truth in a riddle, hide it so they go looking for it and find it piece by piece; that way they learn to live with it.

I became hooked on the idea of being able to shoot an image and process it myself, and end up with a product.

At the end, the realization is that she had to get to a place in her life where she could drop her guard and make peace with the fact that whether she had a small amount of time, that she had to kind of live it completely through, instead of living by the rules.

All enterprises that are entered into with indiscreet zeal may be pursued with great vigor at first, but are sure to collapse in the end.

I don't write drafts. I write from the beginning to the end, and when it's finished, it's done.

Young actors often don't think of the consequences of doing nudity or sex scenes. They want the role so badly that they agree to be exploited, and then end up embarrassing family, friends, and even strangers.

They haul you up there for, you know, week after week in this kind of star chamber proceeding. Then at the end of it they say, well, we found nothing, but now it's time for special counsel.

The difference between talking on your cell phone while driving and speaking with a passenger is huge. The person on the other end of the cell phone is chattering away, oblivious.

Madame, all stories, if continued far enough, end in death, and he is no true-story teller who would keep that from you.

The big battle at the end of DW isn't drawn from history, but it's influenced by history, certainly.

Every new beginning comes from some other beginning's end.

I did know that the book would end with a mind-boggling trial, but I didn't know exactly how it would turn out. I like a little suspense when I am writing, too.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

Every sentence has a truth waiting at the end of it and the writer learns how to know it when he finally gets there.

Pacifist propaganda and the resolutions of the parliamentarians encouraged such treaties, and toward the end of the nineteenth century their number had increased considerably.

Will Arnett is one of the funniest guys I know. He has seen it all and done it all and come out the other end pretty savvy and pretty strong.

I'm the end of the line; absurd and appalling as it may seem, serious New York theater has died in my lifetime.

A liberal knows that the only certainty in this life is change but believes that the change can be directed toward a constructive end.

Philosophy begins in wonder. And, at the end, when philosophic thought has done its best, the wonder remains.