I think most serious writers, certainly in the modern period, use their own lives or the lives of people close to them or lives they have heard about as the raw material for their creativity.

Each work seems to give me the most trouble at the time I'm working on it.

I don't work on my Sabbath. I write five-and-a-half or six days a week.

Two hundred or more years ago most people on the planet were never aware of any reality other than the one into which they were brought up.

And yet there are some magnificent things from Freud, profound insights into the nature of man.

I think most serious writers, certainly in the modern period, use their own lives or the lives of people close to them or lives they have heard about as the raw material for their creativity.

A non-fiction writer pretty much has the shape of the figure in front of him or her and goes about refining it. A work of non-fiction is not as difficult to write as a work of fiction, but it's not as satisfying in the end.

Come, let us have some tea and continue to talk about happy things.

It is inconceivable to me that a million or three million or half a million human beings will think and feel precisely the same way on any single subject.

I'm not altogether certain that a fundamentalism of necessity has to argue that it is the only reading of the human experience in order to stay alive.

It is impossible to fuse totally with a culture for which you feel a measure of antagonism.

All of us grow up in particular realities - a home, family, a clan, a small town, a neighborhood. Depending upon how we're brought up, we are either deeply aware of the particular reading of reality into which we are born, or we are peripherally aware of it.

Yes, there is some thought about making a film of My Name Is Asher Lev.

As a species we are always hungry for new knowledge.

To the extent that I come from a deeply religious tradition and have been contending with those beginnings all of my life - that constitutes the subject of much of my early fiction.

I think that to a very great extent we are partners with the divine in this enterprise called history. That is an ongoing relationship, and there is absolutely no guarantee that things will automatically work out to our best advantage.

But today we become aware of other readings of the human experience very quickly because of the media and the speed with which people travel the planet.

In other words, Judaism is not Calvinism.

I get up around 6:30. I work from about 8:00 to 1:00, take a break for lunch, work again until about 5:00, and then go for a long walk and have dinner. Then, if my wife and I have no previous plans, we decide what to do for the evening.

What I have in advance are people I want to write about and a problem or problems that I see those people encountering and that I want to explore - it all proceeds sentence by sentence, paragraph by paragraph, and scene by scene.

There is in my work a very strong religious foreground and background. In the later work some of that tends to diminish, but it's certainly present in the early work.

And these two elements are at odds with one another because Freud is utterly adversary to almost all the ways of structuring the human experience found in Western religions. No Western religion can countenance Freud's view of man.

I'm constantly revising. Once the book is written and typed, I go through the entire draft again.

If I had a plot that was all set in advance, why would I want go through the agony of writing the novel? A novel is a kind of exploration and discovery, for me at any rate.

A book is sent out into the world, and there is no way of fully anticipating the responses it will elicit. Consider the responses called forth by the Bible, Homer, Shakespeare - let alone contemporary poetry or a modern novel.

Well, in The Chosen, Danny Saunders, from the heart of his religious reading of the world, encounters an element in the very heart of the secular readings of the world - Freudian psychoanalytic theory.

Every man who has shown the world the way to beauty, to true culture, has been a rebel, a 'universal' without patriotism, without home, who has found his people everywhere.

I think the hardest part of writing is revising. And by that I mean the following: A novelist has to create the piece of marble and then chip away to find the figure in it.

Well, one hopes that if you're really related to the core of your particular culture, you have profound commitments to it, and that you are aware of how much you can strain it before you do violence to its essential nature.

A blink of an eye in itself is nothing. But the eye that blinks that is something.

Truth has to be given in riddles. People can't take truth if it comes charging at them like a bull. The bull is always killed. You have to give people the truth in a riddle, hide it so they go looking for it and find it piece by piece; that way they learn to live with it.

The secret to creativity is knowing how to hide your sources.

I was part of it, and I am still part of it today in terms of what it means to a whole new generation of people who are interested in the enduring energy, achievements, spirit and creativity that exemplified our era.

Properly practiced creativity must result in greater sales more economically achieved. Properly practiced creativity can lift your claims out of the swamp of sameness and make them accepted, believed, persuasive, urgent.

I think if I had been writing fiction, where the work is entirely dependent on the writer's creativity and the potential directions the narrative might take are infinite, I might have frozen.

Watch MTV and you can see what the music scene is like in England. The Spice Girls? Not a lot of creativity in the commercial area. There are still great musicians in England, but not a lot being heard that much.

You can't take a character anywhere they don't expect the character to go. But within those confines is where creativity lies.

And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.

The mind uses its faculty for creativity only when experience forces it to do so.

But the person who scored well on an SAT will not necessarily be the best doctor or the best lawyer or the best businessman. These tests do not measure character, leadership, creativity, perseverance.

Creativity is a great motivator because it makes people interested in what they are doing. Creativity gives hope that there can be a worthwhile idea. Creativity gives the possibility of some sort of achievement to everyone. Creativity makes life more fun and more interesting.

Creativity often consists of merely turning up what is already there. Did you know that right and left shoes were thought up only a little more than a century ago?

Every single thing you see on-screen came out of somebody's creativity. It doesn't exist. Nature didn't deliver it to us. Everything had to be dreamed.

Just keep thinking about the good side of ADD - the creativity and the originality it can stimulate.

Our senses are indeed our doors and windows on this world, in a very real sense the key to the unlocking of meaning and the wellspring of creativity.

It really hasn't been demonstrated at any level by any major corporation that it can nurture what is euphemistically called creativity.

Creativity comes from a conflict of ideas.

I wanted to define the vocabulary of a wedding both visually and intellectually. The book is about more than weddings or wedding dresses. It's a metaphor for women's lives, their creativity.

You can't teach creativity at film school.