There is in my work a very strong religious foreground and background. In the later work some of that tends to diminish, but it's certainly present in the early work.

Each work seems to give me the most trouble at the time I'm working on it.

I don't work on my Sabbath. I write five-and-a-half or six days a week.

Two hundred or more years ago most people on the planet were never aware of any reality other than the one into which they were brought up.

And yet there are some magnificent things from Freud, profound insights into the nature of man.

I think most serious writers, certainly in the modern period, use their own lives or the lives of people close to them or lives they have heard about as the raw material for their creativity.

A non-fiction writer pretty much has the shape of the figure in front of him or her and goes about refining it. A work of non-fiction is not as difficult to write as a work of fiction, but it's not as satisfying in the end.

Come, let us have some tea and continue to talk about happy things.

It is inconceivable to me that a million or three million or half a million human beings will think and feel precisely the same way on any single subject.

I'm not altogether certain that a fundamentalism of necessity has to argue that it is the only reading of the human experience in order to stay alive.

It is impossible to fuse totally with a culture for which you feel a measure of antagonism.

All of us grow up in particular realities - a home, family, a clan, a small town, a neighborhood. Depending upon how we're brought up, we are either deeply aware of the particular reading of reality into which we are born, or we are peripherally aware of it.

Yes, there is some thought about making a film of My Name Is Asher Lev.

As a species we are always hungry for new knowledge.

To the extent that I come from a deeply religious tradition and have been contending with those beginnings all of my life - that constitutes the subject of much of my early fiction.

I think that to a very great extent we are partners with the divine in this enterprise called history. That is an ongoing relationship, and there is absolutely no guarantee that things will automatically work out to our best advantage.

But today we become aware of other readings of the human experience very quickly because of the media and the speed with which people travel the planet.

In other words, Judaism is not Calvinism.

I get up around 6:30. I work from about 8:00 to 1:00, take a break for lunch, work again until about 5:00, and then go for a long walk and have dinner. Then, if my wife and I have no previous plans, we decide what to do for the evening.

What I have in advance are people I want to write about and a problem or problems that I see those people encountering and that I want to explore - it all proceeds sentence by sentence, paragraph by paragraph, and scene by scene.

There is in my work a very strong religious foreground and background. In the later work some of that tends to diminish, but it's certainly present in the early work.

And these two elements are at odds with one another because Freud is utterly adversary to almost all the ways of structuring the human experience found in Western religions. No Western religion can countenance Freud's view of man.

I'm constantly revising. Once the book is written and typed, I go through the entire draft again.

If I had a plot that was all set in advance, why would I want go through the agony of writing the novel? A novel is a kind of exploration and discovery, for me at any rate.

A book is sent out into the world, and there is no way of fully anticipating the responses it will elicit. Consider the responses called forth by the Bible, Homer, Shakespeare - let alone contemporary poetry or a modern novel.

Well, in The Chosen, Danny Saunders, from the heart of his religious reading of the world, encounters an element in the very heart of the secular readings of the world - Freudian psychoanalytic theory.

Every man who has shown the world the way to beauty, to true culture, has been a rebel, a 'universal' without patriotism, without home, who has found his people everywhere.

I think the hardest part of writing is revising. And by that I mean the following: A novelist has to create the piece of marble and then chip away to find the figure in it.

Well, one hopes that if you're really related to the core of your particular culture, you have profound commitments to it, and that you are aware of how much you can strain it before you do violence to its essential nature.

A blink of an eye in itself is nothing. But the eye that blinks that is something.

Truth has to be given in riddles. People can't take truth if it comes charging at them like a bull. The bull is always killed. You have to give people the truth in a riddle, hide it so they go looking for it and find it piece by piece; that way they learn to live with it.

The present contains nothing more than the past, and what is found in the effect was already in the cause.

Philosophy finds it an easy matter to vanquish past and future evils, but the present are commonly too hard for it.

Historians tell the story of the past, novelists the story of the present.

Crying over what's gone won't find the present.

The French are the wittiest, the most charming, and up to the present, at all events, the least musical race on Earth.

America is false to the past, false to the present, and solemnly binds herself to be false to the future.

The present condition of fame is merely fashion.

Do not dwell in the past, do not dream of the future, concentrate the mind on the present moment.

It is certain, indeed, that the sacred writers were apt to make great allowances for people with empty stomachs, and though I am well aware that the present profane ones think this very reprehensible, I venture to agree with the sacred writers.

It also allows you to look as though you're not particularly from the present, future or past, either.

And for myself, I think for the present He is calling me to another land; but how long shall be my abode, or what employment He has for me there, I know not, for I cannot think He is taking me there to live and lurk only.

It is my intention to present - through the medium of photography - intuitive observations of the natural world which may have meaning to the spectators.

I see Canada as a country torn between a very northern, rather extraordinary, mystical spirit which it fears and its desire to present itself to the world as a Scotch banker.

The present government is very insistent that business sponsorship should replace government sponsorship of the arts. Business sponsorship won't happen unless you make tax concessions, which they won't.

All this happens without him knowing - they actually install cameras in his apartment and hire this girl to get him to fall in love with her so that she can be in the apartment and present him products without him knowing.

The past, the present and the future are really one: they are today.

I think it's bad to talk about one's present work, for it spoils something at the root of the creative act. It discharges the tension.

My future is in my past and my past is my present. I must now make the present my future.