I don't need to hear Bill to go through a song. I need to hear Keith to go through a song. I know Bill will be playing what I'm playing anyway. I need to hear Keith because it's all there: the time, the chord changes, and all the licks you have to follow.

I hate leaving home. I love what I do, but I'd love to go home every night.

A lot of our tracks have sounded a lot better than I thought they would because of recording, mixing, and because I probably didn't hear it that way. I'm not a songwriter.

For some reason at 12 or 13, I just heard Gerry Milligan and fell in love with that, whatever it was called.

I think it's an awful drink, to be honest with you.

We always work at least a month to six weeks before we go on the road, usually for something like eight to 12 hours a night. It took six weeks to do it this time. We just play virtually everything we know.

I don't like drum solos, to be honest with you, but if anybody ever told me he didn't like Buddy Rich I'd right away say go and see him, at least the once.

I wanted to play drums because I fell in love with the glitter and the lights, but it wasn't about adulation. It was being up there playing.

People say I play real loud. I don't, actually. I'm recorded loud and a lot of that is because we have good engineers. Mick knows what a good drum sound is as well, so that's part of the illusion really. I can't play loud.

It's been years and years and years I've been playing the drums, and they're still a challenge. I still enjoy using drumsticks and a snare drum.

The world of this is a load of crap. You get all these bloody people, so incredibly sycophantic.

It doesn't really change, actually. I think The Rolling Stones have gotten a lot better. An awful lot better, I think. A lot of people don't, but I think they have, and to me that's gratifying. It's worth it.

I didn't know what the hell Charlie Parker was playing... I just liked the way he played.

When people talk about the '60s I never think that was me there. It was me and I was in it, but I was never enamoured with all that. It's supposed to be sex and drugs and rock and roll and I'm not really like that. I've never really seen the Rolling Stones as anything.

Mick's not good on his own problems, but he's very good at other people's. He's been wonderful over the years. I don't mean I ring him up every week, but he's fantastic.

You need better technique than I have to play jazz, but what you have to do is the same thing, isn't it?

Usually I can hear the pianos, the saxophone, and usually I can hear Ronnie. But I really need to listen to Keith and Mick. The rest of the band is sort of an embellishment to that.

I saw Al Foster with Miles Davis the other week. It was beautiful. But, the whole thing was, Al Foster played as well as everybody else, but all of them were quite brilliant under Miles Davis' direction.

When I was a kid I never learned to play. I actually got in bands through watching people play and copying them.

To be able to play as slow as Al Jackson is almost impossible.

I'm very strict with my packing and have everything in its right place. I never change a rule. I hardly use anything in the hotel room. I wheel my own wardrobe in and that's it.

I don't need to hear Bill to go through a song. I need to hear Keith to go through a song. I know Bill will be playing what I'm playing anyway. I need to hear Keith because it's all there: the time, the chord changes, and all the licks you have to follow.

You'd imagine Mick would be the happiest person in the world, and yet a lot of the times he isn't.

I never had lessons. Used to try to play to records, which I hated doing. Still can't play to them.

Rock and roll has probably given more than it's taken.

I think you get to a point where you watch something just to enjoy it. I don't think it's really done so that you're supposed to feel, Oh, he's the most wonderful drummer. I think the whole lot is what's more enjoyable.

I just wrote one song at a time. Kinda like an alcoholic. One day at a time.

Then, in that hour of deliverance, my heart spoke. Does not such a country, and such defenders of their country, deserve a song?

If you give it good concentration, good energy, good heart and good performance, the song will play you.

But in the finished art of the song the use of words has no connection with the use of words in poetry.

I guess a good song is a good song is a good song, ya know.

In the past 3-4 years I've developed a habit of keeping numerous small cassette recorders in my house and in a bag with me so that I'm able to commit to tape memory song ideas on a constant basis.

I don't ask for the meaning of the song of a bird or the rising of the sun on a misty morning. There they are, and they are beautiful.

The band set up in January and just started rehearsing. If there was a song, we'd just rehearse it as a band, and it would get arranged as a band, and it got changed around a lot.

Peace Train is a song I wrote, the message of which continues to breeze thunderously through the hearts of millions of human beings.

I love listening to Radio Head's 'Everything in its Right Place' because it's all major chords, it makes you feel really good. It's soothing, it's got a beautiful voice, crazy textures. When I'm down I listen to that song and it really makes me feel good.

I've always wanted to sing, just as I've always known that one day I would have my own niche in the annals of song. It was a feeling I had.

I have eighteen titles in the German language. I had a number one song in 1965.

Listen kid, take my advice, never hate a song that has sold half a million copies.

There's a lot of rage... you have to express it somehow. If I didn't express it in song, I'd become incredibly violent.

I do not mind having written the song at all. I just wish that I had written it in a different key, as the high d is hard to play. I am glad that I wrote something that brought joy to millions of people.

It's like, it's up to the people to fall in love with the song. The record company can only do so much.

People assume that the meaning of a song is vested in the lyrics. To me, that has never been the case. There are very few songs that I can think of where I remember the words.

I guess you could write a good song if your heart hadn't been broken, but I don't know of anyone whose heart hasn't been broken.

A song has to become as much a part of you as a tailored suit.

A so-called happy marriage corresponds to love as a correct poem to an improvised song.

Most musicians count at the beginning, and never count and talk to their musicians after that. They only talk to them at the end of the song. But I would count with them and talk.

In an age of incompetence, I've been able to last in this crazy business. I actually know how to play my ax and write a song. That's my job.

The only thing that's a little tricky about it is sometimes people assume that if it's a new song, it's a reflection of what you're feeling or going through now.