Anybody who says they are a good liar obviously is not, because any legitimately savvy liar would always insist they're honest about everything.

Book writing is a little different because, in my case, my editor is a year younger than me and basically has the same sensibility as me.

The essays are different because ultimately it's things I'm interested in, and I'm really just writing about myself and using those subjects as a prism.

The biggest problem in rock journalism is that often the writer's main motivation is to become friends with the band. They're not really journalists; they're people who want to be involved in rock and roll.

You're trying to find new ideas in people. I always think to myself, what question I am least comfortable asking the person? And then I make sure I ask it early in the interview.

Anybody who says they are a good liar obviously is not, because any legitimately savvy liar would always insist they're honest about everything.

I've been asked about this constantly, and I compare it to how if you're walking down the street and some schizo guy comes up to you and vomits on you: You wouldn't be hurt by that, you'd just think it's weird.

I also did an Ozzy piece for him, and so I got hired. Everything happened really fast. I can't give people advice, because everything in my life changed completely in less than a year and it's still not something I am used to.

At a magazine, everything you do is edited by a bunch of people, by committee, and a lot of them are, were, or think of themselves as writers. Part of that is because magazines worry about their voice.

I grew up on a farm, and we didn't have cable and only limited radio stations, so I wasn't inundated with culture the way people in other parts of the country were. But I was really interested in it.

Anyone who claims to be good at lying is obviously bad at lying. Thus - as a writer myself - I cannot comment on whether or not writers are exceptionally good liars, because whatever I said would actually mean its complete opposite.

If you're doing an interview, you need conversational tension. After you talk to them, you're not going to have a relationship with them, they're not going to like you, they're not going to be your friend.

The essays are very solipsistic and self-absorbed, I'm totally conscious of that. To me, book writing is fun, and I basically just write about things that are entertaining to myself.

Even though I wanted to experience all these things I was interested in, I couldn't get them. So I had to think critically and culturally about what was available.

It's just that what's important there is different there than what's important is here. Here, people care that you wrote a book or that you work in the media.

The biggest hurdle to writing Fargo Rock City was that I couldn't afford a home computer - I had to get a new job so I could buy a computer. It could all change though. In five years, I could be back at some daily newspaper, which wouldn't be so bad.

A lot of people have this strategy where if they have a hard question they wait to ask it to the end of the interview because they think the person is going to walk out. But what they have to realize is, is that if the person walks out, they have a pretty successful story.

A whole bunch of months passed and I didn't hear anything and then he emailed and asked if I could do a little piece on POD and Queens of the Stone Age.

To me, every interview, even if you love the artist, needs to be somewhat adversarial. Which doesn't mean you need to attack the person, but you do need to look at it like you're trying to get information that has not been written about before.

I feel sorry for people who have to edit me. Which is why book writing is by far the most enjoyable. Really the only thing it's based on is whether it's good or not. No book editor, in my experience, is getting a manuscript and try to rewrite it.

In Fargo, they say, well, that's a job. How well do you get paid? For example, for this book I was written about in Entertainment Weekly, and it was kind of cool because my mom asked me if Entertainment Weekly was a magazine or a newspaper.

I keep saying the word "weird" over and over again, but it's the only way I can describe it.

It didn't seem remotely possible. I had no idea how people got those jobs, I didn't know what the steps were, it never even dawned on me. It seemed so outside the realm of possibility.

When you're writing for newspapers you have all these parameters. You can't swear, you have to use short paragraphs, all that. If you stay within those parameters, you have lots of freedom because you're writing for the next day.

I was fortunate that I was at newspapers for eight years, where I wrote at least five or six stories every week. You get used to interviewing lots of different people about a lot of different things. And they aren't things you know about until you do the story.

I keep saying the word 'weird' over and over again, but it's the only way I can describe it.

Every generation is more influenced by technology which is always changing faster.

The worst thing you can do to anybody trying to be creative is to demand participation in their vision.

It is important to have questionable friends you can trust unconditionally.

I became merely a pawn used to produce more money for Warner Bros.

What surprised me about 'The Casual Vacancy' was not just how good it was, but the particular way in which it was good.

I like having curves - I'm proud of them!

I'm excited and encouraged to see people getting involved with their public lands and forests. We really need the public's help to repair these heavily used recreation sites.

My mom always said that if the Protestants catch a Catholic in their church, they feed them to the Jews.

I think it's a shame when people don't see the funny, thoughtful Mark that I know. He is incredibly sensitive and really cares about what other people need and want and really wants to be able to make someone else's day. And that's the Mark that I see.

There are days when I intentionally don't write. For instance, I never write when I'm traveling, because travel is a situation where I can learn more by looking and listening than by working.

As an artist, you have to express yourself. I make no excuses for my versatility. I grew up singing classical arias, but I love rock n' roll and jazz standards.

I remember when I was that girl crying because I was so excited to finally meet Lita. To have girls crying over me is surreal.

It's not always possible to sit down and eat at home in this day and age of fast-paced living, but if you are going to eat out, do so as a family and support all the great local places in your areas. I'll still eat at the same diner I did as a kid with my parents.

If you're passionate about the world, and if you really look closely at everything around you, each thing can be transformed into a shoe, or into a part of a shoe.

I feel my live shows are my music; everything blossoms from the live shows.

If cars and buses were attacked daily by petrol bombs or stones for 16 months in Washington, could you imagine it would be tolerated? It would not, because in the name of democracy, to preserve democracy, steps would be taken.

My other brother, the Lord Lucas, who was heir to my father's estate, and as it were the father to take care of us all, is not less valiant than they were, although his skill in the discipline of war was not so much, not being bred therein.

Of all human activities, man's listening to God is the supreme act of his reasoning and will.

I'm not a role model... Just because I dunk a basketball doesn't mean I should raise your kids.

A wise and frugal government, which shall restrain men from injuring one another, shall leave them otherwise free to regulate their own pursuits of industry and improvement, and shall not take from the mouth of labor the bread it has earned.

Learn from the past, look to the future, but live in the present.

Do not only think about it, but feel about it, also, before taking appropriate action.

Do something remarkable or accept being the mere statistic that you have always been awarded.