In Fargo, they say, well, that's a job. How well do you get paid? For example, for this book I was written about in Entertainment Weekly, and it was kind of cool because my mom asked me if Entertainment Weekly was a magazine or a newspaper.

Book writing is a little different because, in my case, my editor is a year younger than me and basically has the same sensibility as me.

The essays are different because ultimately it's things I'm interested in, and I'm really just writing about myself and using those subjects as a prism.

The biggest problem in rock journalism is that often the writer's main motivation is to become friends with the band. They're not really journalists; they're people who want to be involved in rock and roll.

You're trying to find new ideas in people. I always think to myself, what question I am least comfortable asking the person? And then I make sure I ask it early in the interview.

Anybody who says they are a good liar obviously is not, because any legitimately savvy liar would always insist they're honest about everything.

I've been asked about this constantly, and I compare it to how if you're walking down the street and some schizo guy comes up to you and vomits on you: You wouldn't be hurt by that, you'd just think it's weird.

I also did an Ozzy piece for him, and so I got hired. Everything happened really fast. I can't give people advice, because everything in my life changed completely in less than a year and it's still not something I am used to.

At a magazine, everything you do is edited by a bunch of people, by committee, and a lot of them are, were, or think of themselves as writers. Part of that is because magazines worry about their voice.

I grew up on a farm, and we didn't have cable and only limited radio stations, so I wasn't inundated with culture the way people in other parts of the country were. But I was really interested in it.

Anyone who claims to be good at lying is obviously bad at lying. Thus - as a writer myself - I cannot comment on whether or not writers are exceptionally good liars, because whatever I said would actually mean its complete opposite.

If you're doing an interview, you need conversational tension. After you talk to them, you're not going to have a relationship with them, they're not going to like you, they're not going to be your friend.

The essays are very solipsistic and self-absorbed, I'm totally conscious of that. To me, book writing is fun, and I basically just write about things that are entertaining to myself.

Even though I wanted to experience all these things I was interested in, I couldn't get them. So I had to think critically and culturally about what was available.

It's just that what's important there is different there than what's important is here. Here, people care that you wrote a book or that you work in the media.

The biggest hurdle to writing Fargo Rock City was that I couldn't afford a home computer - I had to get a new job so I could buy a computer. It could all change though. In five years, I could be back at some daily newspaper, which wouldn't be so bad.

A lot of people have this strategy where if they have a hard question they wait to ask it to the end of the interview because they think the person is going to walk out. But what they have to realize is, is that if the person walks out, they have a pretty successful story.

A whole bunch of months passed and I didn't hear anything and then he emailed and asked if I could do a little piece on POD and Queens of the Stone Age.

To me, every interview, even if you love the artist, needs to be somewhat adversarial. Which doesn't mean you need to attack the person, but you do need to look at it like you're trying to get information that has not been written about before.

I feel sorry for people who have to edit me. Which is why book writing is by far the most enjoyable. Really the only thing it's based on is whether it's good or not. No book editor, in my experience, is getting a manuscript and try to rewrite it.

In Fargo, they say, well, that's a job. How well do you get paid? For example, for this book I was written about in Entertainment Weekly, and it was kind of cool because my mom asked me if Entertainment Weekly was a magazine or a newspaper.

I keep saying the word "weird" over and over again, but it's the only way I can describe it.

It didn't seem remotely possible. I had no idea how people got those jobs, I didn't know what the steps were, it never even dawned on me. It seemed so outside the realm of possibility.

When you're writing for newspapers you have all these parameters. You can't swear, you have to use short paragraphs, all that. If you stay within those parameters, you have lots of freedom because you're writing for the next day.

I was fortunate that I was at newspapers for eight years, where I wrote at least five or six stories every week. You get used to interviewing lots of different people about a lot of different things. And they aren't things you know about until you do the story.

I keep saying the word 'weird' over and over again, but it's the only way I can describe it.

Every generation is more influenced by technology which is always changing faster.

The worst thing you can do to anybody trying to be creative is to demand participation in their vision.

It is important to have questionable friends you can trust unconditionally.

I think people feel starved of nice, glamorous entertainment. They want to see costumes and gaiety and a singer; old-fashioned entertainment - it won't die easily.

I think in a weird way that the entertainment industry is strangely more brutally honest than any other.

The makers of entertainment must try, in our field, to be honest and grown-up.

The game has kept faith with the public, maintaining its old admission price for nearly thirty years while other forms of entertainment have doubled and tripled in price. And it will probably never change.

I'm very lucky to work in so many different arenas of the entertainment industry and I do enjoy them all, but making music - original music - in the studio or live onstage is definitely my favorite thing to do.

The analysis of character is the highest human entertainment.

It's important to remember that, first and foremost, if not only, this is entertainment. "The West Wing" isn't meant to be good for you.

No entertainment is so cheap as reading, nor any pleasure so lasting. She will not want new fashions nor regret the loss of expensive diversions or variety of company if she can be amused with an author in her closet.

My brother Cody is 19. He wants to stay out of the limelight and become a lawyer. I want him to be an entertainment lawyer, so he can help me out!

Florida has tons of entertainment opportunities because Walt Disney World and Universal Studios are there.

Americas are, for a variety of reasons, the most adept at producing the kind of entertainment that delivers easy satisfactions.

In dire economic times, movies are relatively inexpensive entertainment for the whole family.

Let's stop playing with ourselves and get on with the entertainment, shall we?

I've been chased. I've been pushed. I've been screamed at. I've been verbally abused. I've been afraid for my safety. But I did it all in the name of entertainment.

I hardly ever listen to any of our old stuff now. Once the songs have been recorded and put on to vinyl they become someone else's entertainment, not mine.

The standard entertainment industry reaction to Hollywood's box office slump reveals the same shallow, materialistic mindset that helped create the problem in the first place.

A lot of our entertainment throws into detail the stagnation and illness of how we live today-it's sad and it's sick... and it's profitable.

If you do things with a certain type of result and cause a certain type of reaction or effect, then you increase your market value. It's very much a competition for the entertainment dollar, and that's never been more clearly evident than in today's NBA game.

I believe entertainment can aspire to be art, and can become art, but if you set out to make art you're an idiot.

It's supposed to be entertainment. It's not supposed to be a documentary.