1972 was a year of many pleasant and rewarding experiences for me:

I do not mind having written the song at all. I just wish that I had written it in a different key, as the high d is hard to play. I am glad that I wrote something that brought joy to millions of people.

My brother had a big band in high school; after that we continued to play together, eventually forming a group called the Jazz Brothers, that recorded for Riverside Records.

Not with the Rochester Philharmonic, but I formed my own orchestra, made up of musicians from the Eastman School, where I'm on the faculty now, direct the Jazz Ensemble and teach improvisation classes.

The hiatus you spoke about happened in 1998. I was somewhat numb from being out on the road every night. I had to stop because I was emotionally and physically drained.

I have been recording for five decades now.

I made many studio albums and I think the danger of studio recording is that if you do not watch out, you come out with a perfectly sterile performance.

I write music people enjoy playing and listening to, and I have a group that loves playing the music.

To do it always right, that is what music is to me.

I was blessed to work with The Jazz Messengers when the two piano players were Keith Jarrett and Chick Corea.

Brazilian music has many of the ingredients that I strive for in my own music: Strong melodies and a disciplined but intense rhythmic concept, and interesting harmonies.

Then I loved the fact that we were actually recording live.

Music is meant to be a beautiful thing.

Because I don't believe music can be free unless it has something to be free from.

With four people you can create one very strong kind of energy, but if you can get 65 people working together, and swinging together, that's a whole other kind of energy.

We may play in a contemporary rock vein, use standard bebop themes, and many other things besides.

My music has always been strong in melodic content.

I can count on one hand the number of instrumental hits there have been over the last ten years.

I tend to not want to put labels or categories on the music, only because people come with preconceived ideas about what they're going to hear, or won't come for this reason.

What's happened - in our country, anyhow - is that the young people have shied away from the formality of the concert hall, that tie - and - tails philharmonic image.

Whether it's string writing or whatever, I try to write for what each instrumentalist can do best.

To pay 60 musicians for rehearsal and performance is quite something, and I decided I wouldn't be able to handle that kind of situation financially again, unless somebody else was taking care of that end of it.

I am glad that I wrote something that brought joy to millions of people.

I find it very difficult to compose when I'm not playing.

1972 was a year of many pleasant and rewarding experiences for me:

As for the symphonic activities... when I was a student at the Eastman School of Music, I became exposed to a lot more musical forms, elements, opportunities, and I fell in love with strings and their uses.

Most recently we've been working in concert situations rather than clubs. because there aren't too many rooms there like Ronnie Scott's, that are pure music rooms, where people come specifically to listen to music.

A studio recording is perfection, but emotion and passion come only when you turn on the machine and go for the groove. If you do that with no mistakes, it sounds beautiful.

Not compromising the music, but there is a way, by just showing the people that you're sincere and honest with what you're doing, and by talking to them.

My goal was never to sell many records.

In 1994, I started touring again and I recorded two albums for Chesky Jazz.

There's not much in the way of written-down arrangements - just things that Gerry and I have worked out, from playing spontaneously together and hanging on to whatever seems to fall in right.

Anyone can quit but it takes a strong committed person not to quit when times are tough.

I'm a pretty active person. I love yoga, crossfit, Zumba, and got to get that occasional hike in at Runyon Canyon when I can. I also love mentoring youth.

The lessons of history would suggest that civilisations move in cycles. You can track that back quite far - the Babylonians, the Sumerians, followed by the Egyptians, the Romans, China. We're obviously in a very upward cycle right now, and hopefully that remains the case. But it may not.

I was never afraid of failure after that because, I think, coming that close to death you get kissed. With the years, the actual experience of course fades, but the flavor of it doesn't. I just had a real sense of what choice do I have but to live fully?

Acting isn't necessarily pretending. It's storytelling. It's giving someone your perspective on something.

My parents believed in exposing each of their children to an abundance of varied activities in the hope they would find something they loved. They each had found a passion - Dad with his music and Mom with her horses - so it was natural for them to encourage experimentation.

If you have an idea, you have to move on it, to make a gesture. Drawing is an immediate way of articulating that idea - of making a gesture that is both physical and intellectual.

Anyone who sees and paints a sky green and fields blue ought to be sterilized.

We have some goats, some chickens, and we used to have pigs. There used to be two ostriches as well, but they were a little bit violent, so we had to give them away. When we were little, we used to play with the goats all the time. We each had our own little goat, and we'd go and run around with them.

Do one thing at a time and do that one thing as if your life depended upon it.

Learn from the past, set vivid, detailed goals for the future, and live in the only moment of time over which you have any control: now.

The ancient feud between cat and dog is not forgotten in the north, for the Lynx is the deadly foe of the Fox and habitually kills it when there is soft snow and scarcity of easier prey.

Our sincere desire should be to have both clean hands and a pure heart - both a remission of sins from day to day and to walk guiltless before God.

When faced with senseless drama spiteful criticisms and misguided opinions walking away is the best way to stand up for yourself. To respond with anger is an endorsement of their attitude.

That was a pretty fine Army that we had in 1965. By 1973, it was in tatters. It was a disgrace to the country and to itself, to its own heritage, really. So it's, you know, the Army belongs to all 307 million of us. It is our common possession, it's our common heritage. As goes the Army, so goes the republic.

I'm no longer going to play thugs or debauched cops that I can't possibly make complex characters. I'm bigger than that. I owe too much to too many good people at the Goodman, Arena and Playwrights Horizons.

If you run a business, if you are responsible for a lot of people, you come to grips with the reality that you have to have discipline. You have to protect the enterprise in order to take care of the employees. So, therefore, you can't be wasteful. You can't squander things, or you jeopardize other people.