My music has always been strong in melodic content.

I do not mind having written the song at all. I just wish that I had written it in a different key, as the high d is hard to play. I am glad that I wrote something that brought joy to millions of people.

My brother had a big band in high school; after that we continued to play together, eventually forming a group called the Jazz Brothers, that recorded for Riverside Records.

Not with the Rochester Philharmonic, but I formed my own orchestra, made up of musicians from the Eastman School, where I'm on the faculty now, direct the Jazz Ensemble and teach improvisation classes.

The hiatus you spoke about happened in 1998. I was somewhat numb from being out on the road every night. I had to stop because I was emotionally and physically drained.

I have been recording for five decades now.

I made many studio albums and I think the danger of studio recording is that if you do not watch out, you come out with a perfectly sterile performance.

I write music people enjoy playing and listening to, and I have a group that loves playing the music.

To do it always right, that is what music is to me.

I was blessed to work with The Jazz Messengers when the two piano players were Keith Jarrett and Chick Corea.

Brazilian music has many of the ingredients that I strive for in my own music: Strong melodies and a disciplined but intense rhythmic concept, and interesting harmonies.

Then I loved the fact that we were actually recording live.

Music is meant to be a beautiful thing.

Because I don't believe music can be free unless it has something to be free from.

With four people you can create one very strong kind of energy, but if you can get 65 people working together, and swinging together, that's a whole other kind of energy.

We may play in a contemporary rock vein, use standard bebop themes, and many other things besides.

My music has always been strong in melodic content.

I can count on one hand the number of instrumental hits there have been over the last ten years.

I tend to not want to put labels or categories on the music, only because people come with preconceived ideas about what they're going to hear, or won't come for this reason.

What's happened - in our country, anyhow - is that the young people have shied away from the formality of the concert hall, that tie - and - tails philharmonic image.

Whether it's string writing or whatever, I try to write for what each instrumentalist can do best.

To pay 60 musicians for rehearsal and performance is quite something, and I decided I wouldn't be able to handle that kind of situation financially again, unless somebody else was taking care of that end of it.

I am glad that I wrote something that brought joy to millions of people.

I find it very difficult to compose when I'm not playing.

1972 was a year of many pleasant and rewarding experiences for me:

As for the symphonic activities... when I was a student at the Eastman School of Music, I became exposed to a lot more musical forms, elements, opportunities, and I fell in love with strings and their uses.

Most recently we've been working in concert situations rather than clubs. because there aren't too many rooms there like Ronnie Scott's, that are pure music rooms, where people come specifically to listen to music.

A studio recording is perfection, but emotion and passion come only when you turn on the machine and go for the groove. If you do that with no mistakes, it sounds beautiful.

Not compromising the music, but there is a way, by just showing the people that you're sincere and honest with what you're doing, and by talking to them.

My goal was never to sell many records.

In 1994, I started touring again and I recorded two albums for Chesky Jazz.

There's not much in the way of written-down arrangements - just things that Gerry and I have worked out, from playing spontaneously together and hanging on to whatever seems to fall in right.

People disparage knowing and the intellectual life, and urge doing. I am content with knowing, if only I could know.

Thoughts without content are empty, intuitions without concepts are blind.

Content makes poor men rich; discontent makes rich men poor.

The refusal to rest content, the willingness to risk excess on behalf of one's obsessions, is what distinguishes artists from entertainers, and what makes some artists adventurers on behalf of us all.

When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.

They've also, the government's decided now, what sexual content is.

Many hard comments have been made on my efforts in India from the side of the Congress party, yet I feel content in the deep conviction that the offer I traveled 22,000 miles to discuss with Indian leaders was a real contribution to a solution of our differences.

I endeavor to be wise when I cannot be merry, easy when I cannot be glad, content with what cannot be mended and patient when there be no redress.

There is no reality of consciousness independent of the effects of various vehicles of content on subsequent action (and hence, of course, on memory).

There's probably a way to use that great content and to live under the radar now and then in order to reach a new audience. That's the thinking I'm talking about.

Everything has its wonders, even darkness and silence, and I learn, whatever state I may be in, therein to be content.

While you are experimenting, do not remain content with the surface of things.

What comprises good performance? The ability through singing or playing to make the ear conscious of the true content and affect of a composition.

The problem is we need much more moral content.

Part of keeping space open is not to try to choose a form - to spend more time thinking about content, and let form take care of itself.

If we thought it would improve our relationship, we would get married tomorrow, but as it is, nearly 7 years after we got engaged, we are content to wait.

If any man claims the Negro should be content... let him say he would willingly change the color of his skin and go to live in the Negro section of a large city. Then and only then has he a right to such a claim.